The Tradition Of The Goddess Fortuna In Roman Literature And In The Transitional Period


Book Description

This scholarly work examines the role of the goddess Fortuna in Roman literature and religion, with a focus on the transition from Republic to Empire. It argues that Fortuna provided a useful metaphor for the political and social changes of the time. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










The Tradition of the Goddess Fortuna in Roman Literature and in the Transitional Period (Classic Reprint)


Book Description

Excerpt from The Tradition of the Goddess Fortuna in Roman Literature and in the Transitional Period The purpose of this essay is to study the nature and functions of the Goddess of Fortune in Roman literature and the literature of the transitional period.1 The frequent appearance of this figure in documents of the Middle Ages is well-known, although, perhaps, not adequately appreciated. It is well-known, too, that the goddess existed in earlier days in Rome, and was actually wor shipped as a prominent member of the pantheon. She is important, therefore, as a deity who was taken over after the transition from a polytheistic to a monotheistic religion, and her interest thus becomes twofold. Traits of the goddess in Rome, Which were re ected in the literature, would naturally survive in the literary treatment of later ages. This fact would suggest the possibility that some of the Old religious feeling might be retained in the Christian period. Are the references to Fortuna in the Middle Ages simply orna mental and perfunctory, or has She inspired fresh imaginative endeavor? Does She appear in only one sort of literature: for example, as a lay figure in a Classical background? Or is she a vital element in every variety of plot? Where precisely does the change from religion to allegory occur, or indeed does it really occur at all? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."







The End of Fortuna and the Rise of Modernity


Book Description

The late 16th century and the first half of the 17th century saw a final resurgence of the concept of Fortuna. Shortly thereafter, this goddess of chance and luck, who had survived for millennia, rapidly lost her cultural and intellectual relevance. This volume explores the late heyday and subsequent erasure of Fortuna. It examines vernacular traditions and confessional differences, analyses how the iconography and semantics of Fortuna motifs transformed, and traces the rise of complementary concepts such as those of probability, risk, fate and contingency. Thus, a multidisciplinary team of contributors sheds light on the surprising ways in which the end of Fortuna intersected with the rise of modernity.







You Goddess!


Book Description

'What guts. What attitude! These are the immortals I wish I'd learned about at school.' OLIVIA COLMAN Channel the feminist power of mythical goddesses in this witty, inspirational gift book. 'Wonderful.' CERYS MATTHEWS Whether it's the Norse warrior goddess Freya breaking all the rules, the Yoruba goddess Oshun being unafraid to ask for what she's owed, or the Japanese goddess Uzume finding humour and playfulness in even the most embarrassing of situations: this fierce and fantastic tour of 25 ancient deities reclaims these feminist icons for a new generation. Why settle for mere mortal excellence when you could be living like a goddess? Divinely illustrated by Georgia Perry, You Goddess! will help you conquer today's world.







Globalizing Fortune on The Early Modern Stage


Book Description

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency? Globalizing Fortune addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortunes unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theaterlike that of English seaborne expansionwas also a history of fortune. The public theater not only shaped popular understandings of fortunes role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon.