How to Know the Birds


Book Description

"In this elegant narrative, celebrated naturalist Ted Floyd guides you through a year of becoming a better birder. Choosing 200 top avian species to teach key lessons, Floyd introduces a new, holistic approach to bird watching and shows how to use the tools of the 21st century to appreciate the natural world we inhabit together whether city, country or suburbs." -- From book jacket.




30 Birds


Book Description

Adventure book, travel book, history book, geography book, science book, birding book, laughing-out-loud book -- all wrapped around accounts of pursuing 30 different birds in North America. (This book is connected to a website, 30birds30.com). How different the areas to which we go here are from each other! The first account here takes place in the higher elevations of the Santa Catalina Mountains outside Tucson, Arizona. That is not like the pelagic zone. "Pelagic trips" are sea-going voyages that take birders, and other interested observers, out to the open ocean beyond coastal waters where certain birds, like Leach's Storm-petrel occur. The Everglades is a vast watery expanse, of course, and at times being there can even remind you of floating on a sea, but it is, of course, very different from the pelagic zone. That this Sonoran Desert you find yourself in is totally unlike Delaware or New Hampshire or the suburbs of Washington, DC -- or Pawnee National Grassland -- is a thought that occurs to even the most single-minded birder in pursuit of that next bird. After seeing a lot of birds, the idea finally dawned that it would be worthwhile and interesting to memorialize new ones by typing up an account of the adventure of getting to see them, something which by its very nature involves learning something about the bird itself and the place or places where the observation was accomplished. The more of these accounts I completed, the more I realized how much these latter two learnings add to the adventure. Everything about and inspired by these birds is thought-provoking and enjoyable. The details can be delightfully shocking: parasitism, for example, or blinding mammal infants, or "extra pair activity." The place can be just as absorbing as the bird. To investigation of the differences in ecosystems can be added differences in history, not geological history, though that of course can compel, but social and political history: the CCC, the internment camps, conquistadors, the San Francisco Earthquake, even computer code. The ground you trod upon in pursuit of that winged creature in the bush or on the plain has tales to tell. In one case, that of the Red-faced Warbler, I have gone back to a time before I made the "memorialize" decision, but for all others the accounts are of birds seen after the concept struck. I wish I could go back not just as I did with the warbler, but with all the other predecessors and reconstruct what happened. But that's the problem. If you don't memorialize, details disappear. The original accounts were centered on the pursuit, in a few cases that was all that there was. In preparing all of these for publication, I have added accounts of life history and range where that was absent or have enlarged substantially on it when some was originally included. I have added details to descriptions of places and incorporated research about history. All of which I enjoyed greatly. But a signal joy was rereading these accounts -- it comes close to having these experiences all over again. My hope is that readers of 30 Birds will be able to share in this joy and that it will inspire their own pursuits, all types of pursuits. Some may find accounts here eccentric: Supreme Court cases, ENIAC programmer, Florida dentist in Attu, war against Aguinaldo, English poets, Carl Linné, Marineland, murder, Hotspur, sibilicide, nominalism, Great White Fleet, Monophysitism, Theosophy, but I hope this is a virtue.




Thirty Birds


Book Description

I do not know which to prefer, the birds of photography or the birds of poetry, flight in a frame or songs on a page. Of course, I would really prefer a walk in the woods, across the prairie or along the shore to see the herons, thrushes, sparrows and gulls in their proper places. I would give you the birds themselves if I could, and if I could be sure they wouldn't fly away. But I will give you what I can: my own thumbnail pictures and sets of sonnets, mixed in with fair use snippets of classic poetry by Yeats, Neruda, Oliver, Baudelaire and more than thirty other familiar poets. Like the birds, I would give you the whole of these other poets if I could, that you might walk into their woods and along their shores. It will be enough, though, if I can inspire you to see and listen for yourselves.




Thirty Shadow Birds


Book Description

To pursue her dream of building a life free from violence for her son and herself, Yalda flees from her nightmarish past as well as her troubled homeland, Iran. But in her new haven, she realizes that nightmares haunt not only her past, but also her present and future. She does what she can to survive, but all her plans dissolve like the shadows and ghosts that follow her. Having fled from an authoritarian regime, and now living in a North America panic-stricken by global terrorism, Yalda is obsessed with all the forms and aspects of violence. She is estranged from her beloved son, Nader, who trains to become an armed security guard, and this means he is wearing a uniform and carrying weapons, prepared to be violent. She cannot forget that her first love was shot and killed by a young prison guard and that her beloved stepbrother also met a violent death. This family history is a wound that makes guns taboo and Yalda yearns to feel safe in a troubled world. The novel is part memory, part dream, and part present, day-to-day struggles for immigrants living in Toronto and Montreal.




