The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense


Book Description

Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.




Alfred Hitchcock


Book Description

In a career that spanned six decades and more than sixty films, Alfred Hitchcock became the most widely recognized director who ever lived. His films -- including The 39 Steps, Notorious, Rear Window, Vertigo, Psycho, and The Birds -- set new standards for cinematic invention and storytelling Élan. Since his death, Hitchcock has become crystallized in the public imagination as the macabre Englishman, the sexual obsessive, the Master of Suspense. But this remarkable biography draws on prodigious new research to restore Hitchcock the man -- the ingenious craftsman, the avid collaborator, the constant trickster, provocateur, and romantic. Like Hitchcock's best films, Patrick McGilligan's life of Hitchcock is a drama full of revelation, graced by a central love story, dark humor, and cliff-hanging suspense: a definitive portrait of the most creative, and least understood, figure in film history.




Hitchcock and the Making of Marnie


Book Description

Hitchcock's 1964 psychological thriller 'Marnie' generated wider critical controversy than any other film of his career. This study details the film from conception to postproduction and marketing, showing the film-making process in action, with production details and participants' oral history.




Hitch


Book Description

This biography of Alfred Hitchcock is as intriguing, revealing, perverse, and entertaining as any of his classic films. 'The best book yet about the movies' most famous director' Publisher's Weekly 'No one will ever top Hitch' Jimmy Stewart One of cinema's greatest directors, a virtuoso visual artist, and a genius of the suspense genre, Alfred Hitchcock (1899–1980) is universally known for such masterpieces as Strangers on a Train, Rear Window, Vertigo, North by Northwest, Psycho, and The Birds. But he was also a famously difficult and complex man, prone to arguing with studios and stars alike. In writing this biography, John Russell Taylor, a distinguished film critic and friend of Hitchcock's, enjoyed his full cooperation. Based on numerous interviews, with photos from the private family albums, and an in-depth study of the making of his last film, this biography of the director is as intriguing, revealing, perverse, and entertaining as any Hitchcock classic.




Tied Up in Knotts


Book Description

Karen Knotts tells the full story of her father, Don Knotts Much has been written about Don Knotts's career, especially about his iconic role as Barney Fife on The Andy Griffith Show, but personal views into the man himself are few and far between. In Tied Up in Knotts, a loving daughter provides a full-life narrative of her father: Don's difficult childhood in an abusive home, his escape into comedic performance, becoming a household name, his growth as a feature film actor, his failing health, and his family life throughout, leading to touching and hilarious moments that will make the reader laugh and cry. Those looking for a behind-the-scenes peek at the show, from the nuts and bolts of production to the hilarious pranks and heartfelt moments between the cast and crew, will see it all through the eyes of the little girl who grew up on the set. Knotts will delight readers with the memories of celebrities touched by Don's life, including Ron Howard, Tim Conway, Andy Griffith, Elinor Donahue, John Waters, Barbara Eden, Katt Williams, and Jim Carrey. Tied Up In Knotts delves beyond Barney Fife nostalgia to tell the life story of a man and father.




Phantom Lady


Book Description

Winner of the Mystery Writers of America's 2021 Edgar Allan Poe Award for Best Critical/Biographical In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping both her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and one of the Oscar-nominated screenwriters of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the "Master of Suspense." Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions— and defying anyone who posed an obstacle. She built most of her films and series from the ground up. She waged rough-and-tumble battles against executives and censors, and even helped to break the Hollywood blacklist. She teamed up with many of the most respected, well-known directors, writers, and actors of the twentieth century. And she did it all on her own terms. Author Christina Lane shows how this stylish, stunning woman became Hollywood's most powerful female writer-producer—one whom history has since overlooked.




Angels Burning


Book Description

"On the surface, Chief Dove Carnahan is a true trailblazer who would do anything to protect the rural Pennsylvanian countryside where she has lived all fifty of her years. Traditional and proud of her blue-collar sensibilities, Dove is loved by her community. But beneath her badge lies a dark and self-destructive streak, fed by a secret she has kept since she was sixteen. When a girl is beaten to death, her body tossed down a fiery sinkhole in an abandoned coal town, Dove is faced with solving the worst crime of her law enforcement career. She identifies the girl as a daughter of the Truly family, a notoriously irascible dynasty of rednecks and petty criminals. During her investigation, the man convicted of killing Dove's mother years earlier is released from prison. Still proclaiming his innocence, he approaches Dove with a startling accusation and a chilling threat that forces her to face the parallels between her own family's trauma and that of the Trulys" --




The Camera Lies


Book Description

The first book on Hitchcock that focuses exclusively on his work with actors Alfred Hitchcock is said to have once remarked, "Actors are cattle," a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that the camera was duplicitous, and directed actors to look and act conversely. In The Camera Lies, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Detailing the fluidity of acting -- both what it means to act on film and how the process varies in each actor's career -- Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan Barry, Robert Walker, Jessica Tandy, Kim Novak, and Tippi Hedren. As Hitchcock believed, the best actor was one who could "do nothing well" - but behind an outward indifference to his players was a sophisticated acting theorist who often drew out great performances. The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance, and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.




The Master of Suspense


Book Description

*Includes pictures. *Includes Hitchcock's quotes about directing and explains the key themes and techniques associated with his films. *Includes a bibliography for further reading. "I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach." - Alfred Hitchcock, 1956 In the opening pages of his seminal book-length study of Alfred Hitchcock, Hitchcock's Films (1965), Robin Wood famously asked, "Why Should We Take Hitchcock Seriously?" Wood then proceeded to offer a detailed examination of Hitchcock's career to that point, arguing that the Master of Suspense belonged among the ranks of the preeminent directors in Hollywood, and that his films were among the most important in American culture. When Wood was asking that question, he wasn't asking it rhetorically and was arguing for Hitchcock's relevance, which seems strange today because Hitchcock is now a Hollywood icon. No one would even think of asking that same question today, as just about every American is familiar with Hitchcock's work in some way or another. Hitchcock is regarded as perhaps the most famous and influential director in history, so Wood's question back in 1965 at least demonstrates the evolution of Hitchcock's reputation and the critical reception of his career. Indeed, as revered as Hitchcock is today, it is telling that he was never awarded an Academy Award during his career (though he was given an honorary Oscar after his retirement.) Vertigo (1958), for example, is now considered one of the landmark films of the classical Hollywood cinema, but it was both a box office and a critical flop upon its release. Other Hitchcock films, such as Psycho (1960) and North by Northwest (1959), performed well at the box office but were not viewed as high art. Indeed, it was not until the rise of Film Studies as an academic discipline - a development that saw Hitchcock's films get co-opted by scholars of the horror and suspense genres, feminist film theorists, and film historians - that Hitchcock's reputation as a significant artist and director crystallized. Thus, not only did Hitchcock's career itself undergo dramatic fluctuations, his reception has been every bit as circuitous in its trajectory. The Master of Suspense: The Life and Legacy of Alfred Hitchcock examines the career of Alfred Hitchcock, as well as his personal life and family background. Though they are often forgotten today, this biography looks at the British films that gave him an international reputation and facilitated his move to Hollywood. In addition to looking at his filmography, this biography also looks at the great deal of myths, uncertainty, and sensationalism surrounding his upbringing, and how Hitchcock's family and cultural background and how it shaped his career. Along with pictures of important people, places, and events, you will learn about the Master of Suspense like never before, in no time at all.




The Tastemaker


Book Description

A revealing biography of the influential and controversial cultural titan who embodied an era The Tastemaker explores the many lives of Carl Van Vechten, the most influential cultural impresario of the early twentieth century: a patron and dealmaker of the Harlem Renaissance, a photographer who captured the era's icons, and a novelist who created some of the Jazz Age's most salacious stories. A close confidant of Langston Hughes, Gertrude Stein, George Gershwin, F. Scott Fitzgerald, and the Knopfs, Van Vechten frolicked in the 1920s Manhattan demimonde, finding himself in Harlem's jazz clubs, Hell's Kitchen's speakeasies, and Greenwich Village's underground gay scene. New York City was a hotbed of vice as well as creativity, and Van Vechten was at the center of it all.Edward White's biography—the first comprehensive biography of Carl Van Vechten in nearly half a century, and the first to fully explore Van Vechten's tangled relationship to race and sexuality—depicts a controversial figure who defined an age. Embodying many of the contradictions of modern America, Van Vechten was a devoted husband with a coterie of boys by his side, a supporter of difficult art who also loved lowbrow entertainment, and a promoter of the Harlem Renaissance whose bestselling novel—and especially its title—infuriated many of the same African-American artists he championed. Van Vechten's defense of what many Americans considered bad taste—modernist literature, African-American culture, and sexual self-expression—created a popular appetite for these quintessential elements of American art. The Tastemaker encompasses its subject's private fears and longings, as well as Manhattan's raucous, taboo-busting social scene of which he was such a central part. It is a remarkable portrait of a man whose brave journeys across boundaries of race, sexuality, and taste helped make America fully modern.