This is Not a Frank Ocean Cover Album


Book Description

In his debut short collectoin, poet Alan Chazaro takes us from the moonlit Bay Bridge to dark Oakland bars to tire shops to backyards to the fireworks and dirt paths of Mexico City. Chazaro's speakers battle to find internal truths in a world defined by external opposition. Here, we glide from Frank Ocean to 80s synthpop, from Half Moon Bay to Athens, from Oscar De La Hoya to Wolverine. This is a collection about navigating multiple worlds, about traversing from boyhood to manhood. In poems that crackle with "scorpions in the dark" and "Lauryn Hill's voodoo" and "fat / Adidas laces and barbership fades$$ Chazaro explores what it means to curate a sense of self as a millennial first-generation California Chicanx writer. His speakers are driven by a desire to control their identity in a world where they haven't been able to control much else - as the children of immigrants, as the occupants of ever-shifting spaces, as bodies that belong and don't belong. Structured like a rap mixtape, each poem on the "track list" is an ode to some vibration of memory, sound, or Chazaro's native Bay Area landscape. This Is Not a Frank Ocean Cover Album, just as we are not ever actually ourselves - but a collection of fragments from our component influences and cultures, a reflection of the choices we make in search of a more genuine self. --




Piñata Theory


Book Description




Marvel


Book Description

Watch creative worlds collide like never before in the ultimate fusion of hip-hop and the House of Ideas! With an introduction by award-winning author Ta-Nehisi Coates - a National Book Award winner, a recent MacArthur Genius Grant recipient and the writer of Marvel's BLACK PANTHER - this stunning volume showcases 70 comic-book covers inspired by some of the most iconic albums in music history. Experience page after page of incredible artwork featuring the heroes of the All-New, All-Diff erent Marvel Universe - from A-Force to the X-Men - by an unbelievable roster of talent including Adam Hughes, Brian Stelfreeze, Jim Cheung, Mike Del Mundo, Sanford Greene, Jenny Frison, Phil Noto, Mahmud Asrar, Damion Scott, Tim Bradstreet, Keron Grant, Ed Piskor and more! Their finished covers sit side-by-side with behind-the-scenes sketches, showing the process of rendering some of the most famous images in hip-hop, Marvel style. Straight outta comics - and onto your bookshelf!




Frank Ocean - Channel Orange (Songbook)


Book Description

(Piano/Vocal/Guitar Artist Songbook). All 12 tracks off the studio debut from this R&B superstar in piano/vocal/guitar arrangements. Includes the hit single "Thinkin' 'Bout You" and: Bad Religion * Crack Rock * Forrest Gump * Lost * Monks * Pilot Jones * Pink Matter * Pyramids * Sierra Leone * Super Rich Kids * Sweet Life.




This Is Why They Hate Us


Book Description

Seventeen-year-old Enrique "Quique" Luna decides to get over his crush on Saleem Kanazi before the end of summer by pursuing other romantic prospects, but he ends up discovering heartfelt truths about friendship, family, and himself.




Pop Song


Book Description

"A warm and expansive portrait of a woman’s mind that feels at once singular and universal," this collection of essays interweaves commentary on modern life, feminism, art, and sex with the author's own experiences of obsession, heartbreak, and vulnerability (BuzzFeed). Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go. Pop Song is a book about love and about falling in love—with a place, or a painting, or a person—and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss—from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde—Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself. Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed. Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness. "Each of the essays in this debut collection reads like a mini-memoir . . . in which the author reflects on her experiences of young love, trauma, and transcendence through discussions of art and music . . . with an intimacy that is at once tender and expansive." —New York magazine




