The Vice Photo Book


Book Description

After 13 years of cutting-edge gonzo journalism (or immersionism), Vice Magazine has amassed a world-famous collection of photographs - including never before-seen work by Terry Richardson, Richard Kern, Juergen Teller and Vice alumni including Ryan McGinley and Dash Snow. The first section of the photo book juxutaposes big names with newcomers, the second contains photojournalistic highlights from Vice, the third contains Vice's novel take on fashion and the final two are a collage of Vice favourites - new and old.




Vancouver Vice


Book Description

The late 1970s and early 1980s were a volatile period in the history of Vancouver, where broad social and cultural changes were afoot. This was perhaps most clearly evident in the West End, the well-known home to the city's tight-knit gay community that would soon be devastated by the AIDS epidemic. But the West End’s tree-lined streets were also populated by sex workers, both female and male, who fought a well-publicized turf war with residents. This, combined with a rising crime rate, invited the closer attention of the Vancouver police, including its vice squad. But after a body was found dumped in nearby Stanley Park, it was discovered that the victim’s high-profile connections reached far beyond the streets and back alleys of the West End, making for one of the most shocking investigations in Vancouver history, with secrets long held, and never fully told until now. Vancouver Vice reveals the captivating beating heart of a neighborhood long before the arrival of gentrifying condo towers and coffee bars. Part murder mystery, investigative exposé, and cultural history, this book transports readers back to a grittier, more chaotic time in the city, when gambling dens prevailed, police listened in on wire taps, and hustlers plied their trade on street corners. With warm regard and a whiff of nostalgia, Vancouver Vice peers behind the curtain to examine how the city once indulged in its vices, and at what cost. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.




American Photo


Book Description




American Photo


Book Description




American Photo


Book Description




American Photo


Book Description




Stuff White People Like


Book Description

They love nothing better than sipping free-trade gourmet coffee, leafing through the Sunday New York Times, and listening to David Sedaris on NPR (ideally all at the same time). Apple products, indie music, food co-ops, and vintage T-shirts make them weak in the knees. They believe they’re unique, yet somehow they’re all exactly the same, talking about how they “get” Sarah Silverman’s “subversive” comedy and Wes Anderson’s “droll” films. They’re also down with diversity and up on all the best microbrews, breakfast spots, foreign cinema, and authentic sushi. They’re organic, ironic, and do not own TVs. You know who they are: They’re white people. And they’re here, and you’re gonna have to deal. Fortunately, here’s a book that investigates, explains, and offers advice for finding social success with the Caucasian persuasion. So kick back on your IKEA couch and lose yourself in the ultimate guide to the unbearable whiteness of being. Praise for STUFF WHITE PEOPLE LIKE: “The best of a hilarious Web site: an uncannily accurate catalog of dead-on predilections. The Criterion Collection of classic films? Haircuts with bangs? Expensive fruit juice? ‘Blonde on Blonde’ on the iPod? The author knows who reads The New Yorker and who wears plaid.” –Janet Maslin’s summer picks, CBS.com “The author of "Stuff White People Like" skewers the sacred cows of lefty Caucasian culture, from the Prius to David Sedaris. . . . It gently mocks the habits and pretensions of urbane, educated, left-leaning whites, skewering their passion for Barack Obama and public transportation (as long as it's not a bus), their idle threats to move to Canada, and joy in playing children's games as adults. Kickball, anyone?” –Salon.com “A handy reference guide with which you can check just how white you are. Hint: If you like only documentaries and think your child is gifted, you glow in the dark, buddy.” –NY Daily News




Photography Books Index III


Book Description

While the Internet is an important source for locating photographic images, there still are hundreds of photography books published each year for whose contents there is no external access. This second supplement to Photography Books Index addresses this need by analyzing important photographic anthologies that have been published since 1985. Accessing more than fifty photographic anthologies that are widely held in libraries across the country--along with images from two critical annual compilations, Best of Photojournalism and Graphis Annual--this book identifies photographs that record the history of our times. This reference guide provides an important index to contemporary as well as historical photographers, including those for whom full monographs have not been published. Photographs of important individuals as well as photographic records of cataclysmic events can be located through this index. Extensive descriptions of the individual photographs--from the commonplace to the extraordinary--are identified in this volume. Organized into three sections--Photographers, Subjects of Photographs, and Portraits of Named Individuals--these descriptions provide the researcher with important information on each photograph. An essential volume for all public, special and academic libraries, this index will be an invaluable resource for reporters, historians, academics, students and anyone wishing to research photographs and photographers.




Photo-texts


Book Description

What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of 'intermediality' between text and photography - the collaborative, the self-collaborative and the retrospective - the book concludes that the dimensions of their interaction are not simple and two-fold (visuality versus/alongside textuality), but threefold and therefore 'complex'. Thus, the photo-text, as defined here, is concerned as much with orality - the demotic, the popular, the vernacular - as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of human discourse, suggests that the key element of the photo-text is its radical provisionality.




American Photo


Book Description