Ugly American


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The ineffectual Ambassador is just one of the handicaps facing the Americans as Southeast Asia becomes increasingly involved with Communism.




Kings of the High Frontier


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King of the Mild Frontier


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ALA Best Fiction for Young Adults * New York Public Library Books for the Teen Age A riveting, scorching—and hilarious—autobiography by the award-winning author of Staying Fat for Sarah Byrnes and Deadline. From trying to impress a member of the girls’ softball team (with disastrous dental results) to enduring the humiliation of his high school athletic club initiation (olives and oysters play unforgettable roles), Chris Crutcher’s memoir of the tricky road to adulthood is candid, disarming, laugh-out-loud funny, relevant, and never less than riveting. He vividly describes a temper that was always waiting to trip him up even as it sustained him through some of the most memorable mishaps any child has survived. And how did this guy (he lifted his brother’s homework through the entire tenth grade) ever become a writer, not to mention the author of fourteen critically acclaimed books for young people? The frontier may be mild, but the book is not. Fans of Tara Westover’s Educated, Jack Gantos’s Hole in My Life, and Walter Dean Myers’s Bad Boy will laugh, will cry, and will remember. “Funny, bittersweet and brutally honest. Readers will clasp this hard-to-put-down book to their hearts even as they laugh sympathetically.”—Publishers Weekly (starred review)




The New Urban Frontier


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Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth century. Documenting in gritty detail the conflicts that gentrification brings to the new urban 'frontiers', the author explores the interconnections of urban policy, patterns of investment, eviction, and homelessness. The failure of liberal urban policy and the end of the 1980s financial boom have made the end-of-the-century city a darker and more dangerous place. Public policy and the private market are conspiring against minorities, working people, the poor, and the homeless as never before. In the emerging revanchist city, gentrification has become part of this policy of revenge.




Jim Ugly


Book Description

A one-man dog Part wolf and fiercely independent, Jim Ugly is a dog who answers to only one person. Unfortunately, that man -- Sam Bannock -- has disappeared. Rumor has it that Sam is dead, but to his son, Jake, something about that doesn't sound quite right. So Jake and Jim Ugly embark on a wild journey into the frontier West, where they find themselves pursued by a pretty lady, a theater troupe, and one very ornery yellow-legged man. And they all want to know one thing: Where is Sam Bannock?




Music in the Western


Book Description

Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.




Our Frontier Is the World


Book Description

Mischa Honeck’s Our Frontier Is the World is a provocative account of how the Boy Scouts echoed and enabled American global expansion in the twentieth century. The Boy Scouts of America (BSA) has long been a standard bearer for national identity. The core values of the organization have, since its founding in 1910, shaped what it means to be an American boy and man. As Honeck shows, those masculine values had implications that extended far beyond the borders of the United States. Writing the global back into the history of one of the country’s largest youth organizations, Our Frontier Is the World details how the BSA operated as a vehicle of empire from the Progressive Era up to the countercultural moment of the 1960s. American boys and men wearing the Scout uniform never simply hiked local trails to citizenship; they forged ties with their international peers, camped in foreign lands, and started troops on overseas military bases. Scouts traveled to Africa and even sailed to icy Antarctica, hoisting the American flag and standing as models of loyalty, obedience, and bravery. Through scouting America’s complex engagements with the world were presented as honorable and playful masculine adventures abroad. Innocent fun and earnest commitment to doing a good turn, of course, were not the whole story. Honeck argues that the good-natured Boy Scout was a ready means for soft power abroad and gentle influence where American values, and democratic capitalism, were at stake. In other instances the BSA provided a pleasant cover for imperial interventions that required coercion and violence. At Scouting’s global frontiers the stern expression of empire often lurked behind the smile of a boy.




On the Frontier


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Life in the Saddle


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Englishman Frank Collinson went to Texas in 1872, when he was seventeen, to work on Will Noonan’s ranch near Castroville. He lived the rest of his life in the southwestern United States, and at the age of seventy-nine began writing about the Old West he knew and loved. He had a flair for writing, a phenomenal memory, and a passion for truth that is evident in what he wrote and said. His writings for Ranch Romances, his letters, and transcriptions of his conversations have been arranged here in roughly chronological order, so that their importance for frontier history is readily apparent. Collinson ranged the West in his writings as he did in person, telling of the last tragic days of buffalo hunting on the Plains; clashes between hunters or cowboys and the Plains Indians; the character of trail drivers; and the definitive nature of violence, particularly at gun-point. J. Frank Dobie said of Collinson: "In the realm of frontier chronicles, the writing of educated Englishmen. . . men with the perspective of civilization, with imagination, and a lust for primitive nature, stand out. To this class of men belongs Frank Collinson."




My Mother Was a Freedom Fighter


Book Description

I am 27 and have never killed a man but I know the face of death as if heirloom my country memorizes murder as lullaby —from “For Fahd” Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, My Mother Is a Freedom Fighter is Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world. Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy. Praise for Aja Monet: ““[Monet] is the true definition of an artist.” —Harry Belafonte ““In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.” —Carrie Mae Weems Of Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.