Three Tales


Book Description

Acclaimed by Italo Calvino as "one of the most extraordinary spirtual journeys ever accomplished outside any religion," Three Tales (1877) was the last of Flaubert's works published during his lifetime. The ambitious range of the stories -- "A Simple Heart," "The Legend of Saint Julian the Hospitaller," and "Herodias" -- reaches from the author's own century back to the Middle Ages and to ancient Israel. "A Simple Heart," in Flaubert's own words, "is just the account of an obscure life, that of Felicite a poor country girl, pious but mystical, quietly devoted, and as tender as fresh bread... I want to arouse people's pity, to make sensitive souls weep, since I am one myself." The middle story, "The Legend of Saint Julian the Hospitaller," tells of a bloodthirsty hunter and warrior whose attempts to escape a dire prophecy ultimately lead to a state of grace. "Herodias," the final tale, is based on the legends surrounding King Herod, Salome, and John the Baptist. It served as the inspiration for later interpretations, including Oscar Wilde's Salome and Jules Massenet's opera Herodiade. "To any modern writer, in whatever language," remarked Anthony Burgess of Three Tales, "these are recommended as a fundamental textbook of style." Book jacket.




Flaubert, Trois Contes


Book Description







Three Lives


Book Description

The first published work of fiction by legendary author and poet Gertrude Stein, Three Lives is a collection of two short stories and a novella focusing on the bleak existence that faced immigrant and minority women in turn-of-the-century America. Each impoverished woman must labor as a domestic worker to survive, and all three protagonists have their own tales of hardship. "The Good Anna" tells the story of a young German servant who must decide between loyalty to her employer and love. In "The Gentle Lena," another German servant girl marries the wrong man, and finds herself trapped as a wife and mother. And the introspective "Melanctha" examines the tragic life of a mulatto woman and those she loved. Pocket Books' Enriched Classics present the great works of world literature enriched for the contemporary reader. This edition of Three Lives has been prepared by Brenda Wineapple, professor of Modern Literary and Historical Studies at Union College. It includes her introduction, a selection of critical excerpts, and suggestions for further reading, as well as a unique visual essay of period illustrations and photographs.




Three Tales


Book Description

Three Tales offers an excellent introduction to the work of one of the world's greatest novelists. A Simple Heart is set in the Normandy of Flaubert's childhood, while Saint Julian and Herodias draw on medieval myth and the biblical story of John the Baptist for their inspiration. Each of the tales invites comparison with one or other of Flaubert's novels, but they also reveal a fresh and distinctive side to the writers's genius. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.




Flaubert's Straight and Suspect Saints


Book Description

Israel Pelletier argues that "Trois contes" demands a different kind of reading which distinguishes it from "Madame Bovary" and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of "Un Coeur," an assessment of "Saint Julien" as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of "Herodias" as an autobiography of the writing process.




Formal Revolution in the Work of Baudelaire and Flaubert


Book Description

In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author's broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer's corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally "come to terms with" the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry--as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire--was crucial to their mission of "painting modern life." This work concludes that experimentation with literary form represents these two seminal writers' major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.




Allusion


Book Description

Originally published in 1994, this pioneering study looks empirically at the way allusion works in specific fictions and affects the reading process. Clear, concise definitions and distinctions are illustrated by close readings of Flaubert, Stendhal, Balzac, Zola, Proust, and Robbe-Grillet.




The Nineteenth-Century French Short Story


Book Description

The 19th-Century French Short Story, by eminent scholar, Allan H. Pasco, seeks to offer a more comprehensive view of the definition, capabilities, and aims of short stories. The book examines general instances of the genre specifically in 19th-century France by recognizing their cultural context, demonstrating how close analysis of texts effectively communicates their artistry, and arguing for a distinction between middling and great short stories. Where previous studies have examined the writers of short stories individually, The 19th-Century French Short Story takes a broader lens to the subject, and looks at short story writers as they grapple with the artistic, ethical, and social concerns of their day. Making use of French short story masterpieces, with reinforcing comparisons to works from other traditions, this book offers the possibility of a more adequate appreciation of the under-valued short story genre.




Three Tales - Flaubert


Book Description

Gustave Flaubert (1821-1880) is a legend, one of the great French writers. He wrote the novel " Madame Bovary," which landed him in court. He was accused of offending morality and religion. He was acquitted by the Sixth Correctional Court of the Seine Tribunal and condemned by puritans for the themes of adultery, criticism of the clergy, and the bourgeoisie. Flaubert is one of the most important representatives of French realism. In the work "Three Tales," written during a difficult period of his life, Flaubert demonstrates his enormous talent as a writer. The three narratives gathered in " Three Tales" were written with such mastery that it's hard to believe Gustave Flaubert was going through a crisis when he created them.