The Ebb Tide


Book Description




Treasure Island and The Ebb-Tide


Book Description

'"One more step, Mr Hands," said I, "and I'll blow your brains out"' In Treasure Island, a weathered old sailor known as Billy Bones arrives at the inn of young Jim Hawkins's parents - and it is the start of an adventure beyond anything he could have imagined. For when Bones dies mysteriously, Jim stumbles across a map of a mysterious island in his sea chest - where 'X' marks the spot of a stash of buried pirate gold. Setting sail with his friends on the ship Hispaniola to recover the treasure, Jim soon realizes that he's not the only one who knows about the hoard. Suddenly he is thrown into a world of treachery, mutiny, castaways and murder and, at the centre of it all, is the charming but sinister Long John Silver, who will stop at nothing to grab his share of the loot... The Ebb-Tide, a short novel published the year of Stevenson's death, is also a rollicking seafaring adventure, narrating the voyage of a stolen ship whilst exploring such themes as imperialism, violence, dishonesty, Christianity and corruption. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.




Treasure Island


Book Description







In the Enemy's Camp


Book Description

Retells, in comic book format, Robert Louis Stevenson's tale of an innkeeper's son who finds a treasure map that leads him to a pirate's fortune.




Cruising with Robert Louis Stevenson


Book Description

Cruising with Robert Louis Stevenson: Travel, Narrative, and the Colonial Body is the first booklengthstudy about the influence of travel on RobertLouis Stevenson's writings, both fiction and nonfiction.Within the contexts of late-Victorian imperialism andethnographic discourse, the book offers original closereadings of individual works by Stevenson while bringingnew theoretical insights to bear on the relationshipbetween travel, authorship, and gender identity in theVictorian fin de siècle. Oliver S. Buckton develops "cruising" as a criticalterm, linking Stevenson's leisurely mode of travelwith the striking narrative motifs of disruption andfragmentation that characterize his writings. Bucktontraces the development of Stevenson's career from hisearly travel books to show how Stevenson's majorworks of fiction, such as Treasure Island, Kidnapped, andThe Ebb-Tide, draw on innovative techniques and materialsStevenson acquired in the course of his globaltravels. Exploring Stevenson's pivotal role in the revivalof "romance" in the late nineteenth century, Cruisingwith Robert Louis Stevenson highlights Stevenson's treatmentof the human body as part of his resistance torealism, arguing that the energies and desires releasedby travel are often routed through disturbingly resistantor darkly comic corporeal figures. Buckton gives extensiveattention to Stevenson's writing about the SouthSeas, arguing that his groundbreaking critiques ofEuropean colonialism are formed in awareness of thefragility and desirability of Polynesian bodies and islandlandscapes. Cruising with Robert Louis Stevenson will be indispensableto all admirers of Stevenson as well as of greatinterest to readers of travel writing, Victorian ethnography, gender studies, and literary criticism.




South Sea Tales


Book Description

Roslyn Jolly is Lecturer in English at the University of New South Wales, Australia. She is the author of Henry James: History, Narrative, Fiction (OUP, 1993).




Tales of the South Seas


Book Description

Tales from the South Seas comprises The Beach at Falesá, The Bottle Imp, The Wrecker, The Ebb Tide, The Isle of Voices, and Letters, and is introduced by Jenni Calder.




A Footnote to History


Book Description




Treasure Island, And, the Black Arrow


Book Description

Squire trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the begin ning to the end, keeping nothing back but the bearings of the island, and that only because there is still treas ure not yet lifted, I take up my pen in the year Of grace 17 and go back to the time when my father kept the Admiral Benbow inn, and the brown Old seaman, with the sabre cut, first took up his lodging under our roof. I remember him as if it were yesterday, as he came plodding to the inn door, his sea chest following behind him in a hand-barrow a tall, strong, heavy, nut-brown man; his tarry pigtail falling over the shoulders of his soiled blue coat; his hands ragged and scarred, with black, broken nails and the sabre cut across one cheek.