The World is My Home


Book Description

As recent events indicate, Iranian, Middle Eastern, and Islamic politics more broadly have been deeply influential in world affairs. Hamid Dabashi has been a highly visible and prominent commentator on these affairs, explaining, interpreting, and providing a critical perspective. This volume gathers together his most influential and insightful writings. As one of the foremost contemporary public intellectuals and scholars of our time, Dabashi's interests and writings span subjects ranging from Islamic philosophy and political ideology to Iranian art and Persian literature, from Sufism and Orientalism to Iranian and world cinema and contemporary Arab and Muslim visual arts; and from postcolonial theory and globalization to imperialism and public affairs. There is a direct connection between his theoretical innovations and the angle of his public interventions on the urgent global issues of the day. This book brings together some of his most important writings, especially those that offer new ways of understanding Islam, Iran, Islamist ideology, global art, and the condition of global modernity. The book shows the underlying conceptual themes that unify Dabashi's wide-ranging and brilliantly insightful corpus. Dabashi combines deep knowledge of the subject matter about which he writes, and highly refined sociological, hermeneutical, and cultural interpretive skills, moving far beyond the limiting, distorted, and intellectually stifling character of reigning absolutist conventions. He places existing authoritative frameworks under close scrutiny in order to produce novel and penetrating insights. These essays reflect historical and geographical worlds that are best viewed when Hamid Dabashi's work is read as a whole, which this one- volume work makes possible for the first time.




The Theosophist


Book Description




The Monist


Book Description

Vols. 2 and 5 include appendices.




The Conference of the Birds


Book Description




The Unwritten Book


Book Description

“One of our most interesting and bold writers . . . [offers] a characteristically wild effort that defies genre distinctions, flits from the profound to the mundane with fierce intelligence and searching restlessness, and at its best, delves deep into the recesses of the human heart with courageous abandon . . . An intoxicating blend of humor and pathos.” —Priscilla Gilman, The Boston Globe “Eerie, profound, and daring, this is a book only the inimitable Hunt could write.” —Adrienne Westenfeld, Esquire From Samantha Hunt, the award-winning author of The Dark Dark, comes The Unwritten Book, her first work of nonfiction, a genre-bending creation that explores the importance of books, the idea of haunting, and messages from beyond I carry each book I’ve ever read with me, just as I carry my dead—those things that aren’t really there, those things that shape everything I am. A genre-bending work of nonfiction, Samantha Hunt’s The Unwritten Book explores ghosts, ghost stories, and haunting, in the broadest sense of each. What is it to be haunted, to be a ghost, to die, to live, to read? Books are ghosts; reading is communion with the dead. Alcohol is a way of communing, too, as well as a way of dying. Each chapter gathers subjects that haunt: dead people, the forest, the towering library of all those books we’ll never have time to read or write. Hunt, like a mad crossword puzzler, looks for patterns and clues. Through literary criticism, history, family history, and memoir, inspired by W. G. Sebald, James Joyce, Ali Smith, Toni Morrison, William Faulkner, and many others, Hunt explores motherhood, hoarding, legacies of addiction, grief, how we insulate ourselves from the past, how we misinterpret the world. Nestled within her inquiry is a very special ghost book, an incomplete manuscript about people who can fly without wings, written by her father and found in his desk just days after he died. What secret messages might his work reveal? What wisdom might she distill from its unfinished pages? Hunt conveys a vivid and grateful life, one that comes from living closer to the dead and shedding fear for wonder. The Unwritten Book revels in the randomness, connectivity, and magic of everyday existence. And at its heart is the immense weight of love.




Conference of the Birds


Book Description

First written in the 12th century, Conference of the Birds is an allegory of extreme measures for extreme times -- the story of birds seeking a king is the story of all of us seeking God. Like the birds, we may be excited for the journey, until we realize that we must give up our fears and hollow desires, that our journey will be long and hard. Like the duck, we may not wish to leave the water. Like the nightingale, we may want to stay close to our roses. Direct and to the point, Masani's translation, made in the early part of the 19th century, is particularly apropos for our early 21st century times -- both are periods of intense spiritual seeking.