Transforming Literature into Scripture


Book Description

Transforming Literature into Scripture examines how the early textual traditions of ancient Israel - stories, laws, and rituals - were transformed into sacred writings. By comparing evidence from two key collections from antiquity - the royal library at Nineveh and the biblical manuscripts from the Dead Sea Scrolls - the book traces the stabilisation of textual traditions in the ancient Near East towards fixed literary prototypes. The study presents a new methodology which enables the quantification, categorisation and statistical analysis of texts from different languages, writing systems, and media. The methodology is tested on wide range of text genres from the cuneiform and biblical traditions in order to determine which texts tend towards stabilised forms. Transforming Literature into Scripture reveals how authoritative literary collections metamorphosed into fixed ritualised texts and will be of interest to scholars across Biblical, Judaic and Literary Studies.




Literarily


Book Description

Don’t just read the Bible literally—read it Literarily. A lot of times, we treat Scripture like it’s all the same from Genesis to Revelation. After all, it only has one Author. Isn’t it just one big book, identical from beginning to end? While it’s true that the Bible is unified, it is also diverse. The Bible can be grouped according to key categories, called genres, that help us to read and properly interpret the Scriptures. An understanding of these genres, and the literary themes and devices used within them, makes all the difference when encountering God’s Word. Long-time Bible teacher Kristie Anyabwile discovered as she prepared her lessons that a single inductive approach doesn’t do justice to the variety of genres that make up the Word of God. Because Scripture is a collection of writings that spans 1,500 years, many literary styles are represented and each must be taken into account for the fullest understanding of God’s Word. Kristie shows you the immense value of studying the Bible literarily—that is, according to the literary style presented in a particular book, chapter, or passage. In Literarily, Kristie will take you through these eight distinct genres: Law History Prophecy Poetry Gospels Epistles Wisdom Apocalyptic The Bible is an epic story that God has revealed to us through diverse genres and literary features. Its message and method are both meant to transform our hearts. Our goal as interpreters isn’t to meld the Scriptures into a bland conglomerate, but to recognize the multiple forms in which God’s Word comes to us. In so doing, we’ll encounter the ongoing story of Jesus’s redemption and learn how He calls His people to live in our complex world today.




Transforming


Book Description

In 2014, Time magazine announced that America had reached the transgender tipping point, suggesting that transgender issues would become the next civil rights frontier. Years later, many peopleeven many LGBTQ alliesstill lack understanding of gender identity and the transgender experience. Into this void, Austen Hartke offers a biblically based, educational, and affirming resource to shed light and wisdom on this modern gender landscape. Transforming: The Bible and the Lives of Transgender Christians provides access into an underrepresented and misunderstood community and will change the way readers think about transgender people, faith, and the future of Christianity. By introducing transgender issues and language and providing stories of both biblical characters and real-life narratives from transgender Christians living today, Hartke helps readers visualize a more inclusive Christianity, equipping them with the confidence and tools to change both the church and the world.




Review of Biblical Literature, 2020


Book Description

The annual Review of Biblical Literature presents a selection of reviews of the most recent books in biblical studies and related fields, including topical monographs, multi-author volumes, reference works, commentaries, and dictionaries. RBL reviews German, French, Italian, and English books and offers reviews in those languages. Features: Reviews of new books written by top scholars Topical divisions make research easy Indexes of authors and editors, reviewers, and publishers




Historical Linguistics and Biblical Hebrew


Book Description

!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" html meta content="text/html; charset=ISO-8859-1" http-equiv="content-type" body A philologically robust approach to the history of ancient Hebrew In this book the authors work toward constructing an approach to the history of ancient Hebrew that overcomes the chasm of academic specialization. The authors illustrate how cross-textual variable analysis and variation analysis advance research on Biblical Hebrew and correct theories based on extra-linguistic assumptions, intuitions, and ideologies by focusing on variation of forms/uses in the Masoretic text and variation between the Masoretic text and other textual traditions. Features: A unique approach that examines the nature of the sources and the description of their language together Extensive bibliography for further research Tables of linguistic variables and parallels




Understanding the Pentateuch as a Scripture


Book Description

A cutting-edge scholarly review of how the Pentateuch functions as a scripture, and how it came to be ritualized in this way. Understanding the Pentateuch as a Scripture is a unique account of the first five books of the Bible, describing how Jews and Christians ritualize the Pentateuch as a scripture by interpreting it, by performing its text and contents, and by venerating the physical scroll and book. Pentateuchal studies are known for intense focus on questions of how and when the first five books of the Bible were composed, edited, and canonized as scripture. Rather than such purely historical, literary, or theological approaches, Hebrew Bible scholar James W. Watts organizes this description of the Pentateuch from the perspectives of comparative scriptures and religious studies. He describes how the Pentateuch has been used in the centuries since it began to function as a scripture in the time of Ezra, and the origins of its ritualization before that time. The book: Analyzes the semantic contents of the Pentateuch as oral rhetoric that takes the form of stories followed by lists of laws and sanctions Gives equal space to its ritualization in the iconic and performative dimensions as to its semantic interpretation Fully integrates the cultural history of the Pentateuch and Bible with its influence on Jewish and Christian ritual, and in art, music, theatre, and film Understanding the Pentateuch as a Scripture is a groundbreaking work that highlights new research data and organizes the material to focus attention on the Pentateuch’s—and Bible’s— function as a scripture.




