The Two Worlds of the Poet


Book Description

This collection of essays honors Alexander Gordon McKay, one of the most respected names in Vergilian studies. Written by some of the world's leading scholars, the essays offer new perspectives on the larger Vergilian world which Dr. McKay's scholarship has so richly illuminated. The Two Worlds of the Poet focuses primarily on Vergil and Augustan literature and art, with several essays that expand the Vergilian theme and reflect the wide research interests of Professor McKay in such areas of classical studies as literature, art, architecture, painting, and sculpture. Vergil's world presents two faces, each inseparable from the other-the world which formed the poet and the world which the poet himself created--and it is proper that a volume which commemorates a scholar whose own work has elucidated both of these worlds should address itself to each. Several essays examine the poet's modus creandi--his use of the simile; his assimilation of the language and motifs of Roman comic drama; his exploitation of the rich store of Greek, Etruscan, and Roman mythological, legendary, and historical material; and his treatment of a variety of themes which touch upon the very essence of the human condition. Other essays touch upon various aspects of Vergil's material and cultural environment, enabling readers to place his created work in a broader perspective. Contributors offer new perspectives on the post-classical treatment of Vergilian themes, illustrating how the reception of Vergil varied with successive generations. The volume concludes with the reflections of the senior statesman of Vergilian criticism upon the scholar's art and mission. Vergil knew that to understand the present it was essential to break out of the narrow circle of the moment and to reach into the past, thereby affirming our own humanity and our place in the world and finding paths into the future. Vergil and his poetry create evocative connections that cut across time and place and culture, providing a glimpse at the universal human experience. The essays in The Two Worlds of the Poet explore Vergil's own struggle to find his place in the world, chronicle the pathway by which we gain entry into the world of the poet, and examine how the world of the poet has influenced and enriched our world. Robert McKay Wilhelm is a professor of Classics at Miami University in Oxford, Ohio. His specialties include Latin literature, Vergilian studies, classical mythology, and Greek and Roman art and archaeology. He earned his Ph.D. from The Ohio State University. A professor of Classics at McMaster University, Howard Jones is the author of several books including Pierre Gassendi: An Intellectual Biography and The Epicurean Tradition. He received his Ph.D. from Indiana University.




Poems of the Two Worlds


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Song of Two Worlds


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In Alan Lightman's new book, a verse narrative, we meet a man who has lost his faith in all things following a mysterious personal tragedy. After decades of living "hung like a dried fly," emptied and haunted by his past, the narrator awakens one morning revitalized and begins a Dante-like journey to find something to believe in, first turning to t




The Fortunate Traveller


Book Description

Derek Walcott was one of the most accomplished and resourceful poets who wrote in English, winning the Nobel Prize in Literature in 1992. The volume of his work in The Fortunate Traveller, which contains such poems as "Olde New England" and "Piano Practice," cements his reputation as a poet who "handles English with a closer understanding of its inner magic than most, if not any, of his contemporaries" - Robert Graves




My Own True Name: New and Selected Poems for Young Adults


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More than sixty poems, some with Spanish translations, include such titles as "The Young Sor Juana", "Graduation Morning", "Border Town 1938", "Legal Alien", "Abuelita Magic", and "In the Blood".




T. S. Eliot Between Two Worlds


Book Description

The basis of this critical examination of Eliot’s work, first published in 1973, is the investigation of his transmutation of this and other philosophical, mythological and religious motives into the textures of his verse. This book focuses on Eliot’s peculiar eclectic approach to what he described as ‘the Tradition’. It also recognises the fact that Eliot, for all his attempts at universality, was a product of time and place, and gives an account of the way in which his education and experience shaped his most important interests. This title will be of interest to students of literature.




The Two Worlds of Marcel Proust


Book Description

In the years since Proust's death there have been many specialized studies of his extraordinary novel, and his character and viewpoint have been violently attacked and warmly defended. Here at last, written with sound scholarship but addressed to the general reader, is a full, frank, and unbiased account of the man and his work, and a clear statement of what he has to say to the world today. Chronological biography is interpolated with detailed analysis of Proust's work in reference to his intellectual and emotional development. Stressed as important contributing factors in his development, aside from the influences of the decadent '8Os and '90s, are the subordination of intellect to intuition, the discovery of involuntary memory, the search for affection and the enduring friendship, the torments of jealousy in a sensitive mind, the burden of homosexuality. The author shows how the dreamy, sensitive, affectionate boy who loved sunlight and the out-­of-doors was transformed into the legendary recluse of the cork-lined chamber—a strange, somnambulistic creature with luminous eyes, waxy pallor, and dank matted hair who, shivering and drugged, had himself driven in a tightly dosed limousine for a look through glass at his still-loved fruit trees in bloom. It was asthma that accomplished the transformation—asthma and the strange paralysis of the will when he was called upon to make a decision. But in his enforced seclusion Proust's profoundly analytical mind, extraordinary intuitions, and astounding memory explored the fruits of experience, and produced his epoch-making work. Out of his physical and emotional sufferings he evolved his philosophy of the two worlds: one the world of time, where necessity, illusion, suffering, change, decay, and death are the law; the other the world of eternity, where there is freedom, beauty, and peace. Normal experience is in the world of time, but glimpses of the other world may be given in moments of contemplation or through accidents of involuntary memory. It is the function of art to develop these insights and to use them for the illumination of life in the world of time.




Ovid; a Poet Between Two Worlds


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Duende


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The award-winning second collection by the Poet Laureate of the United States Duende, that dark and elusive force described by Federico García Lorca, is the creative and ecstatic power an artist seeks to channel from within. It can lead the artist toward revelation, but it must also, Lorca says, accept and even serenade the possibility of death. Tracy K. Smith's bold second poetry collection explores history and the intersections of folk traditions, political resistance, and personal survival. Duende gives passionate testament to suppressed cultures, and allows them to sing.




Representations of the Divine in Arabic Poetry


Book Description

In Islam the fascination for “the word” is as vigorous as in Judaism and in Christianity, but an extra dimension is, that the revealed text, the Koran, is considered to be verbatim the word of the Almighty Himself, thereby providing the Arabic language with just an extra quality. No wonder that throughout Islamic history the study of the word, the Koran, the prophet’s utterances and the interpretation of both, has become the main axis of knowledge and education. As a consequence the intellectuals – and also the poets in Islamic culture - were thoroughly familiar with religious terms and the phraseology of a language which was highly estimated because of the divine origin with which it was associated. No wonder therefore, that allusions to religious texts can be found throughout Arabic literature, both classical and modern. The subject of this volume is the representation of the divine in Arabic poetry, be it the experience of the divine as expressed by poets or the use of imagery coined by religion.