The Urdu Sufi Poet Khwaja Haidar Ali 'Aatish'


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THE URDU SUFI POET KHWAJA HAIDAR ALI 'AATISH' Selected Poems Translation & Introduction Paul Smith AATISH (1777-1847). Khwaja Haidar Ali... pen-name Aatish ('fire') was born in Faizabad. His ancestors had been dervishes and religious men. Because of the death of his father during his childhood he did not have any regular instruction in a school. He had a profound, natural ability for creating poetry that eventually gave him access to the court of Nawab Mohammed Taqi Khan Taraqqi, who took him to Lucknow. At Lucknow he sought and was given instruction in writing poetry by Mushafi, then an important poet of the Lucknow school of poetry (a short biography and ghazal by him is included). Later he came under the influence of the controversial Nasik (1776-1838), another great Sufi poet of Lucknow (a short biography and ghazal by him is also included). A contented, self-¬respecting man Aatish led a simple life and never bowed to nobility to gain favours. This freedom of spirit and ascetic-like lack of concern for worldly comforts is reflected in his poetry. His words are simple and carefully chosen. Some critics rank him beside Mir and Ghalib. His ghazals are Sufi in flavour on the traditional themes of human and divine love. He went blind towards the end of his life. His Urdu Divan is composed of ghazals and ruba'is and a qasida. Here is the largest selection translated into English in the correct rhyme-form and meaning. Introduction: Life, Times & Poetry of Aatish; Sufism in Poetry, The Main Forms in Aatish's Poetry, Selected Bibliography. Large Format Paperback 7" x 10" 130 pages. Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of Persian, Arabic, Urdu, Turkish and other languages including Hafez, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in ud-din Chishti, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Hallaj, Rudaki, Yunus Emre, Ghalib, 'Iraqi, Iqbal, Makhfi, Lalla Ded, Abu Nuwas, Ibn al-Farid, Rahman Baba, Nazir, Ghani Kashmiri, Mir, Seemab, Jigar, Huma, Dadu, Mahsati and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com




Nine Great Urdu Sufi Poets


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NINE GREAT URDU SUFI POETSQutub Shah, Dard, Nazir, Mir, Aatish, Zauq, Zafar, Ghalib & Hali.Translation & Introduction Paul SmithSome of the greatest and most memorable spiritual poems of all time have been composed in the Urdu language and are contained in this anthology. CONTENTS: The Urdu Language; Urdu Poetry; The Ghazal in Urdu Poetry; The Ruba'i in Urdu Poetry; The Masnavi and other forms in Urdu Poetry; Sufis & Dervishes: Their Art & Use of Poetry. THE POETS... Qutub Shah (1565-1611) was the fifth sultan of the Qutub Shahi dynasty of Golconda in South India. He founded the city of Hyderabad and was a scholar of Arabic and Persian. He wrote poetry in Urdu and Persian. He had the distinction of being the first Urdu poet. He was also a mystic or Sufi poet and a devout Shiite Muslim. Dard (1720-1784) is considered one of the three great poets of the Delhi school of classical Urdu poetry. He is firstly a Sufi poet who saw the physical world as a veil of the Divine Reality and this world a pathway. Nazir (1735-1830) No other Urdu poet used as many words as Nazir. He was influenced by Amir Khusrau, Sadi, Rumi and like many other Urdu poets especially Hafiz whom he often quotes. He eventually renounced all wealth for a life of poverty. He was said to have been a great musician. It is also said that he became God-realized. Mir (1723-1810) practiced the Malamati or 'Blameworthy' aspect of Sufism. Using this way one ascribes to oneself an unconventional aspect of a person or society then plays out its results either in action or in poetry. He composed mainly ghazals and an autobiography. Aatish (1777-1847) was born in Faizabad. Some critics rank him beside Mir and Ghalib. His ghazals are mainly Sufi in flavour on the traditional themes of human and divine love. He went blind towards the end of his life. Zafar (1775-1862) the last of the Mughal emperors in India,, was a noted Urdu poet and Sufi who often held poetry readings at his court. He was especially influenced by the poet Zauq. He wrote a large number of Urdu ghazals and other forms of poetry. Zauq (1788-1855) was a religious man and in his ghazals he often dealt with mystical and ethical themes. Most of his poetical output was lost during the mutiny of 1857. Ghalib, (1797-1869). His Urdu Divan of this now famous poet contains 263 ghazals and ruba'is, masnavis, qasidas and qit'as. There have been many movies based on his life made in India and Pakistan where his popularity has never flagged. Hali 1837-1914) was poet, critic, teacher, reformer and prose-writer. He also wrote biographies of Ghalib and Sadi of Shiraz. The correct rhyme-structure & meaning has been obtained in all of these hundreds of beautiful, inspiring, loving, honest, mystical poems. Large Format Paperback 7" x 10" Pages 821.Paul Smith(b. 1945) is a poet, author and translator of many books of Sufi poets of Persian, Arabic, Urdu, Turkish and other languages including Hafez, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in ud-din Chishti, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Hallaj, Rudaki, Yunus Emre Ghalib, Iqbal, Makhfi, Nazir, Bulleh Shah, Baba Farid, Lalla Ded, Abu Sa'id, Ibn al-Farid, Abu Nuwas, Seemab, Jigar, Qutub Shah and many others, as well as his own poetry, fiction, plays, biographies, kids books and a dozen screenplays.www.newhumanitybooks.com




