Treasures from the Hispanic Society Museum & Library


Book Description

Archer M. Huntington (1870-1955), son of one of the wealthiest men in America, decided that his passion for Spain had to be reflected by creating a museum and a library that would make his knowledge of Spanish art and culture available to his compatriots and that is how he founded in 1904 The Hispanic Society of America in New York. A section of more than two hundred of these treasures is being presented at important museums, such as the Museo del Prado (Madrid), el Palacio de Bellas Artes (Mexico City), and the Albuquerque, Cincinnati and Houston museums in the United States. This volume gathers the content of this great exhibition including a detailed file of each piece and an introductory essay telling the story of the Hispanic Society's creation and the scope of its collections.




A Museum of One's Own


Book Description

By 1850 cash-flush Americans like J.P. Morgan, Henry Clay Frick, Isabella Stewart Gardner, Henry E. Huntington, Arabella Huntington, and Mildred and Robert Bliss went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. From the outset, these collectors planned to present their trophies to the public as museums in which they could dictate each and every detail of the arrangements. Drawing on a decade of research, Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds. Also references the Hertford family, Sir Richard and Lady Amelie Wallace, Le duc d'Amale and others.




The Metropolis in Latin America, 1830-1930


Book Description

This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.




The Neighborhood Manhattan Forgot


Book Description

“An illuminating treat! . . . it retraces the neighborhood’s fascinating arc from remote woodland estate to the enduring Beaux Arts streetscape.” —Eric K. Washington, award-winning author of Boss of the Grips This fully illustrated history peels back the many layers of a rural society evolving into an urban community, enlivened by the people who propelled it forward: property owners, tenants, laborers, and servants. It tells the intricate tale of how individual choices in the face of family dysfunction, economic crises, technological developments, and the myriad daily occurrences that elicit personal reflection and change of course pushed Audubon Park forward to the cityscape that distinguishes the neighborhood today. A longtime evangelist for Manhattan’s Audubon Park neighborhood, author Matthew Spady delves deep into the lives of the two families most responsible over time for the anomalous arrangement of today’s streetscape: the Audubons and the Grinnells. Beginning with the Audubons’ return to America in 1839 and John James Audubon’s purchase of fourteen acres of farmland, The Neighborhood Manhattan Forgot follows the many twists and turns of the area’s path from forest to city, ending in the twenty-first century with the Audubon name re-purposed in today’s historic district, a multiethnic, multi-racial urban neighborhood far removed from the homogeneous, Eurocentric Audubon Park suburb. “This well-documented saga of demographics chronicles a dazzling cast of characters and a plot fraught with idealism, speculation, and expansion, as well as religious, political, and real estate machinations.” —Roberta J.M. Olson, PhD, Curator of Drawings, New-York Historical Society The story of the area’s evolution from hinterland to suburb to city is comprehensively told in Matthew Spady’s fluidly written new history.” —The New York Times




Our America


Book Description

Explores how one group of Latin American artists express their relationship to American art, history and culture.




Luisa Roldán


Book Description




Chronotopes & Dioramas


Book Description

Text by Lynne Cooke, Enrique Vila-Matas.




Wifredo Lam


Book Description

Examines Lam (1902-1982), born in Cuba to Chinese and African-Spanish parents, as a global figure in the context of major artistic movements of the 20th century.




Cuentos Españoles de Colorado Y Nuevo México


Book Description

The "cuentos" or tales of this bilingual collection evoke the rich tradition of the early Spanish settlers and their descendants, relating the magic and events of everyday life in Colorado and the Hispanic villages of New Mexico.




The Isabella Stewart Gardner Museum


Book Description

"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.