The Tigers of Mysore


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Tiger of Mysore


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Tipu's Tigers


Book Description

"Tipu's Tiger is one of the Victoria and Albert Museum's most enduringly famous and fascinating objects. It was made for Tipu Sultan. the ruler of Mysore, who was killed by the British in 1799 during the final onslaught on his island capital, Seringapatam. After the victory, his treasury was seized and its precious contents rapidly divided between the soldiers of the East India Company army. The spectacular wooden tiger survived, however. Discovered in the music room of the palace, it was shipped to the Company's new musuem in London in 1800." "This book tells the story of the tiger's travels from India to the V&A showing how it has inspired artists and authors, and frightened or entertained the public since its first appearance in England." --Book Jacket.




History of Tipu Sultan


Book Description

In The Present Work, An Attempt Has Been Made To Give An Accurate Picture Of Tipu Sultan By Disengaging His Personality From Masses Of Fictions And Distortions Which Have Gathered Round Him. As Practically The Whole Of Tipu'S Life Was Taken Up With Fighting, The Author Has Devoted Considerable Space To Campaigns And Battles. However, He Has Not Ignored Other Aspects Of His Career. He Has Paid Sufficient Attention To The Causes And Results Of Wars, While TipuS Relation With The English, The French, The Nizam, The Marathas And The Ottoman Sultan Have Been Fully Discussed. The Last Three Chapters Of The Book Have Been Devoted To A Description Of The SultanS Government And Army, His Reforms And Religious Policy, His Efforts At Industrialisation And State Socialism, His Character, His Failures And Achievements. This Pioneering Study Will Enable The Reader To Appraise The Career And Character Of This Extraordinary Man. Its Scholarly Value Is Enhanced By Professor HasanS Extensive Use Of English, French, Persian, And Urdu Sources.




Tiger


Book Description

Was Tipu Sultan a cruel bigot or a wise and just ruler? A reckless adventurer or a proud nationalist? This book cuts through the myths to bring this controversial king and his times come vividly alive, from his youthful military exploits to his death in his final battle against the British




Tiger Tales


Book Description

The Tiger S Enduring Appeal Has Generated A Vast Body Of Literature. This Anthology, Compiled From Non-Fiction Sources By Tiger Scientist And Conservationist K. Ullas Karanth, Opens Up A Captivating World Of Rich Descriptions, Deeply Felt Personal Experiences And Serious Reflections By Hunters, Amateur Naturalists And Wildlife Scientists Who Encountered This Most Charismatic Of All Animal Species. The First Section Of The Book Explores Tiger Hunting And Old-Style Natural History, And Revives Some Of The Earliest Essays On The Tiger. Historian Mahesh Rangarajan S Overview Of The Pre-Colonial And Colonial Periods, When Ruthless Hunting Of Tigers Was The Dominant Social Ethos, Sets The Stage For English Forester C.E.M. Russell S Narration Of Tiger Hunting In Mysore, Published In 1900. Then Follow Tales By Hunter-Naturalists Dunbar Brander, Fred Champion, Kenneth Anderson, William Bazé And Arthur Locke. The Descriptions By More Recent And Less Justifiably Bloodthirsty Hunters, Such As Kesri Singh, A Game Manager In Princely India, And Jack Denton Scott, An American Safari Hunter, Provide Grim Examples Of The Slaughter Of Tigers. The Second Section Covers The Post-Colonial Period. This Was The Era When A New Natural History , Driven By The Sheer Joy Of Watching Tigers, Emerged Leading To The First Steps To Save This Magnificent Cat From The Brink Of Extinction. Essays By Forest Managers Such As A. Hoogerwerf, Kailash Sankhala And Vladimir Troinin, Who Were Fascinated By The Tiger, Are Complemented By The Writings Of Perceptive Amateur Naturalists Such As E.P. Gee, Arjan Singh And Valmik Thapar. In The Last Section The Reader Steps Into The World Of Modern Tiger Science And Conservation. An Account Of The First-Ever Scientific Study Of Tigers By George Schaller Is Followed By The Observations Of Other Biologists, Such As John Seidensticker, Melvin Sunquist, Dale Miquelle And John Goodrich, Who Followed In Schaller S Footsteps And Generated New Insights Into Tiger Ecology And Behaviour. The Concluding Essay, By Naturalist-Historian Geoffrey Ward, Offers A Lucid Overview Of Current Tiger Conservation Issues. With Its Judicious Blend Of Adventure, Natural History And Tiger Science, This Anthology Will Appeal To Wildlife Enthusiasts As Well As Serious Conservationists.




Sharpe's Tiger


Book Description

"It was a bloody awful shot," Sharpe said. "My mother could lay a gun better than that." "I didn't think you had a mother," Private Garrard said. "Everyone's got a mother, Tom." "Not Sergeant Hakeswill," Garrard said, then spat a mix of dust and spittle. . . . "Hakeswill was spawned of the devil." Richard Sharpe—Soldier, hero, rogue—the man you always want on your side. Born in poverty, he joined the army to escape jail and climbed the ranks by sheer brutal courage. He knows no other family than the regiment of the 95th Rifles, whose green jacket he proudly wears.




The Tiger of Mysore


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THE TIGER


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Get ready for an adrenalin-packed adventure across the tiger reserves of Madhya Pradesh, as the young author passionately trails the striped beauty in its natural habitat. The author’s vivid account of his encounters in the wilderness will magically transport you to the jungles of Central India. Out in the jungles, you are sure to hear the calls of the sambars and cheetals and feel the stealthy movements of the tigers and leopards waiting to prey upon their unsuspecting victims. Amidst all the action and thrill, you will also discover astonishing facts about the big cat and its unique behavior in the wild and understand the need to save our glorious tigers from vanishing into oblivion.




Indian Renaissance


Book Description

Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.