Turquoise Boy


Book Description

A retelling of a Navajo Indian legend in which Turquoise Boy searches for something that will make the Navajo people's lives easier. Includes a brief history of the Navajo people and their customs.




Turquoise, Water, Sky


Book Description

This book provides an overview of the uses of turquoise in native arts of the Southwest, beginning with the earliest people who mined and processed the stone for use in jewelry, on decorative objects, and as a powerful element in ceremony. In the past, as now, turquoise was valued for its color and beauty but also for its symbolic nature: sky, water, health, protection, abundance. The book traces historical and contemporary jewelry made by Navajo, Zuni, Hopi, and Santo Domingo artisans, and the continuously inventive ways the stone has been worked.




Turquoise


Book Description

Turquoise has been mined on six continents and traded by cultures throughout the world's history, including the Europeans, Chinese, Mayan, Aztec, Inca, and Southwest Native Americans. It has been set in silver and gold jewelry, cut and shaped into fetish animals, and even formed to represent gods in many religions. This gemstone is displayed in museums around the world, representing the arts and traditions of prehistoric, historic, and modern societies. Turquoise focuses on the latest information in science and art from the greatest turquoise collections around the globe.




Indian Jewelry of the American Southwest


Book Description

More than 125 vivid color photos display groups of Indian-made wrought silver, turquoise, shell, and coral jewelry brought together from the American Southwest. The authors explore the diversity of this handcrafted jewelry from historic collections as well as those available today on reservations. Includes products of Navajo, Zuni, Hopi, and Rio Grande Pueblo artisans.




Navajo Jewelry


Book Description

Reference of Navajo jewelry




Southwest Silver Jewelry


Book Description

This beautiful book examines the first century of Navajo and Pueblo metal jewelry-making in the American Southwest. Beginning in the late 1860s, the region's native peoples learned metalworking and united it with a traditon of beads and ornaments made from turquoise and other natural materials. The cross-cultural appeal of this jewelry continued into the mid-1900s, and by the 1950s and 1960s masters created a legacy of fine art jewelry that is prized today.




Turquoise Unearthed


Book Description

Showcasing works by modern jewelers, and featuring the historic Native American perspective, a complete guide to turquoise provides an in-depth look at both rough and polished natural turquoise from more than twenty famous “classic” mines. Original.




Southwestern Indian Jewelry


Book Description

A dazzling exploration of both traditional and contemporary jewelry. Spectacular photographs of the beautiful jewelry and sensitive portraits of the artists combine with an insightful, informative text to capture the spirit of this work and of the cultures from which it springs. Includes a collector's guide and a directory of sources. 210 illustrations, 155 in full color.




Fred Harvey Jewelry


Book Description

A book detailing the tourist Indian jewelry that was sold mainly in the Fred Harvey establishments at the end of the 19th century and the beginning of the 20th century in connection with the Santa Fe Railway. It includes detailed photographs of the native artisans and the jewelry made by novelty companies for the tourists. It is illustrated with many original Harvey Company photostint postcards, which paint a vivid picture of life in the American Southwest frontier.




Native American Bolo Ties


Book Description

Published in association with the Heard Museum. The bolo tie, also called a string tie, is a western necktie consisting of a piece of cord or braided leather with an ornamental clasp. While the exact origin of the bolo tie has been debated, its impact on western style and culture is without question. The bolo is the official neckwear of several states, including Texas, New Mexico, and Arizona. Native American artisans in the Southwest began producing bolo ties in the mid-twentieth century, at the height of America's fascination with cowboy and western culture, and in response to tourist demand for finely crafted Native American jewellery. This publication is the first to showcase a wide variety of Native American made bolo ties produced in the Southwest over the past sixty years. Drawing from collector Norman L Sandfield's collection as well as pieces from the Heard Museum's permanent collections, Native American Bolo Ties presents over zoo examples of bolo ties, vintage and contemporary, primarily created by Zuni, Hopi and Navajo artists and silversmiths, among others, and incorporating a variety of styles, materials, and designs which exemplify the fine lapidary and silverwork that distinguish Native December jewellery. This book is published to coincide with an exhibition at the Heard Museum, Phoenix, Arizona, in December 2011.