The Unknown Callas


Book Description

(Amadeus). In this award-winning biography, Petsalis-Diomidis closely examines Maria Callas's life in Athens from 1937 to 1945. These years have been largely absent from previous works about Callas, but were crucial to her professional and personal growth. The author examines her professional development, her studies, her concertizing, and her work with the Greek National Opera. He also recounts Callas's daily life, her friendships, her rivalries at the conservatory, and her personal life. Though it is a detailed historical biography, the writing and pace are novelistic. HARDCOVER.




Cast a Diva


Book Description

Maria Callas (1923–77) was the greatest opera diva of all time. Despite a career that remains unmatched by any prima donna, much of her life was overshadowed by her fiery relationship with Aristotle Onassis, who broke her heart when he left her for Jacqueline Kennedy, and her legendary tantrums on and off the stage. However, little is known about the woman behind the diva. She was a girl brought up between New York and Greece, who was forced to sing by her emotionally abusive mother and who left her family behind in Greece for an international career. Feted by royalty and Hollywood stars, she fought sexism to rise to the top, but there was one thing she wanted but could not have – a happy private life. In Cast a Diva, bestselling author Lyndsy Spence draws on previously unseen documents to reveal the raw, tragic story of a true icon.




Maria by Callas


Book Description

Photographic history of Maria Callas' life with her own recorded comments s commentary.




Callas


Book Description

This special edition brings together photographs of Callas' legendary stage appearances, portraits, snapshots, press and private photographs. It can be viewed as an iconography of Callas, a unique phenomenon who was both a musical genius as well as a jet set personality - thirty years after her death, the fascination with Maria Callas (1923-1977) has become a personality cult. This is not a biography in the usual sense, but rather a psychological study of an extraordinary artist and of her dealings with the vagaries of publicity. The accompanying text deals on the one hand with the virtuosity of the "Voice of the Century" and, on the other hand, with the cult figure photographs. These images have been taken by both well-known and unknown photographers and have been selected from all stages of her life and from all over the world - thus making this volume a unique documentation of the Callas legend.




Maria Meneghini Callas


Book Description

Penetrating, sometimes controversial insights into her genius, commenting on her choice of repertory, and speculating about the reasons behind the concert cancellations that brought her so much publicity. The book also features a discography, a complete list of Callas's performances, and 31 photographs, many previously unknown. With enthusiasm and vitality, Michael Scott has brilliantly captured Callas's life and artistic milieu in a fascinating exploration of one of.




Prima Donna


Book Description

Prima Donna: The Psychology of Maria Callas explores the psychological mechanisms underlying the hypnotic power of Callas's artistry and the unfolding of her tragic life story. Although precipitated by the trauma and shame that followed her abandonment by Aristotle Onassis and the rapid deterioration of her voice, Callas's midlife disintegration reflects deep psychological vulnerabilities. In this book, Wink utilizes cutting-edge advances in research on developmental psychology and narcissism to shed light on Callas's puzzling personal deterioration during the last nine years of her life. Lacking a cohesive and integrated sense of self, Callas sought affirmation and vitality from adoring audiences and older men including her husband Battista Meneghini and her long-term partner Onassis. The propensity to fuse her identity with stage roles contributed to her artistic greatness, but envy and the lack of an intrinsic sense of meaning and worth intensified her vulnerability to life's vicissitudes. Prima Donna is both a powerful study of Callas's life and a contribution to the greater body of work on the psychology of artists.




Maria Callas


Book Description

From the New York Times bestselling biographer Anne Edwards comes the irresistible true story of the lives and loves of the great opera diva, Maria Callas. Maria Callas continues to mesmerize us decades after her death, not only because she was indisputably the greatest opera diva of the 20th century, but also because both her life and death were shrouded in a Machiavellian web of scandal, mystery and deception. Now Anne Edwards, well known for her revealing and insightful biographies of some of the world's most noted women, tells the intimate story of Maria Callas—her loves, her life, and her music, revealing the true woman behind the headlines, gossip and speculation. The second daughter of Greek immigrant parents, Maria found herself in the grasp of an overwhelmingly ambitious mother who took her away from her native New York and the father she loved, to a Greece on the eve of the Second World War. From there, we learn of the hardships, loves and triumphs Maria experienced in her professional and personal life. We are introduced to the men who marked Callas forever—Luchino Visconti, the brilliant homosexual director who she loved hopelessly, Giovanni Battista Meneghini, the husband thirty years her senior who used her for his own ambitions, as had her mother, and Aristotle Onassis, who put an end to their historic love affair by discarding her for the widowed Jacqueline Kennedy. Throughout her life, Callas waged a constant battle with her weight, a battle she eventually won, transforming herself from an ugly duckling into the slim and glamorous diva who transformed opera forever, whose recordings are legend, and whose life is the stuff of which tabloids are made. Anne Edwards goes deeper than previous biographies of Maria Callas have dared. She draws upon intensive research to refute the story of Callas's "mystery child" by Onassis, and she reveals the true circumstances of the years preceding Callas's death, including the deception perpetrated by her close and trusted friend. As in her portraits of other brilliant, star-crossed women, Edwards brings Maria Callas—the intimate Callas—alive.




Maria Callas's Lyric and Coloratura Arias


Book Description

More than 40 years after her death, the legend of Maria Callas, “La Divina Assoluta,” remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent – genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability – the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, this book envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.




Vocal Apparitions


Book Description

Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of film. Michal Grover-Friedlander finds striking affinities between film and opera--from Lon Chaney's classic silent film, The Phantom of the Opera, to the Marx Brothers' A Night at the Opera to Fellini's E la nave va. One of the guiding questions of this book is what occurs when what is aesthetically essential about one medium is transposed into the aesthetic field of the other. For example, Grover-Friedlander's comparison of an opera by Poulenc and a Rossellini film, both based on Cocteau's play The Human Voice, shows the relation of the vocal and the visual to be surprisingly affected by the choice of the medium. Her analysis of the Marx Brothers' A Night at the Opera demonstrates how, as a response to opera's infatuation with death, cinema comically acts out a correction of opera's fate. Grover-Friedlander argues that filmed operas such as Zeffirelli's Otello and Friedrich's Falstaff show the impossibility of a direct transformation of the operatic into the cinematic. Paradoxically, cinema at times can be more operatic than opera itself, thus capturing something essential that escapes opera's self-understanding. A remarkable look at how cinema has been haunted--and transformed--by opera, Vocal Apparitions reveals something original and important about each medium.