Trial of Mary Blandy


Book Description

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.




The First Forensic Hanging


Book Description

'For the sake of decency, gentlemen, don't hang me high.' This was the last request of modest murderess Mary Blandy, who was hanged for poisoning her father in 1752. Concerned that the young men in the crowd who had thronged to see her execution might look up her skirts as she was 'turned off' by the hangman, this last nod to propriety might appear farcical in one who was about to meet her maker. Yet this was just another aspect of a case which attracted so much public attention in its day that some determined spectators even went to the lengths of climbing through the courtroom windows to get a glimpse of Mary while on trial. Indeed her case remained newsworthy for the best part of 1752, for months garnering endless scrutiny and mixed reaction in the popular press. Opinions are certainly still divided on the matter of Mary's 'intention' in the poisoning of her father, and the extent to which her coercive lover, Captain William Cranstoun, was responsible for this murder by proxy. Yet Mary Blandy's trial was also notable in that it was the first time that detailed medical evidence had been presented in a court of law on a charge of murder by poisoning, and the first time that any court had accepted toxicological evidence in an arsenic poisoning case. The forensic legacy of the acceptance of Dr Anthony Addington's application of chemistry to a criminal investigation another compelling aspect of The First Forensic Hanging.







Riding the Black Ram


Book Description

Unruly women are not often represented in a good light. Whether historical, or fictional, disruptive women with their real or imagined excesses have long provided the material for literary and legal narratives. This probing new work analyzes a series of literary, legal, and historical texts to demonstrate the persistence of certain gender stereotypes. In her 1820 adultery trial, Queen Caroline was depicted in a cartoon riding into the House of Lords on a black ram that had the face of her Italian lover. As this book reveals, a number of women, remembered largely for their insubordinate presence, have metaphorically "ridden the black ram" in the last 700 years. Heinzelman's historicized understanding of the relationship between law and literature reveals a disquieting pattern in the legal and literary representations of women and provides a new recognition of the significance of sexuality and gender in the way we narrate our world.







Narratives of Women and Murder in England, 1680–1760


Book Description

Arguing that the female criminal subject was central to the rise of the British novel, Kirsten T. Saxton provides fresh and convincing insights into the deeply complex ways in which categories of criminality, gender, and fiction intersected in the long eighteenth century. She offers the figure of the murderess as evidence of the constitutive relationship between eighteenth-century legal and fictional texts, comparing non-fiction representations of homicidal women in biographies of Newgate Ordinaries and in trial reports with those in the early novels of Aphra Behn, Delariviere Manley, Daniel Defoe, and Henry Fielding. As Saxton demonstrates that legal narratives informed the budding genre of the novel and fictional texts shaped the development of legal narratives, her study of deadly plots becomes a feminist intervention in scholarship on the literature of crime that simultaneously insists on the centrality of crime literature in feminist histories of the novel. Her epilogue shows that more than two centuries later, we still contend with displays of female violence that defy and define our notions of textual and sexual license and continue to shape legal and literary mandates, even as the lines between the real and the fictive remain blurred.







The Yorkshire Witch


Book Description

“A fascinating tale of witchcraft and skulduggery in darkest Yorkshire in the early 19th century. . . . An extraordinary story, brilliantly told.” —Books Monthly On the morning of March 20, 1809, the woman who had earned herself the title of “The Yorkshire Witch” was hanged at York’s New Drop gallows before an estimated crowd of twenty thousand people—many of them victims of her hoaxes and extortion. A consummate con artist, Mary Bateman was adept at identifying the psychological weaknesses of the desperate and poor who populated the growing industrial metropolis of Leeds. Exploiting their fears and terror of witchcraft, Mary was well placed to rob them of their worldly goods, yet she did much more than cause misery and penury. Though tried and convicted of only one murder, the contemporary belief that she was a serial killer is doubtlessly accurate. A meticulously researched retelling of Mary Bateman’s life and death, and the macabre legacy of her mortal remains, The Yorkshire Witch is also a “wealth of social history . . . about the lives of servants; housing conditions . . . the rise in religious fervour . . . the prevalence of superstitious beliefs . . . accounts of early toxicology; how crimes were prosecuted; the treatment of female convicts; and public executions” (Crime Review).







Glengarry's Way and Other Studies


Book Description

In this engrossing collection of essays, Scottish author William Roughead delves into the dark world of crime and punishment. From the notorious Glengarry murder case to the mysterious disappearance of a young heiress, Roughead's meticulous research and keen eye for detail bring each story to life. Fans of true crime and historical mysteries won't be able to put this book down. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.