Bulleh Shah Poetry


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'Attar: Selected Poems


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Firaq Gorakhpuri: Selected Poetry


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Urdu Ghazals


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This book is a companion volume to author's earlier book, "Masterpieces of Urdu Ghazal" which contained English translations of 108 ghazals selected from nine major poets. The present volume contains 129 ghazals representing 20 outstanding Urdu poets. Thus, this anthology, taken together with The Masterpieces, may rightly claim to be a fully representative collection of Urdu ghazals in English translation. The ghazals are carefully selected and explained in English for the average readers as well as Urdu Connoisseurs. The book contains brief biographical notes and introductory essays on the ghazals.




Drunk on the Wine of the Beloved


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The Persian Sufi poet Hafiz (1326–1390) is a towering figure in Islamic literature—and in spiritual attainment as well. Known for his profound mystical wisdom combined with a sublime sensuousness, Hafiz was the supreme master of a poetic form known as the ghazal (pronounced "guzzle"), an ode or song consisting of rhymed couplets celebrating divine love. In this selection of his poems, wine and the intoxication it brings are the image that expresses this love in all its joyful abandon, painful longing, bewilderment, and surrender. Through ninety-five free-verse renditions, we gain entry into the mystical world of Hafiz's Winehouse, with its happy minstrels, its bewitching Winebringer, and its companions in drunken longing whose hearts cry out, "More wine!" Thomas Rain Crowe brings a new dimension to our growing appreciation of Hafiz and his wise drunkard's advice to the seekers of God: In this world of illusion, take nothing other than this cup of wine; In this playhouse, don't play any games but love.




Ghalib


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Mirza Asadullah Khan (1797–1869), popularly, Ghalib, is the most influential poet of the Urdu language. He is noted for the ghazals he wrote during his lifetime, which have since been interpreted and sung by different people in myriad ways. Ghalib’s popularity has today extended beyond the Indian subcontinent to the Hindustani diaspora around the world. In this book, Gopi Chand Narang studies Ghalib’s poetics by tracing the archetypical roots of his creative consciousness and enigmatic thought in Buddhist dialectical philosophy, particularly in the concept of shunyata. He underscores the importance of the Mughal era’s Sabke Hindi poetry, especially through Bedil, whom Ghalib considered his mentor. The author also engages with Ghalib criticism that has flourished since his death and analyses the important works of the poet, including pieces from early Nuskhas and Divan-e Ghalib, strengthening this central argument. Much has been written about Ghalib’s life and his poetry. A marked departure from this dominant trend, Narang’s book looks at Ghalib from different angles and places him in the galaxy of the great Eastern poets, stretching far beyond the boundaries of India and the Urdu language.




Beloved Delhi


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'A riveting resurrection of the city of poets, the city of history, Saif Mahmood's learned and evocative book takes us to the heart of Delhi's romance with Urdu verse and aesthetics.'--Namita Gokhale Urdu poetry rules the cultural and emotional landscape of India--especially northern India and much of the Deccan--and of Pakistan. And it was in the great, ancient city of Delhi that Urdu grew to become one of the world's most beautiful languages. Through the 18th and 19th centuries, while the Mughal Empire was in decline, Delhi became the capital of a parallel kingdom--the kingdom of Urdu poetry--producing some of the greatest, most popular poets of all time. They wrote about the pleasure and pain of love, about the splendour of God and the villainy of preachers, about the seductions of wine, and about Delhi, their beloved home. This treasure of a book documents the life and work of the finest classical Urdu poets: Sauda, Dard, Mir, Ghalib, Momin, Zafar, Zauq and Daagh. Through their biographies and poetry--including their best-known ghazals--it also paints a compelling portrait of Mughal Delhi. This is a book for anyone who has ever been touched by Urdu or Delhi, by poetry or romance.




52@52


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52 expressions of anxiety, angst and anticipation during the 30 months of the Covid-19 pandemic. This book is a compilation of 52 articles chosen by Avik from those he has contributed to platforms like Economic Times Auto, Businessworld, MxM India, Autofintechs and Partners in Crave. They span from automotive to administration, hunger to hope, freedom to frustration, and economics to environmentalism. They were written as Avik was entering his 52nd year of living, through it and out of it. "Always insightful and challenging," says Nabeel Khan, Founding editor of ETAuto.com. "My readers look forward to Avik's piece regularly every second Thursday. That's if he's regular!!" quips Pradyuman Maheshwari, Founding editor of mxmindia.com.