The Wing of Azrael


Book Description




The Wing of Azrael


Book Description

In 1888, a little-known writer named Mona Caird ignited a firestorm of controversy when she published her essay "Marriage" in The Westminster Review, arguing that modern marriage was a failure. Over the six month period that followed, the journal received some 27,000 letters in response, and only the Whitechapel murders of Jack the Ripper succeeded in finally turning attention away from the debate. The following year, Caird published her three volume novel The Wing of Azrael, which incorporated many of her views on the status of women and the problems with modern marriage. Viola Sedley, an imaginative and independent young woman, finds herself falling in love with the dashing Harry Lancaster, but her parents have arranged a marriage for her with Sir Philip Dendraith in order to avert their own financial ruin. Viola believes she is doing her duty by acceding to her parents' wishes and marrying Philip, but she soon discovers that married life is intolerable to her. Tormented by her husband's cruelty and hemmed in by social conventions, Viola dreams of ways to escape the bondage of her marriage. And as her life becomes more and more wretched and her urge to be free becomes unbearable, Viola will find herself led inexorably toward a shocking and tragic fate! First published in 1889, The Wing of Azrael has been out of print since its initial publication, and the original edition has survived in only a small handful of copies. This new scholarly edition of the novel features an introduction and notes by Tracey S. Rosenberg, as well as an appendix containing contemporary reviews of the novel and articles on Caird and the debate over marriage.




Bleak Houses


Book Description

Publisher Description




The Book of Azrael


Book Description

Lucifer is opening hellgates and letting the seven deadly sins out of hell and upon the Earth. God has sent Azrael and Abaddon to send them back and save the world from hell on Earth. Their journey will take them across the world and even other dimensions. They will face the darkest and wickedest demons, gods, and demigods. They will gain new companions along their way, as well as gaining new powers and God weapons, along with ancient artifacts of great power. Their angel brothers help when they can, but it’s up to Azrael and Abaddon to persevere and lock the seven deadly sins and Lucifer back into hell. Will they win the war or will they fall in battle? From heaven to hell and everything in between. With an array of characters, traveling all around the world and even to other dimensions, good and evil come head to head. There’s something for everyone. Packed with action and suspense—a thrill ride for sure.




The Book of Azrael


Book Description

World Ender meets Ender of Worlds... For thousands of years after The Gods War the Etherworld has known peace but soon that too will change. An old enemy driven by revenge slowly builds an army behind the scenes. Temples are ransacked in search of an item long lost and enemies since the dawn of time must put aside their differences if they have any hope for survival.




Femininity, Crime and Self-Defence in Victorian Literature and Society


Book Description

This exploration into the development of women's self-defence from 1850 to 1914 features major writers, including H.G. Wells, Elizabeth Robins and Richard Marsh, and encompasses an unusually wide-ranging number of subjects from hatpin crimes to the development of martial arts for women.




Time Is of the Essence


Book Description

Examines the intricate relationships between time and gender in the novels of five fin-de-siecle British writers--Thomas Hardy, Olive Schreiner, H. Rider Haggard, Sarah Grand, and Mona Caird.




The New Woman Gothic


Book Description

Drawing from and reworking Gothic conventions, the New Woman version is marshaled during a tumultuous cultural moment of gender anxiety either to defend or revile the complex character. The controversial and compelling figure of the New Woman in fin de siècle British fiction has garnered extensive scholarly attention, but rarely has she been investigated through the lens of the Gothic. Part I, “The Blurred Boundary,” examines an obfuscated distinction between the New Woman and the prostitute, presented in a stunning breadth and array of writings. Part II, “Reconfigured Conventions,” probes four key aspects of the Gothic, each of which is reshaped to reflect the exigencies of the fin de siècle. In Part III, “Villainous Characters,” the bad father of Romantic fiction is bifurcated into the husband and the mother, both of whom cause great suffering to the protagonist.







Ex-changes


Book Description

Ex-changes: Comparative Studies in British and American Cultures is a collection of articles exploring a variety of cultural texts – such as fiction, film, drama, poetry, and critical thought – in order to present the on-going transfer of ideas and processes of complementation that characterise cultural (re)production. The analyses gathered in the volume document the shifting ways of thinking about individual identity and social formations, describe the mobility of definitions of gender and nationality, and address the changing relations between various genres and disciplines through adaptation and re-writing. All of these preoccupations can be located within the broad domain of Comparative Studies, drawing comparisons across time, space, societies, cultures, genres, media and disciplines. The scope of the themes covered by the essays comprising this volume not only confirms the significance of comparative studies in contemporary cultural research, but also testifies to the validity of comparative methods, both in individual critical analysis and the writing process. Beneath the well-defined divisions of comparative studies in their inter-disciplinary preoccupations, such as comparisons involved in translation, adaptation, cross-cultural studies or relationships between various arts, this volume exposes to what extent individual cultural texts are founded on comparative structures and concepts, conceptualised through analogies, changes and internal splits.