Holy Treasure and Sacred Song


Book Description

Holy Treasure and Sacred Song explores the complex interplay between relic cults and the liturgy in medieval Tuscany. Drawing on documentary, literary and visual evidence rarely considered together, it reveals that liturgical texts, music, and ritual were integral to the clergy's well-informed promotion of saints buried in their churches.




Sacred Treasure


Book Description

In the discussions and debates surrounding liturgical music of the past fifty years, music theorists, critics, and historians have contributed little, and their counsel has rarely been sought. Whenever the matter of liturgical music arises, most often in parishes, but sometimes in episcopal conferences or in the academy or in Vatican documents, the nature of the music, as music, almost never affects the discussion. With Sacred Treasure, Joseph Swain, a distinguished musicologist and accomplished performer, attempts to change that. He offers a theory for building authentic traditions of liturgical music for Roman Catholic parishes. This book is an exercise in pragmatic music criticism. By providing a rational basis for evaluating the essential issues, Swain seeks to show how a spiritually wholesome stability might supplant the confusion. Sacred Treasure shows how the hard facts of music must be taken into account in any holistic conception and any lasting form of liturgical music.




Sacred Music and Liturgical Reform


Book Description

Anthony Ruff, O.S.B., has written a brilliant, comprehensive, well-researched book about the treasures of the Church's musical tradition, and about the transformations brought about by liturgical reform. The liturgy constitution Sacrosanctum Concilium stated many revolutionary principles of liturgical reform. Regarding liturgical music, the Council's decrees mandated, on the one hand, the preservation of the inherited treasury of sacred music, and on the other hand, advocated adaptation and expansion of this treasury to meet the changed requirements of the reformed liturgy. In clear, precise language, he retrieves the Council's neglected teachings on the preservation of the inherited music treasury. He clearly shows that this task is not at odds with good pastoral practice, but is rather an integral part of it. The book proposes an alternate hermeneutic for understanding the Second Vatican Council's teachings on worship music.










Walking the Sacred Path


Book Description

Those familiar with the music of Dan Schutte are in for a great treat here. As in his music, he deals with themes of longing and desire for God, the hungers of the human heart, unfulfilled human hopes and dreams, and the profound happiness of finding ones home in God. The exercises here are loosely based on the Spiritual Exercises of St. Ignatius of Loyola, and the goal is the same for both: to draw readers into a personal, living, growing relationship with Jesus Christ.







Signs of the Holy One


Book Description

In Signs of the Holy One, Uwe Michael Lang addresses crucial questions which are just now coming to the fore concerning the sacred liturgy. His point of departure is that the Catholic liturgy is a synthesis of elements, far more than just its texts—gesture, motion, architecture, art, music—and that these elements are integral to the solemn liturgy and not just incidental. They are aspects of the non-verbal language of the sacred; they are what makes the liturgy beautiful. His consideration of the beauty of the liturgy poses the problem that the modern notion of beauty is subjective, which makes it difficult to articulate criteria for what is beautiful. But sacred beauty has criteria for each of its principal elements; these are the subject of extended discussion of architecture, art, and music, showing why and how they contribute to the total liturgy. Pope Benedict XVI, who wrote extensively about the liturgy, said, “The greatness of the liturgy depends – we shall have to repeat this frequently – on its non-spontaneity". Modern man needs to learn that banality and repetitious "novelty" are no substitute for the sacred and are unable to induce any sense of meaning, purpose and peace. The yearning for the Transcendent is always felt within the human psyche and is rarely far from the surface, especially among young adults. A Church that forgets this is heading in the wrong direction.




Sacred Song in America


Book Description

In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.




Unwritten Literature of Hawaii


Book Description

As in many other traditional cultures, Hawaiian art, dance, music and poetry were highly integrated into every aspect of life, to a degree far beyond that of industrial society. The poetry at the core of the Hula is extremely sophisticated. Typically a Hula song has several dimensions: mythological aspects, cultural implications, an ecological setting, and in many cases, (although Emerson is reluctant to acknowledge this) frank erotic imagery. The extensive footnotes and background information allow us an unprecedented look into these deeper layers. While Emerson's translations are not great poetry, they do serve as a literal English guide to the amazing Hawaiian lyrics.