Fire in the Dragon and Other Psychoanalytic Essays on Folklore


Book Description

The only Freudian to have been originally trained in folklore and the first psychoanalytic anthropologist to carry out fieldwork, Gza Rcheim (1891-1953) contributed substantially to the worldwide study of cultures. Combining a global perspective with encyclopedic knowledge of ethnographic sources, this Hungarian analyst demonstrates the validity of Freudian theory in both Western and non-Western settings. These seventeen essays, written between 1922 and 1953, are among Rcheim's most significant published writings and are collected here for the first time to introduce a new generation of readers to his unique interpretations of myths, folktales, and legends. From Australian aboriginal mythology to Native American trickster tales, from the Grimm folktale canon to Hungarian folk belief, Rcheim explores a wide range of issues, such as the relationship of dreams to folklore and the primacy of infantile conditioning in the formation of adult fantasy. An introduction by folklorist Alan Dundes describes Rcheim's career, and each essay is prefaced by a brief consideration of its intellectual and bibliographical context.




A rhyming dictionary


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Naming the Witch


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Naming the Witch explores the recent series of witchcraft accusations and killings in East Java, which spread as the Suharto regime slipped into crisis and then fell. After many years of ethnographic work focusing on the origins and nature of violence in Indonesia, Siegel came to the conclusion that previous anthropological explanations of witchcraft and magic, mostly based on sociological conceptions but also including the work of E.E. Evans-Pritchard and Claude Lévi-Strauss, were simply inadequate to the task of providing a full understanding of the phenomena associated with sorcery, and particularly with the ideas of power connected with it. Previous explanations have tended to see witchcraft in simple opposition to modernism and modernity (enchantment vs. disenchantment). The author sees witchcraft as an effect of culture, when the latter is incapable of dealing with accident, death, and the fear of the disintegration of social and political relations. He shows how and why modernization and witchcraft can often be companions, as people strive to name what has hitherto been unnameable.




the witchs head


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Thieves' World® Volume Three


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Books seven, eight, and nine of the shared-world series that’s “a bold and daring experiment in fantasy storytelling” (Fantasy-Faction). An army of undead, warring criminal factions, power-hungry witches, and magical destruction await in the city of Sanctuary with this collection co-edited by Robert Lynn Asprin, New York Times–bestselling author of the Myth Adventures series. Get caught up in the action-packed adventure of this shared-world series, featuring stories from some of fantasy’s best authors likeLynn Abbey, Robert Lynn Asprin, Robin W. Bailey, C. J. Cherryh, Diane Duane, Janet and Chris Morris, Andrew and Jodie Offutt, and Diana L. Paxson. Praise for the Thieves’ World® series “Game of Thrones has come to an end. . . . [Here’s] a fantasy series to fill the void. . . . You’ll be pulled into political intrigues, watch new gods replace old, and witness fortunes rise and fall and rise again.” —Book Riot “Sanctuary was the city where anything could happen, where characters created by some of the best fantasy writers of the generation crossed paths and shared adventures.” —Black Gate




The Works of George Borrow


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Folktales of Newfoundland Pbdirect


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This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.




Emma and the Silk Thieves


Book Description

Once again safe at home, Emma clings to the comfort of family and tries to put the fright of the Banderwigh behind her—but deeds, even good ones, often have consequences. With a new reality of spirits and magic open to her, Emma feels a strong connection to Widowswood. She means to make good on her promise to the Spider Queen, bringing a monthly supply of silk in trade so humans cease their trespass upon the forest. A guild of thieves infiltrates the quiet town, lured by the incredible value of enchanted spidersilk flowing so freely from the forest. At first, they don’t realize the source is a ten-year-old girl, but once they learn, they’ll do anything to control her. Stuck between protecting her family and protecting her forest, Emma draws courage from her grandmother’s stories and makes a choice—that could cost her life.