Yellow Kid


Book Description

The Yellow Kid is the mischievous street urchin who took NY & the whole country by storm at the end of the 19th cent. He's the popular comic character created by Richard Felton Outcault who was the prize in a battle between the greatest newspaper titans of the Gilded Age, Joseph Pulitzer of the NY WorldÓ & William Randolph Hearst of the NY Journal.Ó The Yellow Kid's smiling face & yellow nightshirt appeared on thousands of books, toys, magazines, cookie tins, bars of soap, & myriad other products in Victorian homes. He was the star of the first comic strip. This volume reprints the entire comic strip for the first time since its original appearance in 1895-1898. A lengthy intro., illustrated with photos & drawings, discusses the Yellow Kid comic & its era.







R.F. Outcault's the Yellow Kid


Book Description

Who is the Yellow Kid? He's the mischievous street urchin who took New York and the whole country by storm at the end of the nineteenth century. He's the popular comic character who was the prize in a battle between the greatest newspaper titans of the Gilded Age, Joseph Pulitzer of the New York World and William Randolph Hearst of the New York Journal. He danced across the vaudeville stage, and his smiling face and yellow nightshirt appeared on thousands of books, toys, magazines, cookie tins, bars of soap, and myriad other products in Victorian homes. He was the star of the first comic strip, and he's back to celebrate his centennial with a commemorative stamp from the U.S. Postal Service and this volume, which reprints the entire comic strip for the first time since its original appearance in 1895-1898.




The Yellow Kid


Book Description

The comic strip that started it all, the American comic strip that laid the groundwork for an art form. This precocious kid from the barrio of Brooklyn took the US by storm in the late 1800s and coined the termed 'yellow journalism'. Collected here is the entire run along with dozens of never-before-collected images by Outcault. Also included is the extraordinarily rare strip Pore Lil Mose.




The Culture of Yellow


Book Description

This is the first book to explore the cultural significance of the color yellow, showing how its psychological and aesthetic value marked and shaped many of the intellectual, political, and artistic currents of late modernity. It contends that yellow functions during this period primarily as a color of stigma and scandal. Yellow stigmatization has had a long history: it goes back to the Middle Ages when Jews and prostitutes were forced to wear yellow signs to emphasize their marginal status. Although scholars have commented on these associations in particular contexts, Sabine Doran offers the first overarching account of how yellow connects disparate cultural phenomena, such as turn-of-the-century decadence (the "yellow nineties"), the rise of mass media ("yellow journalism"), mass immigration from Asia ("the yellow peril"), and mass stigmatization (the yellow star that Jews were forced to wear in Nazi Germany). The Culture of Yellow combines cultural history with innovative readings of literary texts and visual artworks, providing a multilayered account of the unique role played by the color yellow in late nineteenth- and twentieth-century American and European culture.




Of Comics and Men


Book Description

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.




Society Is Nix


Book Description

"Mit dose kids, society is nix!" So said the Inspector about the Katzenjammer kids, but he could have been speaking of all comic strips in their formative years at the turn of the last century. From the very first color Sunday supplement, comics were a driving force in newspaper sales, even though their crude and often offensive content placed them in a whirl of controversy. Sunday comics presented a wild parody of the world and the culture that surrounded them. Society didn't stand a chance. These are the origins of the American comic strip, born at a time when there were no set styles or formats, when artistic anarchy helped spawn a new medium. Here are the earliest offerings from known greats like R. F. Outcault, George McManus, Winsor McCay, and George Herriman, along with the creations of more than fifty other superb cartoonists; over 150 Sunday comics dating from 1895 to 1915.




Our Antediluvian Ancestors


Book Description




Tramping on Life


Book Description