The Uncaged Project


Book Description

The Uncaged Projectis a self-help study of practical strategies regarding core spiritual issues of childhood abuse, including sexual abuse: estrangement from self and God.




Bird Uncaged


Book Description

From a leading prison abolitionist, a moving memoir about coming of age in Brooklyn and surviving incarceration—and a call to break free from all the cages that confine us. Marlon Peterson grew up in 1980s Crown Heights, raised by Trinidadian immigrants. Amid the routine violence that shaped his neighborhood, Marlon became a high-achieving and devout child, the specter of the American dream opening up before him. But in the aftermath of immense trauma, he participated in a robbery that resulted in two murders. At nineteen, Peterson was charged and later convicted. He served ten long years in prison. While incarcerated, Peterson immersed himself in anti-violence activism, education, and prison abolition work. In Bird Uncaged, Peterson challenges the typical “redemption” narrative and our assumptions about justice. With vulnerability and insight, he uncovers the many cages—from the daily violence and trauma of poverty, to policing, to enforced masculinity, and the brutality of incarceration—created and maintained by American society. Bird Uncaged is a twenty-first-century abolitionist memoir, and a powerful debut that demands a shift from punishment to healing, an end to prisons, and a new vision of justice.




Protecting and Preserving Our Heritage


Book Description

Protecting and preserving our Heritage : Vol. 2: Written Evidence




Creative Pet Project


Book Description

With 111 well-known artists from around the world, this unique and beautiful PDF version of the Creative Pet Project will draw you to understand the passions that artists have to breathe life into their works. This has been achieved through the connections they have with their companion animals. Almost 70% of the artists in the book have rescue animals, and their love for these animals extends to the beautiful artwork they create, that also contain animals. Well-known artists and illustrators such as Yuko Shimizu, Anita Kunz, Martin Wittfooth, Sas Christian, John Brophy,Lola Gil, Raffaele Bafefit, Ana Bagayan, Dilka Bear, Chet Zar, Heiidi Tailleferr, Jackie Morris, and many more, all have that great thing in common. They love animals and they love their creative work. That is what makes this book a great piece to have and explore. If you love animal and love art, this book is for you! It comes with full interactive menu, and bookmarks, as well as 240 pages of art, profiles and pet stories that will make you love the works even more. 240 Pages 111 artworks 111 biographies/pet bios Follow us at: http://www.creative-pet-project.com https://twitter.com/CreatePetProj https://www.facebook.com/CreativePetProject http://createpetproj.wordpress.com https://plus.google.com/u/0/b/115260259276234429438/+Creativepetproject2014/posts http://createpetproj.tumblr.com http://instagram.com/creatpetproj/ http://www.pinterest.com/creativepetproj/ https://vimeo.com/user25931039 http://society6.com/CreativePetProject




The SAGE Handbook of Digital Dissertations and Theses


Book Description

This handbook sets out the processes and products of ′digital′ research. It is a theoretical and practical guide on how to undertake and navigate advanced research in the arts, humanities and social sciences. Topics covered include: - how to make research more accessible - the use of search engines and other sources to determine the scope of work - research training for students - what will theses, dissertations and research reports look like in ten years′ time? - the storing and archiving of such research - ethics and methodologies in the field - intercultural issues The editors focus on advances in arts and practice-based doctorates, and their application in other fields and disciplines. The contributions chart new territory for universities, research project directors, supervisors and research students regarding the nature and format of Masters and doctoral work, as well as research projects. This handbook is an essential reference for researchers, supervisors and administrators on how to conduct and evaluate research projects in a digital and multimodal age. Richard Andrews is Professor in English, Faculty of Children and Learning, Institute of Education. Erik Borg is a Senior Lecturer at Coventry University′s Centre for Academic Writing. Stephen Boyd Davis is Research Leader in the School of Design, Royal College of Art. Myrrh Domingo is Visiting Assistant Professor in English Education and Literacy Education at New York University. Jude England is Head of Social Sciences at the British Library.




