The Worlds of the Moche on the North Coast of Peru


Book Description

The Moche, or Mochica, created an extraordinary civilization on the north coast of Peru for most of the first millennium AD. Although they had no written language with which to record their history and beliefs, the Moche built enormous ceremonial edifices and embellished them with mural paintings depicting supernatural figures and rituals. Highly skilled Moche artisans crafted remarkable ceramic vessels, which they painted with figures and scenes or modeled like sculpture, and mastered metallurgy in gold, silver, and copper to make impressive symbolic ornaments. They also wove textiles that were complex in execution and design. A senior scholar renowned for her discoveries about the Moche, Elizabeth P. Benson published the first English-language monograph on the subject in 1972. Now in this volume, she draws on decades of knowledge, as well as the findings of other researchers, to offer a grand overview of all that is currently known about the Moche. Touching on all significant aspects of Moche culture, she covers such topics as their worldview and ritual life, ceremonial architecture and murals, art and craft, supernatural beings, government and warfare, and burial and the afterlife. She demonstrates that the Moche expressed, with symbolic language in metal and clay, what cultures in other parts of the world presented in writing. Indeed, Benson asserts that the accomplishments of the Moche are comparable to those of their Mesoamerica contemporaries, the Maya, which makes them one of the most advanced civilizations of pre-Columbian America.




The Art and Archaeology of the Moche


Book Description

Renowned for their monumental architecture and rich visual culture, the Moche inhabited the north coast of Peru during the Early Intermediate Period (AD 100-800). Archaeological discoveries over the past century and the dissemination of Moche artifacts to museums around the world have given rise to a widespread and continually increasing fascination with this complex culture, which expressed its beliefs about the human and supernatural worlds through finely crafted ceramic and metal objects of striking realism and visual sophistication. In this standard-setting work, an international, multidisciplinary team of scholars who are at the forefront of Moche research present a state-of-the-art overview of Moche culture. The contributors address various issues of Moche society, religion, and material culture based on multiple lines of evidence and methodologies, including iconographic studies, archaeological investigations, and forensic analyses. Some of the articles present the results of long-term studies of major issues in Moche iconography, while others focus on more specifically defined topics such as site studies, the influence of El Niño/Southern Oscillation on Moche society, the nature of Moche warfare and sacrifice, and the role of Moche visual culture in decoding social and political frameworks.




Gallinazo


Book Description

Over the last decades, considerable effort has been directed towards the study of early complex societies of northern Peru, and in recent years archaeologists have expressed a strong interest in the art and archaeology of the Moche, Lambayeque and Chimu societies. Yet, comparatively little attention has been paid to the earlier cultural foundations of north coast civilization: the Gallinazo. In the recent years, however, the work of a number of north coast specialists brought about a large quantity of data on the Gallinazo occupation of the coast, but a coherent framework for studying this culture had yet to be defined. The present volume is the result of a round table, which gathered some thirty scholars from Europe and North and South America to discuss the Gallinazo phenomenon. In fourteen chapters, authors with different perspectives and backgrounds reconsider the nature of the Gallinazo culture and its position within north coast cultural history, while addressing wider issues about the development of complex societies in this area and within the Andean region in general. The contributions reveal a diversity of perspectives on north coast archaeology, something that is likely to stimulate methodological and theoretical debates among Andeanists, pre-Columbian specialists and New World archaeologists in general.




Sex, Death, and Sacrifice in Moche Religion and Visual Culture


Book Description

Raises the analysis of Moche iconography to a new level through an in-depth study of visual representations of rituals involving sex, death, and sacrifice.




Moche Fineline Painting From San Jose De Moro


Book Description

Moche civilization flourished on the north coast of Peru from AD 200 to 800. Although the Moche had no writing system, they left a vivid artistic record of their beliefs and activities on intricately painted ceramic vessels, several thousand of which are scattered in museums and private collections throughout the world today. Unfortunately, nearly all were looted by grave robbers so their origin and context are unknown. In recent years, however, through a combination of archaeological excavation and stylistic analysis, it has been possible to identify more than 250 painted vessels from the site of San Jose de Moro. To date, this is the largest sample of Moche art from a single place and time. Thus it provides a unique opportunity to identify a distinct sub-style of Moche ceramics, and to assess its range of artistic and technological variation. Moreover, within the sample it is possible to identify multiple paintings by 18 different artists, thus elucidating the range of subject matter that an artist would paint, as well as the variation in the way he would portray the same scene. By discussing and illustrating more than 200 painted vessels from San Jose de Moro, this volume provides insights about a community of ancient Peruvian potters who shared a distinctive painting style and left a fascinating record of their achievement.




