Medieval Visions of Heaven and Hell


Book Description

First Published in 1993. The present volume covers the currently identified Christian visions of heaven and hell (excluding D ante’s Divine Comedy) from western Europe during the Middle Ages from the late sixth through the fourteenth century.




The Apocalypse in the Middle Ages


Book Description

An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.







The Middle English Weye of Paradys and the Middle French Voie de Paradis


Book Description

The late Middle English Weye of Paradys and its French source La Voie de Paradis use the theme of the allegorical journey to Paradise. Essentially they are popular guides to confession, adaptations for the layman of more specialized works in Latin such as Raymond of Pennaforte's Summa de Poenitentia. This edition presents critical texts of both The Weye of Paradys and La Voie de Paradis and analyzes the relations of the English text with its immediate (French) and distant (Latin) sources. This work makes the English and French texts available in print for the first time and places them in the wider field of popular penitential literature.




A Companion to Old and Middle English Literature


Book Description

Old and Middle English literature can be obscure and challenging. So, too, can the vast body of criticism it has elicited. Yet the masters of medieval literature often drew on similar texts, since imitation was admired. For this reason, recent scholarship has often focused on the importance of genre. The genre in which a work was written can illuminate the author's intentions and the text's meaning. Read in light of a genre's parameters, a given work can be considered in relation to other works within the same category. This reference is a comprehensive overview of Old and Middle English literature. Chapters focus on particular genres, such as Allegorical Verse, Balladry, Beast Fable, Chronicle, Debate Poetry, Epic and Heroic, Lyric, Middle English Parody/Burlesque, Religious and Allegorical Verse, and Romance. Expert contributors define the primary characteristics of each genre and discuss relevant literary works. Chapters provide extensive reviews of scholarship and close with detailed bibliographies. A more thorough bibliography of major scholarly studies closes the book.




Marie de France and the Poetics of Memory


Book Description

Marie de France and the Poetics of Memory presents the first exhaustive treatment of the rhetorical use of description and memory in all the narrative works of the late 12th-century poet, Marie de France--the first woman to compose literary texts in French.




Legends in Limestone


Book Description

Whereas twelfth-century pilgrims flocked to the church of St-Lazare in Autun to visit the relics of its patron saint, present-day pilgrims journey there to admire its superb sculpture, said to have been created by the artist Gislebertus whose name is inscribed above one of the church doors. These two cults, of sculptor and of saint, form points of departure and arrival for Linda Seidel's study. Legends in Limestone reveals how "Gislebertus, sculptor" was discovered and subsequently sanctified over the course of the last century. Seidel makes a compelling case for the identification of the name with an ancestor of the local ducal family, invoked for his role in the acquisition of the precious relics. With the aid of evidence drawn from the richly carved decoration of the building, she demonstrates how medieval visitors would have read a different holy narrative in the church fabric, one that constructed before their eyes an account of their patron saint's life. Legends in Limestone, an absorbing study of one of France's most revered medieval monuments, provides fresh insights into modern and medieval interpretive practices.




Servants of Satan


Book Description

How the persecution of witches reflected the darker side of the central social, political, and cultural developments of the sixteenth and seventeenth centuries. This is the first book to consider the general course and significance of the European witch craze of the sixteenth and seventeenth centuries since H.R. Trevor-Roper’s classic and pioneering study appeared some fifteen years ago. Drawing upon the advances in historical and social-science scholarship of the past decade and a half, Joseph Klaits integrates the recent appreciations of witchcraft in regional studies, the history of popular culture, anthropology, sociology, and psychology to better illuminate the place of witch hunting in the context of social, political, economic and religious change. “In all, Klaits has done a good job. Avoiding the scandalous and sensational, he has maintained throughout, with sensitivity and economy, an awareness of the uniqueness of the theories and persecutions that have fascinated scholars now for two decades and are unlikely to lose their appeal in the foreseeable future.” —American Historical Review “This is a commendable synthesis whose time has come . . . fascinating.” —The Sixteenth Century Journal “Comprehensive and clearly written . . . An excellent book.” —Choice “Impeccable research and interpretation stand behind this scholarly but not stultifying account.” —Booklist “A good, solid, general treatment.” —Erik Midelfort, C. Julian Bishko Professor Emeritus of History and Religious Studies, University of Virginia “A well written, easy to read book, and the bibliography is a good source of secondary materials for further reading.” —Journal of American Folklore




Hieronymus Bosch


Book Description

Professor Charles D. Cuttler changed from artist to art historian at New York University's Institute of Fine Arts, studying under distinguished teachers such as Walter Friedlaender and Erwin Panofsky. A specialist in Flemish painting, he spent the major part of his career teaching at the University of Iowa. He published numerous articles, reviews, and a well known text, Northern Painting. He lectured on Bosch on three continents, and his retirement enabled him to devote time to further research. A result is Hieronymus Bosch: Late Work. This new book presents Cuttler's discoveries on three late triptychs, a major trio of Bosch's maturity: the Haywain, the Lisbon Temptation of St. Anthony, and the Garden of Earthly Delights. He presents Bosch's unique view of Christ and salvation in union with hagiography, the Devotio moderna, and medieval hermeneutics, a revelation of Bosch's immense erudition and overwhelming artistry. Bosch reinforced his concepts with supporting casts of animals, natural and demonic, birds, and other iconographic elements. Analysis of the Berlin painting of St. John the Evangelist's apocalyptic vision of the Virgin Mary, the Madrid Seven Deadly Sins tondo, and the Vienna drawing of the Tree-Man expands our understanding of these themes. Other influences affecting Bosch's art, such as whether he travelled or whether he used contemporary prints, whether he drew upon Dante's Inferno, or religious tracts, and the attitudes of his ambience are also examined. The final chapter presents the author's understanding of Bosch, his religiosity and his genius, in his time and place.




Wirnt Von Gravenberg's Wigalois


Book Description

Reappraisal of Wirnt von Gravenberg's Wigalois, showing how it confronts and takes issue with - rather than simply imitating - earlier German Arthurian romance.