Movie Monsters of the Deep


Book Description

Is there a shark movie that is scarier than Jaws? What is the sneaky secret hidden in the Loch Ness monster’s name? How did the Gill-man in Creature from the Black Lagoon become a romantic hero? Do mermaids count as sea monsters? What terrifying sea creature was discovered to really exist, and just what on earth is a globster? From Kraken to kaiju, Open Water to The Shallows, monsters of the deep have fascinated and horrified us for centuries. There’s even a name for the fear of deep bodies of water: thalassophobia. Humans have a natural fear of predators in the water, and yet we just can’t stop thinking about them! There are a lot of deep water monster movies out there; good, bad, strange and ‘so bad it’s good’. This book has collected some of the best, worst and most interesting out there to tell you about. If you ever wanted to know your crocodile from your Cthulhu and find out how they make the monsters come alive, whether you like your monsters in the ocean or in lakes, based on real animals or totally made up, with fins or tentacles, one head or five, if you love your movie monsters of the deep then this book was written for you.




Pet Projects


Book Description

In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young’s own experience of a beloved animal’s illness, this study highlights the personal and intellectual stakes of a “pet project” of cultural criticism. Young assembles a broad archive of materials, beginning with Saunders’s novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term “first-dog voice” to describe the narrative technique of novels, such as Saunders’s Beautiful Joe, written in the first person from the perspective of an animal. She connects this voice to contemporary political issues, revealing how animal fiction such as Saunders’s reanimates nineteenth-century writing about both feminism and slavery. Highlighting the prominence of taxidermy in the late nineteenth century, she suggests that Saunders transforms taxidermic techniques in surprising ways that provide new forms of authority for women. Young adapts Freud to analyze literary representations of mourning by and for animals, and she examines how Canadian writers, including Saunders, use animals to explore race, ethnicity, and national identity. Her wide-ranging investigation incorporates twenty-first as well as nineteenth-century works of literature and culture, including recent art using taxidermy and contemporary film. Throughout, she reflects on the tools she uses to craft her analyses, examining the state of scholarly fields from feminist criticism to animal studies. With a lively, first-person voice that highlights experiences usually concealed in academic studies by scholarly discourse—such as detours, zigzags, roadblocks, and personal experience—this unique and innovative book will delight animal enthusiasts and academics in the fields of animal studies, gender studies, American studies, and Canadian studies.




Prison Pedagogies


Book Description

In a time of increasing mass incarceration, US prisons and jails are becoming a major source of literary production. Prisoners write for themselves, fellow prisoners, family members, and teachers. However, too few write for college credit. In the dearth of well-organized higher education in US prisons, noncredit programs established by colleges and universities have served as a leading means of informal learning in these settings. Thousands of teachers have entered prisons, many teaching writing or relying on writing practices when teaching other subjects. Yet these teachers have few pedagogical resources. This groundbreaking collection of essays provides such a resource and establishes a framework upon which to develop prison writing programs. Prison Pedagogies does not champion any one prescriptive approach to writing education but instead recognizes a wide range of possibilities. Essay subjects include working-class consciousness and prison education; community and literature writing at different security levels in prisons; organized writing classes in jails and juvenile halls; cultural resistance through writing education; prison newspapers and writing archives as pedagogical resources; dialogical approaches to teaching prison writing classes; and more. The contributors within this volume share a belief that writing represents a form of intellectual and expressive self-development in prison, one whose pursuit has transformative potential.







Uncaged (The Singular Menace, 1)


Book Description

A New York Times bestseller! John Sandford and Michele Cook debut a high-octane thriller series about a ruthless corporation, unspeakable experiments, and a fight to expose the truth. Perfect for fans of James Dashner's The Maze Runner. Shay Remby arrives in Hollywood with $58 and a handmade knife, searching for her brother, Odin. Odin’s a brilliant hacker but a bit of a loose cannon. He and a group of radical animal-rights activists hit a Singular Corp. research lab in Eugene, Oregon. The raid was a disaster, but Odin escaped with a set of highly encrypted flash drives and a post-surgical dog. When Shay gets a frantic 3 a.m. phone call from Odin—talking about evidence of unspeakable experiments, and a ruthless corporation, and how he must hide—she’s concerned. When she gets a menacing visit from Singular’s security team, she knows: her brother’s a dead man walking. What Singular doesn’t know—yet—is that 16-year-old Shay is every bit as ruthless as their security force, and she will burn Singular to the ground, if that’s what it takes to save her brother.