Author : Stanley Weintraub
Publisher : New York : F. Ungar
Page : 274 pages
File Size : 41,80 MB
Release : 1982
Category : Drama
ISBN :
Biografie over de Ierse schrijver (1856-1950)
Author : Gale K. Larson
Publisher : Penn State Press
Page : 284 pages
File Size : 29,32 MB
Release : 2002
Category : Literary Criticism
ISBN : 9780271022277
Shaw, now in its twenty-second year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.
Author : Barney Shaw
Publisher : Icon Books
Page : 292 pages
File Size : 34,12 MB
Release : 2017-09-07
Category : Science
ISBN : 1785781146
Smell is the most emotional and evocative of our senses: it can bring back memories faster and with more immediacy than a photograph – so why is it so little understood? Armed with a hungry curiosity and a willingness to self-experiment, author Barney Shaw goes in search of the hidden meanings of smells. Using plain words to describe what he finds, he investigates the chemistry, psychology, history and future of this underappreciated sense. Journeying around boatyards, perfume shops and memories, Shaw opens your nose to the world, breaking down "chords" of smells into their component notes and through them revealing new ways of understanding the spaces through which we move. An investigation into the biology, psychology and history of smell, and a search for effective ways to put into words scents that we instantly relate to, but find strangely ineffable, THE SMELL OF FRESH RAIN includes a 200-entry thesaurus of succinct descriptions of common smells.
Author : Stanley Weintraub
Publisher : Penn State Press
Page : 276 pages
File Size : 27,11 MB
Release : 1996
Category : Biography & Autobiography
ISBN : 9780271015002
How could Bernard Shaw have found anything to admire in Queen Victoria? Or in the passionate evangelical "General" William Booth of the Salvation Army? What possible connections could there be between Shaw, the passionate socialist, and the Tory Winston Churchill, who seemed to represent everything Shaw should have rejected and despised? In Shaw's People, noted Shaw scholar Stanley Weintraub explores the relationships between Shaw and twelve of his contemporaries, including Queen Victoria, Oscar Wilde, H. L. Mencken, James Joyce, and Winston Churchill. Weintraub chose these individuals as lenses through which to look at Shaw but also for the ways in which their lives are illuminated through their often paradoxical relationships with Shaw. While Shaw never met Queen Victoria, his sovereign during the first forty-five years of his life, the degree of her influence is apparent in Shaw's reference to himself, in his ninth decade, as "an old Victorian." Weintraub explores those in the literary world who interacted with Shaw, such as H. L. Mencken, one of Shaw's earliest American fans, who turned against his hero at the peak of his translatlantic reputation, and James Joyce, who was loath to confess his respect for his fellow Irishman. He investigates the curious mutual admiration between Shaw and W. B. Yeats and Shaw's championing of Oscar Wilde despite the vast difference in their lifestyles. Weintraub's skillful investigation of each of these twelve relationships illuminates a different facet of Shaw, from his pre-dramatist years in London through the close of his long life.
