The Tournament—Its Periods and Phases


Book Description

In 'The TournamentIts Periods and Phases' by R. Coltman Clephan, readers are offered a comprehensive analysis of the history and evolution of tournaments throughout different periods. Clephan delves into the origins of organized competitions and the various phases they went through, from early medieval jousts to the elaborate Renaissance spectacles. His scholarly approach provides a detailed account of how tournaments shaped societal norms and chivalric ideals, making this book a valuable resource for those interested in medieval history and literature. Clephan's writing style is both informative and engaging, offering readers a deep dive into the cultural significance of these events. R. Coltman Clephan, a respected historian and literature expert, brings his expertise to 'The TournamentIts Periods and Phases'. With a background in medieval studies, Clephan's passion for the subject matter shines through in his meticulous research and insightful commentary. His dedication to uncovering the nuances of tournament culture is evident throughout the book, making it a must-read for academics and history enthusiasts alike. For anyone fascinated by the intersection of history and culture, 'The TournamentIts Periods and Phases' is a fascinating read that offers a nuanced perspective on the evolution of organized competitions. Clephan's expertise and attention to detail make this book a valuable addition to any medieval scholar's library.




The Tournament


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The New Statesman


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The Athenaeum


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British Sport: a Bibliography to 2000


Book Description

Volume one of a bibliography documenting all that has been written in the English language on the history of sport and physical education in Britain. It lists all secondary source material including reference works, in a classified order to meet the needs of the sports historian.




Sports in the Western World


Book Description

Since the earliest days of the silent era, American filmmakers have been drawn to the visual spectacle of sports and their compelling narratives of conflict, triumph, and individual achievement. In Contesting Identities Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time--from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century. Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities like class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance. Looking at films from almost every sporting genre--with a particular focus on movies about boxing, baseball, basketball, and football--Contesting Identities maps the complex cultural landscape depicted in American sports films and the ways in which stories about "subaltern" groups winning acceptance by the mainstream majority can serve to reinforce the values of that majority. In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the "manly" female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.