Theatre in Europe Under German Occupation


Book Description

The Second World War went beyond previous military conflicts. It was not only about specific geographical gains or economic goals, but also about the brutal and lasting reshaping of Europe as a whole. Theatre in Europe Under German Occupation explores the part that theatre played in the Nazi war effort. Using a case-study approach, it illustrates the crucial and heavily subsidised role of theatre as a cultural extension of the military machine, key to Nazi Germany’s total war doctrine. Covering theatres in Oslo, Riga, Lille, Lodz, Krakau, Warsaw, Prague, The Hague and Kiev, Anselm Heinrich looks at the history and context of their operation; the wider political, cultural and propagandistic implications in view of their function in wartime; and their legacies. Theatre in Europe Under German Occupation focuses for the first time on Nazi Germany’s attempts to control and shape the cultural sector in occupied territories, shedding new light on the importance of theatre for the regime’s military and political goals.




The Routledge Handbook to Music under German Occupation, 1938-1945


Book Description

Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.




Theatre Symposium, Vol. 30


Book Description

Illustrates how theatre's engagement with politics changes over time




Dramaturgies of War


Book Description

This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications.




The Palgrave Handbook of Theatre and Race


Book Description

The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.




Ibsen at the Theatrical Crossroads of Europe


Book Description

While Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign acting and staging traditions influenced the Romanian Ibsenites provides new insights into mechanisms of aesthetic transmission. Thus, this study presents a European theatre landscape whose unpredictability and uniqueness cannot be confined to essentialist interpretations.




The Cambridge Companion to British Theatre of the First World War


Book Description

The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.




German-occupied Europe in the Second World War


Book Description

Inspired by recent works on Nazi empire, this book provides a framework to guide occupation research with a broad comparative angle focusing on human interactions. Overcoming national compartmentalization, it examines Nazi occupations with attention to relations between occupiers and local populations and differences among occupation regimes. This is a timely book which engages in historical and current conversations on European nationalisms and the rise of right-wing populisms.




State of the Arts


Book Description

This contemporary ethnographic study of German theatre brings anthropology into renewed dialogue with theatre and performance studies.




East Central European Migrations During the Cold War


Book Description

"An extremely useful and much needed survey. Over eleven chapters, authors from eight countries cover the complex history of migration from the perspective of Central and Eastern Europe between 1945 and 1993. Following in the footsteps of Klaus Bade’s Encyclopedia of European Migrations, the authors make extensive use of sources in national languages, while providing an extensive overview of population movements in the region between the Baltic, Black, and Adriatic Seas. The individual chapters shed light on phenomena overlooked in other volumes, including individual state reactions to various migratory phenomenon, and the political, economic, and ideological consequences of human movement. The chapters of this volume are uniform not only in their informative nature, but also in suggesting new pathways for in-depth research." Adam Walaszek, Jagiellonian University, Kraków, Poland "Eastern Europe is an emblematic space of mobility and its Cold War history cannot be told without considering migration from and into the countries of the region. This volume comes at a timely moment and provides a uniquely comprehensive account, full with useful information for further research. It will be a must-read both for migration studies scholars and for area specialists." Ulf Brunnbauer, Leibniz Institute for East and Southeast European Studies, Regensburg, Germany "The Handbook is a gift to students of migration on three counts. It gathers the expertise of scholars fluent in the languages – and familiar with the archives – of Eastern and Central Europe. Thus it brings the multi-layered and complex histories of movement beyond the flat descriptor of "Soviet bloc" or Eastern European migrations. The Handbook is both rich and lucid, presenting in-depth materials on the European twentieth-century, on one hand, and organizing each chapter in a similar way, offering the reader transparently comparable histories. From Estonia south to Albania, and from the USSR west to the GDR, each chapter elucidates a complex migration history distinguished by national politics, ethnic composition, and economics – moving from the cataclysmic impacts of World War II to the international migrations and politics of Cold War movement, as well as the politics of Cold War emigrants themselves. Each chapter ends with an epilogue on post-1989 international migrations and a valuable addendum on published and archival sources. Finally, the Handbook models the kind of high quality work produced by international scholarly cooperation at its best." Leslie Page Moch, Michigan State University Table of contents Introduction (Anna Mazurkiewicz) Albania (Agata Domachowska) Baltic States: Estonia, Latvia and Lithuania (Pauli Heikkilä) Bulgaria (Detelina Dineva) Czechoslovakia (Michael Cude and Ellen Paul) Germany (Bethany Hicks) Hungary (Katalin Kádár Lynn) Poland (Sławomir Łukasiewicz) Romania (Beatrice Scutaru) Ukraine (Anna Fiń) USSR (Alexey Antoshin) Yugoslavia (Brigitte Le Normand)