The Theatre of Gods Judgements


Book Description

A collection of stories relating to the sins of famous and historical figures, including an account of the death of Marlowe.




The Theatre of Gods Judgements


Book Description










Crime and God's Judgment in Shakespeare


Book Description

Divine retribution, Robert Reed argues, is a principal driving force in Shakespeare's English history plays and three of his major tragedies. Reed finds evidence of the playwright's growing ingenuity and maturing skill in his treatment of the crime of political homicide, its impact on events, and God's judgment on the criminal. Reed's analysis focuses upon Tudor concepts that he shows were familiar to all Elizabethans—the biblical principle of inherited guilt, the doctrine that God is the fountainhead of retribution, with man merely His instrument, and the view that conscience serves a fundamentally divine function—and he urges us to look at Shakespeare within the context of his time, avoiding the too-frequent tendency of twentieth-century critics to force a modern world view on the plays. Heaven's power of vengeance provides an essential unifying theme to the plays of the two historical tetralogies, Julius Caesar, Hamlet, and Macbeth. By analyzing these plays in the light of values held by Shakespeare's contemporaries, Reed has made a substantial contribution toward clarifying our understanding of the plays and of Elizabethan England.




A Critical Edition of John Beadle's a Journall or Diary of a Thankfull Christian


Book Description

Published in 1996: The Book the author produced, A Journall or Diary of a Thankfull Christian is essentially a manual, a how-to book about how to write a spiritual diary; moreover, it is the only one of its kind written in seventeenth-century England.




God of Love and God of Judgement


Book Description

How can a God of love also be a God of judgment? If God loves everyone, what is the point of judgment? Does God change from being wrathful in the Old Testament to loving in the New Testament? Can we discern God's judgments in current events, such as hurricanes and personal tragedies? Is it ever right for humans to judge? These are not just daunting issues for theologians to ponder. They are urgent questions for everyone. Our answers profoundly affect how we relate to God and how we live with one another. Coming to grips with these issues is vital for our spiritual journeys. Many people today emphasize God's love and downplay his judgment. The problem with this approach is that God's judgment is taught in Scripture from the beginning of Genesis to the end of Revelation, and it is a core part of the gospel preached by Jesus and his apostles. There are problems at the other end of the spectrum too, when we believe in a God of judgment who is not also a God of love. It is impossible for us to find spiritual peace when we live in constant dread of God, pictured as a harsh judge whom we can never please. This book calls us to embrace a more full, biblical image of God--one that joins his love and judgment together. Additionally, the book shows that, as those who are made in God's image, we can fuse love and judgment together constructively in our own daily lives.




Worlds of Wonder, Days of Judgment


Book Description

A look at 17th-century New England religion as it was practiced by the vast majority of the population, not by the clergy. This work offers insight into Puritan rituals, attitudes toward the natural word, and the creative tension between Puritan laity and clergy.




Civil Vengeance


Book Description

What is revenge, and what purpose does it serve? On the early modern English stage, depictions of violence and carnage—the duel between Hamlet and Laertes that leaves nearly everyone dead or the ghastly meal of human remains served at the end of Titus Andronicus—emphasize arresting acts of revenge that upset the social order. Yet the subsequent critical focus on a narrow selection of often bloody "revenge plays" has overshadowed subtler and less spectacular modes of vengeance present in early modern culture. In Civil Vengeance, Emily L. King offers a new way of understanding early modern revenge in relation to civility and community. Rather than relegating vengeance to the social periphery, she uncovers how facets of society—church, law, and education—relied on the dynamic of retribution to augment their power such that revenge emerges as an extension of civility. To revise the lineage of revenge literature in early modern England, King rereads familiar revenge tragedies (including Marston's Antonio's Revenge and Kyd's The Spanish Tragedy) alongside a new archive that includes conduct manuals, legal and political documents, and sermons. Shifting attention from episodic revenge to quotidian forms, Civil Vengeance provides new insights into the manner by which retaliation informs identity formation, interpersonal relationships, and the construction of the social body.




The Oxford Handbook of Holinshed's Chronicles


Book Description

The Chronicles of England, Scotland and Ireland (1577, 1587), issued under the name of Raphael Holinshed, was the crowning achievement of Tudor historiography, and became the principal source for the historical writings of Spenser, Daniel and, above all, Shakespeare. While scholars have long been drawn to Holinshed for its qualities as a source, they typically dismissed it as a baggy collection of materials, lacking coherent form and analytical insight. This condescending verdict has only recently given way to an appreciation of the literary and historical qualities of these chronicles. The Handbook is a major interdisciplinary undertaking which gives the lie to Holinshed's detractors, and provides original interpretations of a book that has lacked sustained academic scrutiny. Bringing together leading specialists in a variety of fields - literature, history, religion, classics, bibliography, and the history of the book - the Handbook demonstrates that the Chronicles powerfully reflect the nature of Tudor thinking about the past, about politics and society, and about the literary and rhetorical means by which readers might be persuaded of the truth of narrative. The volume shows how distinctive it was for one book to chronicle the history of three nations of the British archipelago. The various sections of the Handbook analyse the making of the two editions of the Chronicles; the relationship of the work to medieval and early modern historiography; its formal properties, genres and audience; attitudes to politics, religion, and society; literary appropriations; and the parallel descriptions and histories of England, Scotland, Ireland, and Wales. The result is a seminal study that shows unequivocally the vitality and complexity of the chronicle form in the late sixteenth century.