What You Will


Book Description







Red Dead Redemption


Book Description

First garnering both dismissal and intrigue as “Grand Theft Horse,” Rockstar Games’ 2010 action-adventure Red Dead Redemption was met on its release with critical acclaim for its open-world gameplay, its immersive environments, and its authenticity to the experience of the Wild West. Well, the simulated Wild West, that is. Boss Fight invites you to find out how the West was created, sold, and marketed to readers, moviegoers, and gamers as a space where “freedom” and “progress” duel for control of the dry, punishing frontier. Join writer and scholar Matt Margini as he journeys across the broad and expansive genre known as the Western, tracing the lineage of the familiar self-sufficient loner cowboy from prototypes like Buffalo Bill, through golden age icons like John Wayne and antiheroes like Clint Eastwood’s “Man with No Name,” up to Red Dead’s John Marston. With a critical reading of Red Dead’s narrative, setting, and gameplay through the lens of the rich and ever-shifting genre of the Western, Margini reveals its connections to a long legacy of mythmaking that has colored not only the stories we love to consume, but the histories we tell about America.




Modern Literature of Cambodia


Book Description

Modern Literature of Cambodia captures the poignant experience of Cambodians in the homeland and diaspora through fiction, poetry, essay and drama. Current themes of modern Cambodian literature include the quest for national and community 'development, ' social injustice, and feminist writing that critiques the diminished role of women and the ongoing critique of arranged marriage in Cambodia. It is the first collection of modern Cambodian literature in English




History, Buddhism, and New Religious Movements in Cambodia


Book Description

This volume showcases some of the most current and exciting research being done on Cambodian religious ideas and practices by a new generation of scholars from a variety of disciplines. The different contributors examine in some manner the relationship between religion and the ideas and institutions that have given shape to Cambodia as a social and political body, or nation. Although they do not share the same approach to the idea of "nation," all are concerned with the processes of religion that give meaning to social interaction, which in some way includes "Cambodian" identity. Chapters touch on such far-reaching theoretical issues as the relation to religion of Southeast Asian polity; the nature of colonial religious transformation; "syncretism" in Southeast Asian Buddhism; the relation of religious icon to national identity, religion, and gender; transnationalism and social movements; and identity among diaspora communities. While much has been published on Cambodia's recent civil war and the Pol Pot period and its aftermath, few English language works are available on Cambodian religion. This book takes a major step in filling that gap, offering a broad overview of the subject that is relevant not only for the field of Cambodian studies, but also for students and scholars of Southeast Asian history, Buddhism, comparative religion, and anthropology. Contributors: Didier Bertrand, Penny Edwards, Elizabeth Guthrie, Hang Chan Sophea, Anne Hansen, John Marston, Kathryn Poethig, Ashley Thompson, Teri Shaffer Yamada.




Eastward Hoe


Book Description




Five Revenge Tragedies


Book Description

As the Elizabethan era gave way to the reign of James I, England grappled with corruption within the royal court and widespread religious anxiety. Dramatists responded with morally complex plays of dark wit and violent spectacle, exploring the nature of death, the abuse of power and vigilante justice. In Kyd's The Spanish Tragedy a father failed by the Spanish court seeks his own bloody retribution for his son's murder. Shakespeare's 1603 version of Hamlet creates an avenging Prince of unique psychological depth, while Chettle's The Tragedy of Hoffman is a fascinating reworking of Hamlet's themes, probably for a rival theatre company. In Marston's Antonio's Revenge, thwarted love leads inexorably to gory reprisals and in Middleton's The Revenger's Tragedy, malcontent Vindice unleashes an escalating orgy of mayhem on a debauched Duke for his bride's murder, in a ferocious satire reflecting the mounting disillusionment of the age. Emma Smith's introduction considers the political and religious climate behind the plays and the dramatic conventions within them. This edition includes a chronology, playwrights' biographies and suggestions for further reading.




The Roaring Girl and Other City Comedies


Book Description

The Oxford English Drama series offers plays from the 16th to the early 20th centuries in selections that make available both rarely printed and canonical works. Each text is freshly edited using modern spelling.




Antonio and Mellida & Antonio's Revenge


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.