Karl Barth's Analogy of Beauty


Book Description

This book provides the first comprehensive examination of Karl Barth’s view of beauty. For over fifty years, scholars have assumed Barth recovered traditional belief in God’s beauty but refused to entertain any relationship between this and more familiar natural and artistic beauties. Hans Urs von Balthasar was the first to offer this interpretation, and his conclusion has been echoed ever since, rendering Barth’s view of beauty irrelevant to work in theological aesthetics. This volume continues the late-twentieth-century revision of Balthasar’s interpretation of Barth by arguing that this too is a significant misunderstanding of his theology. Andrew Dunstan demonstrates that, through an encounter with fatalistic forms of Reformed theology, Brunner’s charges that his dogmatics were irrelevant and medieval thought, Barth gradually developed an analogy of divine, ecclesial and worldly beauty with all the theological, christocentric and actualistic hallmarks of his previous forms of analogy. This not only yields valuable new insight into Barth’s view of analogy but also provides a much-needed foundation for a distinctively Protestant and post-Barthian approach to theological aesthetics.







The Analogy of Beauty


Book Description

Examines the whole range of von Balthasar's theology and provides a clear introduction to his work.




Spirit and Beauty


Book Description

This text discusses what both the early Fathers and later writers such as Calvin and Sergius Bulgakov said about the association of beauty, both in nature and art, with the Holy Spirit. It also considers topics such as divine glory, inspiration and the eschatological character of beauty.




Dogmatic Aesthetics


Book Description

The identification of God with beauty is one of the most aesthetically rich notions within Christian thought. To avoid a theological account of beauty becoming a mere projection of our wildest desires, it must be reined in by dogmatics. This book employs the thought of Robert W Jenson to construct a dogmatic aesthetics.




Faith and Beauty


Book Description

'Aesthetics' and 'theological aesthetics' usually imply a focus on questions about the arts and how faith or religion relates to the arts; only the final pages of this work take up that problem. The central theme of this book is that of beauty. Farley employs a new typology of western texts on beauty and a theological analysis of the image of God and redemption to counter the centuries-long tendency to ignore or marginalize beauty and the aesthetic as part of the life of faith. Studying the interpretation of beauty in ancient Greece, eighteenth-century England, the work of Jonathan Edwards, and nineteenth and twentieth-century philosophies of human self-transcendence, the author explores whether Christian existence, the life of faith, and the ethical exclude or require an aesthetic dimension in the sense of beauty. The work will be of particular interest to those interested in Christian theology, ethics, and religion and the arts.




Theology of Karl Barth


Book Description

Written in 1951 (with a second edition in 1961), this book takes its place within an impressive array of attempts to wrestle with Karl Barth's theology from a Catholic point of view. The book adopts the twofold strategy of presenting an exposition of "the whole of Barth's thought," while doing so for the purpose of a confessional dialogue among theologians. Not to be construed as an "Introduction to the Theology of Karl Barth," Balthasar's effort is to provide a Catholic response which, though not "official", nonetheless seeks to express a common direction and movement within Catholicism. The Theology of Karl Barth shows how a rethinking of basic issues in fundamental theology-concerning the relation of nature and grace, philosophy and theology, the "analogy of being" and the "analogy of faith"-might lead to a rapprochement between the two great rivers of Christianity, without compromising the center of gravity of either. In the process the book makes a major contribution to renewed understanding of Christianity in a secularized modern world. Co-published with Communio Books. "This reflection by one of the century's great Catholic theologians on the theology of one of the century's great Protestant theologians is an example of ecumenical dialogue at its best. One finds here a sympathetic and at the same time faithfully Catholic discussion of the major issues surrounding Barth's christocentricity. The appearance of an unabridged English translation of this book could hardly be more timely for the current religious situation in North America." - David L. Schindler, Gagnon Professor of Fundamental Theology, John Paul II Institute "No one should think he can quickly dispose of questions posed here offhandedly. It was precisely because writers were in the habit during the time of the Reformation of theologizing with a hammer that the split in the Church became irreparable. And to work at overcoming this split means much effort. Only the patient need apply." - Hans Urs von Balthasar




Saving Karl Barth


Book Description

Challenging recent rejections of Hans Urs von Balthasar’s groundbreaking study of Karl Barth’s theology, Stephen Long argues that these interpreters are myopically impatient with the nuances of Balthasar’s reading of Barth and fail to appreciate the longstanding theological friendship that perdured. Even more, current readings threaten to repristinate the embattled divide hallmarking Protestant-Catholic relations prior to Vatican II. Long contends against these contemporary trajectories in a substantial defense of Balthasar’s theological preoccupation with Barth’s thought. This book offers one of the first full contextualizations of the friendship that developed between Balthasar and Barth, which lasted from the 1930s until Balthasar’s death in the 1980s. Re-evaluating Balthasar’s theological work on Barth, the present volume provides a critical new reading of not only Balthasar’s original volume but a wider account of the systematic engagement Balthasar carried on throughout his career. Within this, a paradigm for fruitful, generous ecumenical dialogue emerges.




God's Beauty-in-Act


Book Description

Jurgen Moltmann and others contend that Christian theology and the church face a dual crisis--one of relevance and the other of identity. Despite making this pronouncement nearly forty years ago, the church in the West continues to struggle with this crisis. Several proposals have been espoused, from the way of wisdom to the way of ecclesial praxis. Yet, little attention is given in Protestant theological discourse to the role God's beauty plays in bringing theology and ethics together. By neglecting God's beauty for theological discourse, we risk diminishing Christian worship, witness, and wisdom. God's Beauty-in-Act addresses these issues, in part, by arguing that the redemptive-creative suffering and glorious resurrection of Christ are the nexus of God's being, beauty, and Christian living. God's beauty, understood as the fittingness of the incarnate Son's actions in the Spirit to the Father's will, radiates God's glory and draws perceivers into the dramatic movements of God's triune life. These movements serve as the patterns that shape the imagination, enabling participants to perform their parts creatively and fittingly in God's drama of redemption. In doing so, human beings flourish as they jettison false identities and realities of their own making that are incommensurate with God's purpose found in Christ by the Spirit.




Analogies of Transcendence


Book Description

This book examines nature's sacramental relation to grace. Its seven chapters examine highlights of the problem since Aquinas, offer a critique of the question's current state, pose a revised paradigm and develop its implications for topics like analogy in theology, the Christian doctrine of God, religious aesthetics, and Christianity's relation to other religions. --Publisher description.