The Workes of the Most High and Mightie Prince, Iames, by the Grace of God, King of Great Britaine, France and Ireland, Defender of the Faith, &c


Book Description

The Workes is a collection of the writings of King James VI & I, founding monarch of Great Britain and the United States. Although it includes many of the king's most famous writings, The Workes remains practically unknown to the general populace. We once asked an antiquarian bookseller if he had a copy of James' Workes for sale. He responded, "He [King James] never wrote anything." Given the scarcity of this primary source document, it is with great pleasure that the Miscellany Press presents this special unabridged facsimile edition of James' Workes of 1616--we know of no other facsimile or reprint edition as complete. Our edition of James' Workes includes easy-to-understand prefatory materials to help orient the reader to this fascinating volume. We are not sure how any history library could be considered complete without this important title.







Negotiating the Jacobean Printed Book


Book Description

By examining the spaces where authors, printers and readers interact, Negotiating the Jacobean Printed Book highlights the manner in which contemporary culture and canon not only co-existed but mutually nourished and affected one another. An international group of book history scholars look beyond the traditional literary and canonical texts to explore, amongst other things, the physical nature of books and their place in Jacobean society. The contributors interrogate not just the texts themselves, but the habits, proclamations, letters and problems encountered by authors, printers and readers. Ranging from the funding of perhaps the most important book of the early Jacobean period, the 1611 AV Bible, and the ways in which it changed the balance of power in the King's Printers, to how the importation of Continental drill manuals by professional soldiers influenced the Privy council, the essays focus on the fissures which open up between practice and proclamation, between manuscript and press, and between print and parliament. Together these essays nuance our understanding of how print culture affected, and was affected by, wider cultural concerns; the volume constitutes a compelling contribution to both literary and historical studies of early modern England.







Monuments and Literary Posterity in Early Modern Drama


Book Description

In spite of the ephemeral nature of performed drama, playwrights such as Marlowe, Jonson, Webster, Fletcher, and Shakespeare were deeply interested in the endurance of their theatrical work and in their own literary immortality. This book re-evaluates the relationship between these early modern dramatists and literary posterity by considering their work within the context of post-Reformation memorialization. Providing fresh analyses of plays by major dramatists, Brian Chalk considers how they depicted monuments and other funeral properties on stage in order to exploit and criticize the rich ambiguities of commemorative rituals. The book also discusses the print history of the plays featured. The subject will attract scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history.




The Reformation of the Decalogue


Book Description

Explores how the English Reformation transformed the meaning of the Ten Commandments, which in turn helped shape the Reformation itself.




Sovereignty, RIP


Book Description

Has the concept of sovereignty outlived its usefulness? Social order requires a sovereign: an actor with unlimited, undivided, and unaccountable authority. Or so the classic theory says. But without noticing, we’ve gutted the theory. Constitutionalism limits state authority. Federalism divides it. The rule of law holds it accountable. In vivid historical detail—with millions tortured and slaughtered in Europe, a king put on trial for his life, journalists groaning at idiotic complaints about the League of Nations, and much more—Don Herzog charts both the political struggles that forged sovereignty and the ones that undid it. He argues that it’s no longer a helpful guide to our legal and political problems, but a pernicious bit of confusion. It’s time, past time, to retire sovereignty.




Loving Justice, Living Shakespeare


Book Description

Regina Schwartz asks why love is considered a 'soft' subject, fit for the arts but not for boardrooms, parliamentary debates, and courtrooms engaged in the 'serious' discourse of justice.




Textual Intercourse


Book Description

Textual Intercourse proposes that the language and practice of writing plays in early modern England was inextricably linked to languages and practices of eroticism, sexuality and reproduction. Jeffrey Masten reads a range of early modern materials - burial records, contemporary biographical anecdotes and theatrical records, essays, conduct books and poems; the printed apparatus of published plays, and the plays themselves - to illustrate the ways in which writing for the theatre shifted from a model of homoerotic collaboration toward one of singular authorship on a patriarchal-absolutist model. Plays and collections of plays by Shakespeare, Shakespeare and Fletcher, Beaumont and Fletcher, Margaret Cavendish, and others, are considered. Textual Intercourse illustrate the ways in which methods attuned to sexuality and gender can illuminate more traditional questions of authorship, attribution, textual editing and intellectual property.