Science as Cultural Practice


Book Description

This volume represents a collection of studies in cultural history and theory of science from the early modern era to the present. The essays are linked by the conviction that one of the most significant developments in recent scientific historiography consists in its insistence that the relations between science, culture and history be understood and examined reciprocally. Not only does scientific practice take place under conditions shaped by social and cultural forces; it also generates and necessitates its own specific patterns of cultural, social and political activity. Sciences which have evolved into significant social systems produce their own cultures and politics. Through discussion of the common origin of scientific knowledge and the cultures and politics of research, this volume hopes to make a contribution toward a better understanding of the roles of scientific research from its inception in the 17th century up to the dramatic upheavals in the 20th century. With articles by Lorraine Daston, Sven Dierig, Moritz Epple, Evelyn Fox Keller, Mary Jo Nye , Dominique Pestre, Hans-Jörg Rheinberger, Simon Schaffer, Friedrich Steinle, Catherine Wilson, Norton M. Wise and Claus Zittel. Der Band in englischer Sprache versammelt Studien zur Kulturgeschichte und Theorie der Wissenschaften von der Frühen Neuzeit bis zur Gegenwart. Vereinigt sind die Beiträge durch die Überzeugung, dass eine der folgenreichsten Interventionen der jüngeren Wissenschaftsgeschichte darin liegt, dass die Beziehungen zwischen Wissenschaft, Kultur und Gesellschaft auf reziproke Weise verstanden und untersucht werden müssen. Wissenschaftliche Praxis findet nicht nur stets unter sozial und kulturell geprägten Bedingungen statt, sie erzeugt und erfordert auch eigene, spezifische Muster kulturellen, sozialen und politischen Handelns. Die Wissenschaften, die zu sozialen Systemen bedeutender Größe angewachsen sind, schaffen ihre eigenen Kulturen und Politiken. Durch die Diskussion der gemeinsamen Entstehung wissenschaftlichen Wissens und der Kulturen und Politiken der Forschung leistet der Band einen Beitrag zu einem besseren Verständnis der Rollen wissenschaftlicher Forschung von ihrer Formierung im 17. Jahrhundert bis zu den dramatischen Umbrüchen des 20. Jahrhunderts. Mit Beiträgen von Lorraine Daston, Sven Dierig, Moritz Epple, Evelyn Fox Keller, Mary Jo Nye , Dominique Pestre, Hans-Jörg Rheinberger, Simon Schaffer, Friedrich Steinle, Catherine Wilson, Norton M. Wise und Claus Zittel.




John Birchensha: Writings on Music


Book Description

John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music













Theories of Light


Book Description

An Iranian scholar chronicles the life and legacy of the last Shah of Iran, including his role in the creation of the modern Islamic republic.




Harmony and the Balance


Book Description

Frequently the achievements of pioneering economic writers are assessed by imposing contemporary theories of markets, economics, politics, and history. At last, here is a book that appraises the work of the leading English economic writers of the seventeenth century using intellectual concepts of the time, rather than present-day analytical models, in order to place their economic theories in context. In an analysis that tracks the Stuart century, Andrea Finkelstein traces the progress of such figures as Gerard de Malynes, William Petty, John Locke, and Charles Davenant by inviting us into the great trading companies and halls of parliament where we relive the debates over the coinage, the interest rate, and the nature of money. Furthermore, we see them model their works on the latest developments in physiology, borrow ideas from bookkeeping, and argue over the nature of numbers in an effort to construct a market theory grounded in objective moral value. This comprehensive approach clarifies the relationship between the century's economic ideas and its intellectual thought so that, in the end, readers will be able to judge for themselves whether this really was the age of the Capitalist Geist. Finkelstein has crafted her book to be both inclusive and interdisciplinary by skillfully integrating biography, political history, economic history, and intellectual theory as well as the economic heritage of its subjects. While the concepts are far from simple, Finkelstein's adroit style presents her analysis in an extremely accessible manner. Andrea Finkelstein is Assistant Professor of History, City University of New York.




A Man of Misconceptions


Book Description

A Scientific American Best Science Book of 2012 An Atlantic Wire Best Book of 2012 A New York Times Book Review “Editor's Choice” The “fascinating” (The New Yorker) story of Athanasius Kircher, the eccentric scholar-inventor who was either a great genius or a crackpot . . . or a bit of both. The interests of Athanasius Kircher, the legendary seventeenth-century priest-scientist, knew no bounds. From optics to music to magnetism to medicine, he offered up inventions and theories for everything, and they made him famous across Europe. His celebrated museum in Rome featured magic lanterns, speaking statues, the tail of a mermaid, and a brick from the Tower of Babel. Holy Roman Emperors were his patrons, popes were his friends, and in his spare time he collaborated with the Baroque master Bernini. But Kircher lived during an era of radical transformation, in which the old approach to knowledge—what he called the “art of knowing”— was giving way to the scientific method and modern thought. A Man of Misconceptions traces the rise, success, and eventual fall of this fascinating character as he attempted to come to terms with a changing world. With humor and insight, John Glassie returns Kircher to his rightful place as one of history’s most unforgettable figures.