The White Horse of Morocco


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The White Horse


Book Description

Captured by pirates while sailing from Maine to Genoa in the years following the American Revolution, Sally and Andrew plan their escape after being sold to the sultan of Morocco.




Moroccan Folktales


Book Description

Drawing on stories he heard as a boy from female relatives, Jilali El Koudia presents a cross section of utterly bewitching narratives. Filled with ghouls and fools, kind magic and wicked, eternal bonds and earthly wishes, these are mesmerizing stories to be savored, studied, or simply treasured. Varied genres include anecdotes, legends, and animal fables, and some tales bear strong resemblance to European counterparts, for example Aamar and his Sister (Hansel and Gretel) and Nunja and the White Dove (Cinderella). All capture the heart of Morroco and the soul of its people. In an enlightening introduction, El Koudia mourns the loss of the teller of tales in the marketplace, and he makes it clear that storytelling, born of memory and oral tradition, could vanish in the face of mass and electronic media.










The Cosmopolitan


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Shakespeare's Bear


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IN 1592. Elizabethan England is a perilous place. rife with plague, civil unrest, highwaymen, violent animal sports, and Spanish plots against the Queen. Hamnet Shakespeare, young son of renowned playwright William buys an abandoned bear cub in the market. Hamnet names him Mummer, a travelling actor who mimes. Boy and Bear learn showmanship! Darkly, alongside early English theatre, there flourished hugely popular yet immensely cruel bear-baiting shows, presided over by Queen Elizabeth herself, and Master of the Queen's Bears, Phillip Henslowe, at Paris Gardens in London. Next door Henslowe builds The Rose Theatre where he partners Shakespeare staging his early plays. Hamnet and Mummer's adventure of survival in 16th Century England is recounted through Mummer the bear's own eyes and senses, with a gentle touch of Shakespeare's language woven into the story. Queen Elizabeth stages a great water pageant celebrating the anniversary of victory over the Spanish Armada.




The New Jerusalem Magazine


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Includes Journal of the Massachusetts Association of the New Jerusalem Church.




Creative State


Book Description

At the turn of the twenty-first century, with the amount of money emigrants sent home soaring to new highs, governments around the world began searching for ways to capitalize on emigration for economic growth, and they looked to nations that already had policies in place. Morocco and Mexico featured prominently as sources of "best practices" in this area, with tailor-made financial instruments that brought migrants into the banking system, captured remittances for national development projects, fostered partnerships with emigrants for infrastructure design and provision, hosted transnational forums for development planning, and emboldened cross-border political lobbies. In Creative State, Natasha Iskander chronicles how these innovative policies emerged and evolved over forty years. She reveals that the Moroccan and Mexican policies emulated as models of excellence were not initially devised to link emigration to development, but rather were deployed to strengthen both governments' domestic hold on power. The process of policy design, however, was so iterative and improvisational that neither the governments nor their migrant constituencies ever predicted, much less intended, the ways the new initiatives would gradually but fundamentally redefine nationhood, development, and citizenship. Morocco's and Mexico's experiences with migration and development policy demonstrate that far from being a prosaic institution resistant to change, the state can be a remarkable site of creativity, an essential but often overlooked component of good governance.