Romeo and Juliet


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The tragedy of Romeo and juliet - the greatest love story ever.







Summary and Analysis of Romeo and Juliet by William Shakespeare


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Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers. Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. The plot is based on an Italian tale translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. The text of the first quarto version was of poor quality, however, and later editions corrected the text to conform more closely with Shakespeare's original. Shakespeare's use of his poetic dramatic structure (especially effects such as switching between comedy and tragedy to heighten tension, his expansion of minor characters, and his use of sub-plots to embellish the story) has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play.




Brooke's 'Romeus and Juliet, '


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Romeo and Juliet


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Shakespeare's Language


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In this magnum opus, Britain's most distinguished scholar of 16th-century and 17th-century literature restores Shakespeare's poetic language to its rightful primacy.




Pierre Boaistuau's Histoires Tragiques


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In this book, Richard A. Carr elucidates Boaistuau's quest for a 'nouvelle form' in his loose adaptation of Bandello's Novelle. Emphasizing psychological details absent in the Italian original, Carr repeatedly questions the human motives for the gruesome acts that Boaistuau selected as exempla for his readers. This book demonstrates the Boaistuau's use of two elements generally ignored by writers of his day, the conventions of tragedy, and those of rhetoric. Carr's discussion of his style of writing illuminates Boaistuau's use of each accepted rhetorical device to add to the aesthetic appeal of his text without falling into the excesses that would ultimately conflict with his didactic, moralistic purpose. This text delves not only into Boaistuau's work, but also into his character, placing him in the context of the conflict-ridden time in which he lived. The struggle between the author's moralist stance and seeming malaise when confronted with the violence that filled his world allows entry into the limbo that is seeing the evil in mankind, but having no assurance of the infallibility of God and His Law as a means of redemption. Through this analysis, Carr offers new insights on the complexity and generic innovation of an author often accused of banal superficiality.