There Will Be No Miracles Here


Book Description

NAMED A BEST BOOK OF 2018 BY NPR AND THE NEW YORK TIMES A PBS NEWSHOUR-NEW YORK TIMES BOOK CLUB PICK "Somehow Casey Gerald has pulled off the most urgently political, most deeply personal, and most engagingly spiritual statement of our time by just looking outside his window and inside himself. Extraordinary." —Marlon James "Staccato prose and peripatetic storytelling combine the cadences of the Bible with an urgency reminiscent of James Baldwin in this powerfully emotional memoir." —BookPage The testament of a boy and a generation who came of age as the world came apart—a generation searching for a new way to live. Casey Gerald comes to our fractured times as a uniquely visionary witness whose life has spanned seemingly unbridgeable divides. His story begins at the end of the world: Dallas, New Year's Eve 1999, when he gathers with the congregation of his grandfather's black evangelical church to see which of them will be carried off. His beautiful, fragile mother disappears frequently and mysteriously; for a brief idyll, he and his sister live like Boxcar Children on her disability checks. When Casey--following in the footsteps of his father, a gridiron legend who literally broke his back for the team--is recruited to play football at Yale, he enters a world he's never dreamed of, the anteroom to secret societies and success on Wall Street, in Washington, and beyond. But even as he attains the inner sanctums of power, Casey sees how the world crushes those who live at its margins. He sees how the elite perpetuate the salvation stories that keep others from rising. And he sees, most painfully, how his own ascension is part of the scheme. There Will Be No Miracles Here has the arc of a classic rags-to-riches tale, but it stands the American Dream narrative on its head. If to live as we are is destroying us, it asks, what would it mean to truly live? Intense, incantatory, shot through with sly humor and quiet fury, There Will Be No Miracles Hereinspires us to question--even shatter--and reimagine our most cherished myths.




Wolfgang Tillmans


Book Description

Few artists have changed the manner in which photographic images are made, read, and received over the past two decades as dramatically as German photographer Wolfgang Tillmans (b. 1968). One of the most important and distinctive artists to emerge in the 1990s, Tillmans’s work is internationally recognized for its powerful reflections on the often overlooked objects and moments in everyday life. With images culled from the entirety of Tillmans’s career, this generously illustrated book accompanies the artist’s first retrospective exhibition in the United States and features the potent effects of his portraits, abstractions, and structural and sculptural motifs. Essays by leading scholars examine the context of the German art and pop cultural scene in which Tillmans first began working in the late 1980s; his use of magazines as both venue and source materials; his unique approach to portraiture; his ability to create a sense of intimacy between the viewer and subjects ranging from his friends to cultural figures and heads of state; and his distinctive approach to presenting his images in displays and installations. A fascinating loo�k at the breadth of Tillmans’s career to date, including his most recent new work, this book demonstrates the renowned abilities of one of the art world’s most revolutionary photographers.




This Is Major


Book Description

From a fierce and humorous new voice comes a relevant, insightful, and riveting collection of personal essays on the richness and resilience of black girl culture--for readers of Samantha Irby, Roxane Gay, Morgan Jerkins, and Lindy West. Shayla Lawson is major. You don't know who she is. Yet. But that's okay. She is on a mission to move black girls like herself from best supporting actress to a starring role in the major narrative. Whether she's taking on workplace microaggressions or upending racist stereotypes about her home state of Kentucky, she looks for the side of the story that isn't always told, the places where the voices of black girls haven't been heard. The essays in This is Major ask questions like: Why are black women invisible to AI? What is "black girl magic"? Or: Am I one viral tweet away from becoming Twitter famous? And: How much magic does it take to land a Tinder date? With a unique mix of personal stories, pop culture observations, and insights into politics and history, Lawson sheds light on these questions, as well as the many ways black women and girls have influenced mainstream culture--from their style, to their language, and even their art--and how "major" they really are. Timely, enlightening, and wickedly sharp, This Is Major places black women at the center--no longer silenced, no longer the minority.




Black Under


Book Description

The poem from which BLACK UNDER derives its title opens with a resounding declaration: "I am black and black underneath." These words are an anthem that reverberates throughout Ashanti Anderson's debut short collection. We feel them as we navigate her poems' linguistic risks and shifts and trumpets, as we straddle scales that tip us toward trauma's still-bloody knife in one turn then into cutting wit and shrewd humor in the next. We hear them amplified through Anderson's dynamic voice, which sings of anguish and atrocities and also of discovery and beauty. BLACK UNDER layers outward perception with internal truth to offer an almost-telescopic examination of the redundancies--and incongruences--of marginalization and hypervisibility. Anderson torques the contradictions of oppression, giving her speakers the breathing room to discover their own agency. In these pages, declarations are reclamations, and joy is not an aspiration but a birthright.