History, Archaeology and The Bible Forty Years After Historicity


Book Description

In History, Archaeology and the Bible Forty Years after "Historicity", Hjelm and Thompson argue that a ‘crisis’ broke in the 1970s, when several new studies of biblical history and archaeology were published, questioning the historical-critical method of biblical scholarship. The crisis formed the discourse of the Copenhagen school’s challenge of standing positions, which—together with new achievements in archaeological research—demand that the regional history of ancient Israel, Judaea and Palestine be reconsidered in all its detail. This volume examines the major changes that have taken place within the field of Old Testament studies since the ground breaking works of Thomas Thompson and John van Seters in 1974 and 1975 (both republished in 2014). The book is divided in three sections: changing perspectives in biblical studies, history and cult, and ideology and history, presenting new articles from some of the field’s best scholars with comprehensive discussion of historical, archaeological, anthropological, cultural and literary approaches to the Hebrew Bible and Palestine’s history. The essays question: "How does biblical history relate to the archaeological history of Israel and Palestine?" and "Can we view the history of the region independently of a biblical perspective?" by looking at the problem from alternative angles and questioning long-held interpretations. Unafraid to break new ground, History, Archaeology and the Bible Forty Years after "Historicity" is a vital resource to students in the field of Biblical and East Mediterranean Studies, and anyone with an interest in the archaeology, history and religious development in Palestine and the ancient Near East.




Tracking the Master Scribe


Book Description

When we encounter a text, whether ancient or modern, we typically start at the beginning and work our way toward the end. In Tracking the Master Scribe, Sara J. Milstein demonstrates that for biblical and Mesopotamian literature, this habit can lead to misinterpretation. In the ancient Near East, "master scribes"--those who had the authority to produce and revise literature--regularly modified their texts in the course of transmission. One of the most effective techniques for change was to add something new to the front, what Milstein calls "revision through introduction." This method allowed scribes to preserve their received material while simultaneously recasting it. As a result, many biblical and Mesopotamian texts continue to be interpreted solely through the lens of their final contributions. First impressions carry weight. Tracking the Master Scribe demonstrates what is to be gained when we engage questions of literary history in the context of how scribes actually worked. Drawing upon the two earliest corpora that allow us to track large-scale change, the book provides substantial hard evidence of revision through introduction, as well as a set of detailed case studies that offer fresh insight into well-known biblical and Mesopotamian texts. The result is the first comprehensive profile of this key scribal method: one that was ubiquitous in the ancient Near East and epitomizes the attitudes of the master scribes toward the literature that they left behind.




Writing the Bible


Book Description

For many years it has been recognized that the key to explaining the production of the Bible lies in understanding the profession, the practice and the mentality of scribes in the ancient Near East, classical Greece and the Greco-Roman world. In many ways, however, the production of the Jewish literary canon, while reflecting wider practice, constitutes an exception because of its religious function as the written "word of God", leading in turn to the veneration of scrolls as sacred and even cultic objects in themselves. "Writing the Bible" brings together the wide-ranging study of all major aspects of ancient writing and writers. The essays cover the dissemination of texts, book and canon formation, and the social and political effects of writing and of textual knowledge. Central issues discussed include the status of the scribe, the nature of 'authorship', the relationship between copying and redacting, and the relative status of oral and written knowledge. The writers examined include Ilimilku of Ugarit, the scribes of ancient Greece, Ben Sira, Galen, Origen and the author of Pseudo-Clement.




Empirical Models Challenging Biblical Criticism


Book Description

Cutting edge reflections on biblical text formation Empirical models based on ancient Near Eastern literature and variations between different textual traditions have been used to lend credibility to the identification of the sources behind biblical literature and the different editorial layers. In this volume, empirical models are used to critique the exaggerated results of identifying sources and editorial layers by demonstrating that, even though much of ancient literature had such complex literary histories, our methods are often inadequate for the task of precisely identifying sources and editorial layers. The contributors are Maxine L. Grossman, Bénédicte Lemmelijn, Alan Lenzi, Sara J. Milstein, Raymond F. Person Jr., Robert Rezetko, Stefan Schorch, Julio Trebolle Barrera, Ian Young, and Joseph A. Weaks. Features: Evidence that many ancient texts are composite texts with complex literary histories Ten essays and an introduction cover texts from Mesopotamia, the Hebrew Bible, the New Testament, and the Dead Sea Scrolls