Author : Milton T. Wolf
Publisher : Penn State Press
Page : 312 pages
File Size : 23,89 MB
Release : 1997-01-01
Category : Literary Criticism
ISBN : 9780271016818
Shaw's speculations about human destiny align him with many other writers of the time, and later, who forged a new genre of literature that ultimately took the name in 1928 of "science fiction." Ray Bradbury affirms Greg Bear's statement about the little-known, but significant, relationship that Bernard Shaw has with science fiction. Bradbury, who frequently emphasizes Shaw's influence on his own work, asks, "Isn't it obvious at last: Those that do not live in the future will be trapped and die in the past?" Susan Stone-Blackburn, comparing Shaw's Back to Methuselah with Olaf Stapledon's Last and First Men, discusses why science-fiction scholars have been reluctant to acknowledge Shaw's role in the genre. Tom Shippey examines aspects of Shaw's theory of Creative Evolution to show why many have dismissed Shaw's science fiction as insufficiently scientific. Surveying the science-fiction milieu, Ben P. Indick shows that while Shaw was not interested in writing science fiction per se, he knew the genre and how to use it. Jeffrey M. Wallmann chronicles the science-fiction techniques that Shaw foreshadowed. Rodelle Weintraub analyzes dream-related elements of the fantastic that Shaw frequently employed in his drama. John Barnes focuses on Shaw's "radical superman," a stock-in-trade of science fiction. Like H. G. Wells, Shaw understood that human intervention was becoming the dominant mechanism of evolution and that new approaches to theatrical drama would be required to convey the social and political impact of the scientific revolution. Elwira M. Grossman compares similar dilemmas facing Shaw and the Polish dramatist Witkacy. J. L. Wisenthal examines the utopian tradition that underlay the English literary experience, and Julie A. Sparks contrasts Karel Capek's anti-utopian concepts with Shaw's utopian vision. Also included is an 1887 lecture by Shaw entitled "Utopias," published here for the first time. Several of the contributors emphasize the significant influence that Shaw had on major science-fiction writers. Elizabeth Anne Hull explores Shaw's affinities with Arthur C. Clarke, John R. Pfeiffer discusses the many connections between Shaw and Ray Bradbury, and George Slusser explores Shaw and Robert A. Heinlein's "recurrent fascination with the possibilities of life extension." Like his friend Einstein, Shaw knew that imagination is more important than knowledge. Peter Gahan's article demonstrates that Shaw's ambition was to engage the reader's imagination, the only "sufficient backdrop for his vision." Also included are reviews of recent additions to Shavian scholarship, including the Shaw/Wells correspondence, and John R. Pfeiffer's "Continuing Checklist of Shaviana."
Author : Fred D. Crawford
Publisher : Penn State Press
Page : 264 pages
File Size : 43,62 MB
Release : 1998
Category : Literary Criticism
ISBN : 9780271017792
SHAW 18 offers fourteen articles that illuminate aspects of Shaw's family history, relations with contemporaries, evolving reputation, and dramatic works. Dan H. Laurence presents an authoritative genealogy of the Shaw and Gurly sides of Shaw's family. Among discoveries that have long eluded Shaw's biographers is the birthdate of Elinor Agnes "Yuppy" Shaw, Shaw's sister. Michael W. Pharand assesses Shaw's intense dislike of Sarah Bernhardt. Stanley Weintraub analyzes Shaw's presence in the plays of Eugene O'Neill. Shaw's Advice to Irishmen, a newspaper account of Shaw's 1918 Dublin lecture "Literature in Ireland," records Shaw's comments on George Moore, J. M. Synge, and James Joyce. Robert G. Everding surveys Shaw festivals from 1916 in Ireland to the present-day Shaw festivals in Ontario and Milwaukee. In a review of Frank Harris on Bernard Shaw (1931), Richard Aldington dismisses Shaw as human being, thinker, and dramatist: "You must be a Shavian to admire and love Shaw the artist." In an interview with Leon Hugo, biographer Michael Holroyd discusses his biography of G.B.S., responses to his biography, and future work involving G.B.S. Jeffrey M. Wallmann argues that alienation in Shaw's plays enhances their contemporary value. Bernard F. Dukore investigates Shaw's reasons for discarding the original final act of The Philanderer. Rodelle Weintraub argues persuasively that You Never Can Tell requires the audience to choose between "Crampton's reality" and "Crampton's dream." Mark H. Sterner, weighing the various charges against Ann Whitefield's character in Man and Superman, concludes that Shaw's treatment of her and Tanner "as significantly different, but nevertheless equal . . . in itself was a revolutionary change in the status of sexual power relationships." Julie A. Sparks identifies W. W. Henley's sonnet "'Liza" as a likely source not only for some of Eliza's traits in Pygmalion but also for images in Man and Superman and Major Barbara. Charles A. Carpenter considers Buoyant Billions and Farfetched Fables in the context of Shaw's response to the birth of the atomic age. Paul Bauschatz, evaluating the differences between My Fair Lady and Pygmalion, illustrates why the film can reflect Shaw's play "only uneasily." SHAW 18 includes five reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
Author : Dan Laurence
Publisher : Penguin UK
Page : 314 pages
File Size : 17,14 MB
Release : 1991-11-28
Category : Drama
ISBN : 0141963727
This is a collection of the plays of George Bernard Shaw that includes "The Millionairess", "Too True to be Good" and "The Simpleton of the Unexpected Isles".
Author : George Bernard Shaw
Publisher : Createspace Independent Publishing Platform
Page : 90 pages
File Size : 28,81 MB
Release : 2018-09
Category :
ISBN : 9781726415545
The emigration office at a tropical port in the British Empire. The office is an annex of the harbor and customs sheds on one side and of the railway station on the other. Placards direct passengers TO THE CUSTOMS and TO THE TRAINS through the open doors right and left respectively. The emigration officer, an unsatisfactory young man of unhealthy habits, is sitting writing at his table in the middle of the room. His clerk is at a standing desk against the wall on the customs side. The officer wears tropical clothes, neither too tidy nor too clean. The clerk is in a shabby dark lounge suit...a scream cut short by a splash. The E. O. sits down at the table and attacks the remains of the feast ravenously.
Author : Stanley Weintraub
Publisher : Penn State Press
Page : 165 pages
File Size : 45,97 MB
Release : 1988-06-01
Category : Reference
ISBN : 0271026723
This is the first comprehensive annotated bibliography of works by and about Bernard Shaw. No book has appeared before that has surveyed all of the research and writing that the life and work of Bernard Shaw have evoked. The greatest dramaturgist in English after Shakespeare, Shaw was one of the dominant public figures of his time, a long lifetime (1856-1950) that began in the mid-Victorian period and extended into the Atomic Age. Inevitably, someone who straddled his age so visibly and so memorably, and whose works retain a continuing fascination, has been the subject of thousands of articles and hundreds of books, from criticism of individual works to multivolume biographies, editions, and studies. Stanley Weintraub has distilled his forty years of experience of Shaw studies to bring them into useful focus and sort out the significant writings from the burgeoning mass of publications. This book is an essential tool for both scholars and general readers interested in the multifarious world of Shaw. Readers will not only find out what has been done, but what still remains to be accomplished in Shaw studies; what Shaw's influence has been on other writers; even where Shaw has appeared as a character in other writers' poetry, fiction, and drama.
Author : Gale K. Larson
Publisher : Penn State Press
Page : 238 pages
File Size : 50,78 MB
Release : 1999
Category : Literary Criticism
ISBN : 9780271019185
This special issue of Shaw offers ten articles that focus on the theme of "Shaw and History." That focus illuminates Shaw's concept of history as art and its uses for dramatic purposes. It is a focus that is broadly applied to the historical perspective. Views range from Shaw's uses of historical sources in the Shavianizing of history, his uses of historical, geographical, and political places and events in his work, to views that place selected Shavian works within a historical context. Stanley Weintraub discusses Shaw's references to Cetewayo, Zulu chieftain, in Cashel Byron's Profession as the first incorporation of a contemporary historical figure into his work. John Allett explores the liberal, socialist, and radical feminist views of prostitution in nineteenth-century England and demonstrates how those political views are developed within the unfolding action ofMrs Warren's Profession. Sidney P. Albert studies the Utopian movement, "The Garden City," to determine the extent to which that movement influenced Shaw's conception of Perivale St. Andres inMajor Barbara. He also narrates his personal attempt to identify the Ballycorus smelting works and its surroundings as well as the campanile, or Folly, at Faringdon as sites that provided the scenic sources for Perivale St. Andres inMajor Barbara. Gale K. Larson has edited a partially unpublished Shavian manuscript that addresses Shaw's relationship with Frank Harris and, among other matters, sets the historical record right as to who deserves the credit for attributing the identity of the Dark Lady of the Sonnets to Mary Fitton. He also examines the historical sources that influenced Shaw's views on Charles II, the "Merry Monarch," in"In Good King Charles's Golden Days" and demonstrates Shaw's reclamation of yet another historical figure from the traditional historians. David Gunby examines the first-night performance of O'Flaherty, V.C. for purposes of setting the historical record straight as to the facts of that production. Wendi Chen presents the stage history of the production of Mrs Warren's Professionin China during the early 1920s and argues its central role in shaping modern Chinese drama. Rodelle Weintraub assesses Too True to Be Good as a dream play within the context of the nightmarish times of World War I. Michael M. O'Hara surveys the Federal Theatre's productions of Androcles and the Lionin the 1930s to reveal the political and religious repressions that those productions underscore. Shaw 19 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
