After Lewis & Clark


Book Description

More than sixty paintings, drawings, and prints inspired during the sixty-five years of exploration in the West after the Corps of Discovery completed its epic journey are featured in this collection of historical artwork by George Catlin, Karl Bodmer, Albert Bierstadt, Thomas Moran, Seth Eastman, Charles Bird King, and other notable artists of the nineteenth-century American West.




Culture in the American Southwest


Book Description

If the Southwest is known for its distinctive regional culture, it is not only the indigenous influences that make it so. As Anglo Americans moved into the territories of the greater Southwest, they brought with them a desire to reestablish the highest culture of their former homes: opera, painting, sculpture, architecture, and literature. But their inherited culture was altered, challenged, and reshaped by Native American and Hispanic peoples, and a new, vibrant cultural life resulted. From Houston to Los Angeles, from Tulsa to Tucson, Keith L. Bryant traces the development of "high culture" in the Southwest. Humans create culture, but in the Southwest, Bryant argues, the land itself has also influenced that creation. "Incredible light, natural grandeur, . . . and a geography at once beautiful and yet brutal molded societies that sprang from unique cultural sources." The peoples of the American Southwest share a regional consciousness—an experience of place—that has helped to create a unified, but not homogenized, Southwestern culture. Bryant also examines a paradox of Southwestern cultural life. Southwesterners take pride in their cultural distinctiveness, yet they struggled to win recognition for their achievements in "high culture." A dynamic tension between those seeking to re-create a Western European culture and those desiring one based on regional themes and resources continues to stimulate creativity. Decade by decade and city by city, Bryant charts the growth of cultural institutions and patronage as he describes the contributions of artists and performers and of the elites who support them. Bryant focuses on the significant role women played as leaders in the formation of cultural institutions and as writers, artists, and musicians. The text is enhanced by more than fifty photographs depicting the interplay between the people and the land and the culture that has resulted.




Icons of the West


Book Description

A detailed study of the twenty-two sculptures created by Remington, contrasting authentic lifetime castings with fraudulent examples.
















Great Plains Quarterly


Book Description




Great Paintings of the Old American West


Book Description

Seventy-three reproductions of famous Western paintings reveal the changing vision of the American frontier and its inhabitants from the late eighteenth century to the present




Thomas Gilcrease


Book Description

The story of Thomas Gilcrease (1890-1962) is the story of the world's first oil boom, of a state in its formative years, of marriages and fortunes made and lost--but most lastingly it is the story of how the Gilcrease collection came to exist, and how Gilcrease Museum became an unparalleled treasure house now owned by the citizens of Tulsa, Oklahoma. With over 500,000 artifacts, pieces of art, and archival gems, it is a testament to one man's dedication and vision. In Thomas Gilcrease, the man behind that museum is revealed. Born in 1890, Thomas Gilcrease came of age at roughly the same time that Indian Territory became the forty-sixth state of the Union, in 1907. As a citizen of the Creek Nation, he received a 160-acre allotment near Kiefer--land located, as it turned out, within the famous Glenn Pool oil field. By August 1909, the forty-nine wells on this parcel were producing 25,000 barrels a month. Gilcrease and his wife began traveling the country, taking in art galleries and museums in New York City and the World's Fair in San Francisco. It was in Tulsa, however, that he purchasedRural Courtship, his first piece of art, and began a collection that eventually contained thousands As he advanced in age and his wealth increased, Gilcrease contemplated how to use his fortune to create something of value for future generations. In 1931 he told his friend Robert Humber of his decision: he would establish the Gilcrease Foundation, which would fund a museum, a library, and a home for underprivileged children. The ten essays in this volume, illustrated with more than 100 color images and rarely seen historical photographs, tell the story of one man's life and legacy. The contributors include present and former staff of the Gilcrease Museum and regular contributors to its journal. "Every man must leave a track," Gilcrease once said, "and it might as well be a good one."