Prelude for a Lord


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An unconventional young woman. A haunted young man. A forbidden instrument. Can their love of music bring them together . . . or will it tear them apart? Bath, England 1810 At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician. In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal. But when a thief ’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument … with the help of the dark, brooding Lord Dommick. Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul. Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . . Praise for Prelude for a Lord: “A vibrant, page-turning romance sure to delight fans of the Regency Era.” – Sarah E. Ladd, award-winning author of The Headmistress of Rosemere Sweet, full-length Regency romance Will appeal to fans of Bridgerton and Poldark Stand-alone novel







Nineteenth Century


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Essential Writings Volume 2


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William Cobbett was an English journalist and member of parliament, who was born in Farnham, Surrey. He believed that reforming Parliament and abolishing the rotten boroughs would help to end the poverty of farm labourers, and he attacked the borough-mongers, sinecurists and "tax-eaters" relentlessly. Through the seeming contradictions in Cobbett's life, his opposition to authority stayed constant. He wrote many polemics, on subjects from political reform to religion. This is volume two out of four of his most essential writings, covering the years 1805 to 1809.




The Correspondence of Dante Gabriel Rossetti: The Chelsea years, 1863-1872, prelude to crisis : 1868-1870


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Represents the collection of extant Rossetti correspondence, a primary witness to the range of ideas and opinions that shaped Gabriel Rossetti's art and poetry. This work features known surviving letters, a total of almost 5,800 to over 330 recipients, and includes 2,000 letters by Rossetti and selected letters to him.




A History of the Peninsular War Vol.2 (of 7)


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The second volume of this work has swelled to an even greater bulk than its predecessor. Its size must be attributed to two main causes: the first is the fact that a much greater number of original sources, both printed and unprinted, are available for the campaigns of 1809 than for those of 1808. The second is that the war in its second year had lost the character of comparative unity which it had possessed in its first. Napoleon, on quitting Spain in January, left behind him as a legacy to his brother a comprehensive plan for the conquest of the whole Peninsula. But that plan was, from the first, impracticable: and when it had miscarried, the fighting in every region of the theatre of war became local and isolated. Neither the harassed and distracted French King at Madrid, nor the impotent Spanish Junta at Seville, knew how to combine and co-ordinate the operations of their various armies into a single logical scheme. Ere long, six or seven campaigns were taking place simultaneously in different corners of the Peninsula, each of which was practically independent of the others. Every French and Spanish general fought for his own hand, with little care for what his colleagues were doing: their only unanimity was that all alike kept urging on their central governments the plea that their own particular section of the war was more critical and important than any other. If we look at the month of May, 1809, we find that the following six disconnected series of operations were all in progress at once, and that each has to be treated as a separate unit, rather than as a part of one great general scheme of strategy—(1) Soult’s campaign against Wellesley in Northern Portugal, (2) Ney’s invasion of the Asturias, (3) Victor’s and Cuesta’s movements in Estremadura, (4) Sebastiani’s demonstrations against Venegas in La Mancha, (5) Suchet’s contest with Blake in Aragon, (6) St. Cyr’s attempt to subdue Catalonia. When a war has broken up into so many fractions, it becomes not only hard to follow but very lengthy to narrate. Fortunately for the historian and the student, a certain amount of unity is restored in July, mainly owing to the fact that the master-mind of Wellesley has been brought to bear upon the situation. When the British general attempted to combine with the Spanish armies of Estremadura and La Mancha for a common march upon Madrid, the whole of the hostile forces in the Peninsula [with the exception of those in Aragon and Catalonia] were once more drawn into a single scheme of operations. Hence the Talavera campaign is the central fact in the annals of the Peninsular War for the year 1809. I trust that it will not be considered that I have devoted a disproportionate amount of space to the setting forth and discussion of the various problems which it involved. The details of the battle of Talavera itself have engaged my special attention. I thought it worth while to go very carefully over the battle-field, which fortunately remains much as it was in 1809. A walk around it explained many difficulties, but suggested certain others, which I have done my best to solve. To be continue in this ebook...




The Wellesley Index to Victorian Periodicals 1824-1900


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`Simply a great work of reference. Future scholars will wonder how anybody managed without the Wellesley Index. It will quietly change the whole nature of Victorian studies.' Christopher Ricks, New Statesman `It is now impossible to think of Victorian literary and historical studies without the benefit of it ... this is a very remarkable achievement indeed ... the complete set will be a monument to the Houghtons foresight, pertinacity and skill.' TLS




Schwann Opus


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