Weaving Words


Book Description

Weaving Words raises important questions about the impact of 21st century practices of education upon human creativity and joy in making meaning through writing. It questions how writing is experienced and valued as a process and product of research; as a means for personal and professional learning; and how it is taught and experienced in the classroom and in teacher education. Weaving Words brings together a range of critical perspectives upon writing within global agendas for education and research, and considers the capacity for writing and reflection to disrupt and transform personal and professional understandings. The parallel traditions of spinning and weaving and the sharing of stories through the spoken and written word shape the structure of this book: its warp is constituted by chapters written by researchers in education; its weft by the poems, plays, short stories and reflections of pre-service teachers. Both researchers and pre-service teachers consider the challenges of becoming writers, and the contradictions they encounter in transferring their understandings of being a writer to the teaching of writing with younger authors, and in conducting research as writing. Weaving Words engages with emerging debates around what forms of writing are valued and supported within 21st century teaching and research; it demonstrates the power of writing for personal expression, suggesting that writing that is creative opens spaces for making meaning and for constructing the world that are important for practices of education and for research.




Ogam


Book Description

With two decades of experience with the ogam and more than 30 years of working with divination, the author offers insights into the many profound meanings hidden in the ogam letters and their lore. She explains each letter in context and shows how to expand the system in new and innovative ways.




Weaving a Lexicon


Book Description

The contributors to this volume examine the multidimensional way in which infants and children acquire the lexicon of their native language.




A Weave of Women


Book Description

Fifteen women from different lands and cultures share their stories and their lives as they come together in the Old City of Jerusalem.




Weaving the Word


Book Description

"Through an analysis of specific weaving stories, the difference between a text and a textile becomes blurred. Such stories portray women weavers transforming their domestic activity of making textiles into one of making texts by inscribing their cloth with both personal and political messages."--BOOK JACKET.




The Language of Sycamores


Book Description

Karen Sommerfield has been hiding from life-immersing herself in a high-powered job-until the day the company downsizes her out of a job and the doctor tells her that she may have cancer. It's a double blow that sends Karen on a search for herself in the last place she ever thought to look: Grandma Rose's old farm. As Karen's hectic schedule falls away, she opens up to the unexpected. In the quiet of the Missouri Ozarks, she hears the soft, secret language of the sycamore trees, and discovers answers and a joy to make her life complete.




On Being Blue


Book Description

On Being Blue is a book about everything blue—sex and sleaze and sadness, among other things—and about everything else. It brings us the world in a word as only William H. Gass, among contemporary American writers, can do. Gass writes: Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown and widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling.




Far Away


Book Description

A book about life, loss, and the secrets families keep, reminiscent of Sharon Creech's Walk Two Moons, by National Book Award nominee Lisa Graff. CJ's Aunt Nic is a psychic medium who tours the country speaking to spirits from Far Away, passing on messages from the dearly departed. And CJ knows firsthand how comforting those messages can be -- Aunt Nic's Gift is the only way CJ can talk to her mom, who died just hours after she was born. So when CJ learns that she won't be able to speak to her mother anymore, even with Aunt Nic's help, she's determined to find a work-around. She sets off on road trip with her new friend Jax to locate the one object that she believes will tether her mother's spirit back to Earth . . . but what she finds along the way challenges every truth she's ever known. Ultimately, CJ has to sort out the reality from the lies. National Book Award nominee Lisa Graff has written a poignant, heartfelt novel that explores the lengths we go to protect those we love -- and the power secrets have to change our worlds. Praise for Far Away: * "Graff nimbly crafts a credible novel from the unlikely, shaping layered characters and unforeseen plot twists while exploring issues of truth and illusion--and the emotion-infused miasma that separates the two. A genuinely moving and memorable story." --Publishers Weekly, *STARRED REVIEW* "The story is a genre blend of mystery and realistic family drama . . . Graff never shies away from difficult topics, and this is as brave as expected." --Booklist




We Borrowed Gentleness


Book Description

We Borrowed Gentleness interrogates the innateness of pain and forms of destruction—through natural disaster, through God, through family, and through the power structures and patriarchal violence that embeds itself in language and cultural memory. Poems critique and challenge the patriarchal narratives that dominate American history. The poems leave the question open of whether man, men, a father and son, are redeemable after the surge of rising white nationalism in America. And yet, there are poems that find, still, bits of joy and perhaps a shred of hope. By juxtaposing poems of louder narrative imagination with quieter poems that explore intimate failings within a family, often portrayed with a realist aesthetic, the book attempts to work through the essential fault in man, in men—in the structures that they design and maintain.




Words Unspoken


Book Description

Lissa Randall's future was bright with academic promise until the tragic accident that took her mother's life--and brought her own plans to a screeching halt. Eighteen months later Lissa is still unable to get back behind the wheel. Ev McAllistair's driving school looks like Lissa's best hope for getting her life back on the road again. His patience and fatherly wisdom seem to transcend the driving experience. But Ev's own complicated past is about to resurface, with consequences for everyone in his orbit....