Playing with Things


Book Description

More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own human temporality. From a new materialist perspective, she fills the gaps left by other analyses of the sex pots in pre-Columbian studies, where sexuality remains marginalized, and in sexuality studies, where non-Western art is largely absent. Taking a decolonial approach toward an archaeology of sexuality and breaking with long-dominant iconographic traditions, this book explores how the “pots play jokes, make babies, give power, and hold water,” considering the sex pots as actual ceramic bodies that interact with fleshly bodies, now and in the ancient past. A beautifully written study that will be welcomed by students as well as specialists, Playing with Things is a model for archaeological and art historical engagement with the liberating power of queer theory and Indigenous studies.




Ritual Violence in the Ancient Andes


Book Description

Traditions of sacrifice exist in almost every human culture and often embody a society’s most meaningful religious and symbolic acts. Ritual violence was particularly varied and enduring in the prehistoric South American Andes, where human lives, animals, and material objects were sacrificed in secular rites or as offerings to the divine. Spectacular discoveries of sacrificial sites containing the victims of violent rituals have drawn ever-increasing attention to ritual sacrifice within Andean archaeology. Responding to this interest, this volume provides the first regional overview of ritual killing on the pre-Hispanic north coast of Peru, where distinct forms and diverse trajectories of ritual violence developed during the final 1,800 years of prehistory. Presenting original research that blends empirical approaches, iconographic interpretations, and contextual analyses, the contributors address four linked themes—the historical development and regional variation of north coast sacrifice from the early first millennium AD to the European conquest; a continuum of ritual violence that spans people, animals, and objects; the broader ritual world of sacrifice, including rites both before and after violent offering; and the use of diverse scientific tools, archaeological information, and theoretical interpretations to study sacrifice. This research proposes a wide range of new questions that will shape the research agenda in the coming decades, while fostering a nuanced, scientific, and humanized approach to the archaeology of ritual violence that is applicable to archaeological contexts around the world.




Moche Portraits from Ancient Peru


Book Description

"This is the largest collection of Moche portraits that has ever been published. As one of the most remarkable groups of portraits produced by any ancient people, it will be of interest to all connoisseurs and scholars of the world's great art traditions, as well as to students of the Moche and prehistoric Andean peoples."--BOOK JACKET.




Ancient Households on the North Coast of Peru


Book Description

Ancient Households on the North Coast of Peru provides insight into the organization of complex, urban, and state-level society in the region from a household perspective, using observations from diverse North Coast households to generate new understandings of broader social processes in and beyond Andean prehistory. Many volumes on this region are limited to one time period or civilization, often the Moche. While Ancient Households on the North Coast of Peru does examine the Moche, it offers a wider thematic approach to a broader swath of prehistory. Chapters on various time periods use a comparable scale of analysis to examine long-term continuity and change and draw on a large corpus of prior research on states, rulership, and cosmology to offer new insight into the intersection of household, community, and state. Contributors address social reproduction, construction and reinforcement of gender identities and social hierarchy, household permanence and resilience, and expression of identity through cuisine. This volume challenges common concepts of the “household” in archaeology by demonstrating the complexity and heterogeneity of household-level dynamics as they intersect with institutions at broader social scales and takes a comparative perspective on daily life within one region of the Andes. It will be of interest to both students and scholars of South American archaeology and household archaeology. Contributors: Brian R. Billman, David Chicoine, Guy S. Duke, Hugo Ikehara, Giles Spence-Morrow, Jessica Ortiz, Edward Swenson, Kari A. Zobler




Moche Tombs at Dos Cabezas


Book Description

This study focuses on five Moche tombs that were excavated at the site of Dos Cabezas, on the north coast of Peru, between 1997 and 2000. The goal of the volume is to provide full documentation of the tombs and their contents in full color, describe the chronology of construction phases for the pyramid in which they were found, and explain how these tombs expand our understanding of Moche civilization.