Theda Bara


Book Description

Despite being a mediocre actress with less than classic beauty, Theda Bara was one of Hollywood's leading performers in the early years of cinema. Her success was mostly due to Fox Studio's publicity: they made her a screen vamp and used her to titillate the public. And Theda Bara, ambitious and nearing 30 when she made her first film, enthusiastically played the role. In real life, Theodosia Goodman bore little resemblance to the vampish Theda Bara character. But the studio-created persona, with the invented name, evil personality and fictional history, was a major star. Though her films were often trite, poorly acted, extravagant and crude, the public packed movie houses. But her film career ended once the public tired of the persona. Through contemporary newspaper accounts, film reviews, interviews and other sources, this is a comprehensive account of the life and times of one of Hollywood's first female stars.




Theda Bara, My Mentor


Book Description

As movie patrons sat in darkened theaters in January 1914, they were mesmerized by an alluring temptress with long sable hair and kohl-rimmed eyes. Theda Bara--"the vamp," as she would come to be known--would soon be one of the highest paid film stars of the 1910s, earning an unheard of $4,000 per week, before retiring from the screen in 1926. In 1946, at age five, the author met Bara--then 61--at her Beverly Hills home and the actress became her mentor. This memoir is the story of their friendship.




Vamp


Book Description

Theda Bars's remarkable life as told by Eve Golden's heartfelt account is short of discovering a means of traveling through time and as close as we are ever likely to get to meeting the screen's great Vamp!




The Cherokee Nation and the Trail of Tears


Book Description

Today, a fraction of the Cherokee people remains in their traditional homeland in the southern Appalachians. Most Cherokees were forcibly relocated to eastern Oklahoma in the early nineteenth century. In 1830 the U.S. government shifted its policy from one of trying to assimilate American Indians to one of relocating them and proceeded to drive seventeen thousand Cherokee people west of the Mississippi. The Cherokee Nation and the Trail of Tears recounts this moment in American history and considers its impact on the Cherokee, on U.S.-Indian relations, and on contemporary society. Guggenheim Fellowship-winning historian Theda Perdue and coauthor Michael D. Green explain the various and sometimes competing interests that resulted in the Cherokee?s expulsion, follow the exiles along the Trail of Tears, and chronicle their difficult years in the West after removal.




A Companion to Ancient Greece and Rome on Screen


Book Description

A comprehensive treatment of the Classical World in film and television, A Companion to Ancient Greece and Rome on Screen closely examines the films and TV shows centered on Greek and Roman cultures and explores the tension between pagan and Christian worlds. Written by a team of experts in their fields, this work considers productions that discuss social settings as reflections of their times and as indicative of the technical advances in production and the economics of film and television. Productions included are a mix of Hollywood and European spanning from the silent film era though modern day television series, and topics discussed include Hollywood politics in film, soundtrack and sound design, high art and low art, European art cinemas, and the ancient world as comedy. Written for students of film and television as well as those interested in studies of ancient Rome and Greece, A Companion to Ancient Greece and Rome on Screen provides comprehensive, current thinking on how the depiction of Ancient Greece and Rome on screen has developed over the past century. It reviews how films of the ancient world mirrored shifting attitudes towards Christianity, the impact of changing techniques in film production, and fascinating explorations of science fiction and technical fantasy in the ancient world on popular TV shows like Star Trek, Babylon 5, Battlestar Galactica, and Dr. Who.




Hollywood and the Female Body


Book Description

From the first, brief moving images of female nudes in the 1880s to the present, the motion picture camera made the female body a battleground in what we now call the culture wars. Churchmen feared the excitation of male lust; feminists decried the idealization of a body type that devalued the majority of women. This history of Hollywood's treatment of women's bodies traces the full span of the motion picture era. Primitive peepshow images of burlesque dancers gave way to the "artistic" nudity of the 1910s when model Audrey Munson and swimmer Annette Kellerman contended for the title of American Venus. Clara Bow personified the qualified sexual freedom of the 1920s flapper. Jean Harlow, Mae West and the scantily clad chorus girls of the early 1930s provoked the Legion of Decency to demand the creation of a Production Code Administration that turned saucy Betty Boop into a housewife. Things loosened up during World War II when Betty Grable and Rita Hayworth ruled the screen. The postwar years saw the blonde bombshells and "mammary madness" of the 1950s while the 1960's brought bikini-clad sex kittens. With the replacement of the Production Code by a ratings system in 1968, nudity and sex scenes proliferated in the R-rated movies of the 1970s and 1980s. Recent movies, often directed by women, have pointed the way toward a more egalitarian future. Finally, the #MeToo movement and the fall of Harvey Weinstein have forced the industry to confront its own sexism. Each chapter of this book situates movies, famous and obscure, into the context of changes in the movie industry and the larger society.




The Moral Economists


Book Description

A fresh look at how three important twentieth-century British thinkers viewed capitalism through a moral rather than material lens What’s wrong with capitalism? Answers to that question today focus on material inequality. Led by economists and conducted in utilitarian terms, the critique of capitalism in the twenty-first century is primarily concerned with disparities in income and wealth. It was not always so. The Moral Economists reconstructs another critical tradition, developed across the twentieth century in Britain, in which material deprivation was less important than moral or spiritual desolation. Tim Rogan focuses on three of the twentieth century’s most influential critics of capitalism—R. H. Tawney, Karl Polanyi, and E. P. Thompson. Making arguments about the relationships between economics and ethics in modernity, their works commanded wide readerships, shaped research agendas, and influenced public opinion. Rejecting the social philosophy of laissez-faire but fearing authoritarianism, these writers sought out forms of social solidarity closer than individualism admitted but freer than collectivism allowed. They discovered such solidarities while teaching economics, history, and literature to workers in the north of England and elsewhere. They wrote histories of capitalism to make these solidarities articulate. They used makeshift languages of “tradition” and “custom” to describe them until Thompson patented the idea of the “moral economy.” Their program began as a way of theorizing everything economics left out, but in challenging utilitarian orthodoxy in economics from the outside, they anticipated the work of later innovators inside economics. Examining the moral cornerstones of a twentieth-century critique of capitalism, The Moral Economists explains why this critique fell into disuse, and how it might be reformulated for the twenty-first century.




Nickelodeon


Book Description




Frustrated Nationalism


Book Description

The nation-state is seen by many today as the key unit of analysis for international organization and cooperation in the modern age, but not all groups that want to make up and control their own nation-state are able to do so: historical factors, domestic politics, and international relations often prevent them from obtaining sovereign power. Groups that have tried to create a nation-state and failed to do so can be referred to as being "frustrated." Frustrated Nationalism offers case studies by an international collection of scholars who describe the efforts of many of those groups to achieve sovereign status, or at least to obtain greater control over the policies that affect them, their strategies, and their outcomes.