Handbook of Preparative Inorganic Chemistry


Book Description

Preparative methods. Elements and compounds. Hydrogen, deuterium, water. Hydrogen peroxide. Fluorine, hydrogen fluoride. Fluorine compounds. Chlorine, bromine, iodine. Oxygen, ozone. Sulfur, selenium, tellurium. Nitrogen. Phosphorus. Arsenic, antimony, bismuth. Carbon. Silicon and germanium. Tin and lead. Boron. Aluminum. Gallium, indium, thallium. Alkaline earth metals. Alkali metals. Copper, silver, gold. Zinc, cadmium, mercury. Scandium, yttrium, rare earths. Titanium, zirconium, hafnium, thorium. Vanadium, niobium, tantalum. Chromium, molybdenum, tungsten, uranium. Manganese. Rhenium. Iron. Cobalt, nickel. The platinum metals. Adsorbents and catalysts. Hydroxo salts. Iso - and heteropoly acids and their salts. Carbonyl and nitrosyl compounds. Alloys and intermetallic compounds.




Metal Finishing


Book Description







Copper and Bronze in Art


Book Description

This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.




Engineering Materials and Processing Methods


Book Description

Issues for 1929- include section Contents noted (1929-1939 called Metallurgical abstracts; Jan. 1940- Sept. 1945 called Engineering digest; Oct. 1945- called Materials & methods digest) Annual indexes of the abstracts and digest were prepared 1929-1941; beginning in 1942, included in the complete index to the periodical.




Blindsight


Book Description

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.




Chemical Industries


Book Description

Some vols. include Buyers' guide.




Historical Painting Techniques, Materials, and Studio Practice


Book Description

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.