Milton's Latin Poems


Book Description

In this collection, esteemed poet and translator David R. Slavitt brings to life John Milton’s Latin poetry with deft, imaginative modern English translations. While Milton is recognized as one of the most learned English poets in history, his Latin poetry is less well known. Slavitt’s careful rendering brings Milton’s Latin poems—many written in his late teens—into the present. He keeps true to the style of the originals, showing Milton’s maturing poetic voice and the freedom he found working in Latin. On the Gunpowder Plot O, sly Guy Fawkes, you plotted against your king and the British lords, but did you intend to be kind and make up for your malice in this thing with at least a show of piety? Do we find an intention, perhaps, of sending the members of court up to the sky in a chariot made of fire the way Elijah traveled. Or do I distort the simple wickedness of your desire? Featuring an introduction by Gordon Teskey, this comprehensive English-language collection of Milton’s Latin poems pays due respect to a master. Poetry lovers, Milton fans, and scholars of either will welcome, enjoy, and learn from this work.




How to Read a Latin Poem


Book Description

This is a book about poetry, language, and classical antiquity, and explains to the reader with little or no Latin how the language works as a unique vehicle for poetic expression. Fitzgerald guides the reader through samples of Latin poetry to give a sense of how the individual poems feel in Latin and what makes Latin poetry worth reading.







Latin Poetry


Book Description

Sannazaro (1456-1530) is most famous for having written the first pastoral romance in European literature, the Arcadia (1504). But after this work, he devoted himself entirely to Latin poetry modeled on his beloved Virgil. In addition to his epic The Virgin Birth (1526), he also composed Piscatory Eclogues, an adaption of the eclogue form.




The Oxford Book of Classical Verse


Book Description

Great Britain has a long and grand tradition of poets translating classical authors. Virtually every great poet from Chaucer on has tried his or her hand at translation, with the results often rivalling or even excelling the ancient original. This unique anthology presents the best of these translations, ranging from King Alfred, Alexander Pope, and Ben Jonson, to Alfred Lord Tennyson, Ezra Pound, and Ted Hughes. The book offers a vast array of responses to the song, verse, and drama of ancient Greece and Rome, and to poets themselves as varied as Homer, Sappho, Euripides, Virgil, Ovid, and Juvenal. Organized by classical author and text, the book gathers and juxtaposes English versions, sometimes of the same passage or poem, to dramatize the endless renewal of one great poetic tradition in and through another.




The Poetry of Translation


Book Description

Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.




Selected Translations


Book Description

For twenty years, Ilan Stavans has been translating poetry from Spanish, Yiddish, Hebrew, French, Portuguese, Russian, German, Georgian, and other languages. His versions of Borges, Neruda, Sor Juana Inés de la Cruz, Ferreira Gullar, Raúl Zurita, and dozens of others have become classics. This volume, which includes poems from more than forty poets from all over the world, is testimony to a life dedicated to the pursuit of beauty through poetry in different languages. “Lightning from the Stable” by Elizabeth Schön (Venezuela, 1921–2007) You don’t choose the abyss, the chaos, the nothingness They reach you in water running slowly for you not to be surprised by the absence of matter around you near the light of the soul calling the wing’s passing flap of the earth you live in.




The Oxford Book of Latin American Poetry


Book Description

The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.




Into English


Book Description

A unique anthology that illuminates the history and the art of translating poetry into English Into English allows readers an extraordinary opportunity to experience the process and artistry of translating poetry. Editors Martha Collins and Kevin Prufer invited twenty-five contributors, all of them translators and most of them also poets, to select one poem in another language and three English translations of it, and then to provide an essay about the challenges and rewards of translating it. This anthology offers the original poem and the translations side by side, so readers can compare the translations for themselves. The original poems are from across time and around the world. The poets include Sappho, San Juan de la Cruz, Basho, Rilke, Akhmatova, García Lorca, Szymborska, Amichai, and Adonis. The languages represented are many, from Latin to Chinese, Spanish, French, German, Russian, Hebrew, Arabic, and Haitian Creole. More than seventy translators are included, among them Robert Bly, Anne Carson, Ruth Fainlight, David Hinton, Rosemary Lloyd, Khaled Mattawa, and W. S. Merwin. Into English becomes a chorus in celebration of international poetry and translation—what George Kalogeris, quoting Virgil, describes as “song replying to song replying to song.” “Into English plunges the reader into a translation seminar: the joyous, argumentative, fetishistic, obsessive, and unending struggle to give poems new life in English. This generous book offers a plenitude: plural poems, plural languages, plural eras, plural translators. And summons us to add to the bounty.”—Rosanna Warren “Into English is the great book so many of us have waited for: an anthology that actually teaches one about craft. For what is the discussion of literary translation if not a patient, detail-oriented, step-by-step education for a poet on the masteries of word choice, precision, tone? To say that I love this very special collection is an understatement.”—Ilya Kaminsky Contributors include Kareem James Abu-Zeid, Willis Barnstone, Chana Bloch, Karen Emmerich, Danielle Legros Georges, Johannes Göransson, Joanna Trzeciak Huss, George Kalogeris, J. Kates, Alexis Levitin, Bonnie McDougall, Jennifer Moxley, Carl Phillips, Hiroaki Sato, Cindy Schuster, Rebecca Seiferle, Adam Sorkin, Susan Stewart, Cole Swensen, Arthur Sze, Stephen Tapscott, Alisa Valles, Sidney Wade, Ellen Doré Watson, and David Young.




A Literary History of Latin & English Poetry


Book Description

Victoria Moul's groundbreaking study uncovers one of the most important features of early modern English poetry: its bilingualism. The first guide to a forgotten literary landscape, this book considers the vast quantities of poetry that were written and read in both Latin and English from the sixteenth to the eighteenth century. Introducing readers to a host of new authors and drawing on hundreds of manuscript as well as print sources, it also reinterprets a series of landmarks in English poetry within a bilingual literary context. Ranging from Tottel's miscellany to the hymns of Isaac Watts, via Shakespeare, Jonson, Herbert, Marvell, Milton and Cowley, this revelatory survey shows how the forms and fashions of contemporary Latin verse informed key developments in English poetry. As the complex, highly creative interactions between the two languages are revealed, the work reshapes our understanding of what 'English' literary history means.