Ugly Colors


Book Description

First came the alphabet. Then came the numbers. Now Uglydoll cocreators David Horvath and Sun-Min Kim have whomped up their third Ugly Board about—what else? Colors, the full spectrum from red to purple, including the all-important combo, plaid!




Types for Proofs and Programs


Book Description

These proceedings contain a selection of refereed papers presented at or - lated to the Annual Workshop of the TYPES project (EU coordination action 510996), which was held during March 26–29, 2008 in Turin, Italy. The topic of this workshop, and of all previous workshops of the same project, was f- mal reasoning and computer programming based on type theory: languages and computerized tools for reasoning, and applications in several domains such as analysis of programming languages, certi?ed software, mobile code, formali- tion of mathematics, mathematics education. The workshop was attended by more than 100 researchers and included more than 40 presentations. We also had three invited lectures, from A. Asperti (University of Bologna), G. Dowek (LIX, Ecole polytechnique, France) and J. W. Klop (Vrije Universiteit, A- terdam, The Netherlands). From 27 submitted papers, 19 were selected after a reviewing process. Each submitted paper was reviewed by three referees; the ?nal decisions were made by the editors. This workshop is the last of a series of meetings of the TYPES working group funded by the European Union (IST project 29001, ESPRIT Working Group 21900, ESPRIT BRA 6435).







Anthropology of Color


Book Description

The field of color categorization has always been intrinsically multi- and inter-disciplinary, since its beginnings in the nineteenth century. The main contribution of this book is to foster a new level of integration among different approaches to the anthropological study of color. The editors have put great effort into bringing together research from anthropology, linguistics, psychology, semiotics, and a variety of other fields, by promoting the exploration of the different but interacting and complementary ways in which these various perspectives model the domain of color experience. By so doing, they significantly promote the emergence of a coherent field of the anthropology of color.




Colorways: Watercolor Flowers


Book Description

Colorways: Watercolor Flowers teaches artists of all skill levels how to paint harmonious, vibrant, and colorful renditions of flora. Calling all aspiring artists! Grab your paints because it's time to explore key watercolor techniques, including washes, gradations, painting wet-into-wet, glazing, and understanding the color wheel to create harmony in your art. With Colorways: Watercolor Flowers, you will create vibrant and colorful floral paintings while mastering how to use color for maximum effect. You'll also learn where to find artistic inspiration, how to become a “visual collector,” and how to add fauna to your floral paintings. Colorways is a brand-new series from Walter Foster that teaches artists of all skill levels how to create innovative, inspired artwork full of color and imagination. Focusing on creating expressive pieces over realistic scenes, Colorways shows artists how to break the "rules" of color and let their imaginations and artwork soar to new heights.




Open the Safe of Thoughts for Success


Book Description

Thoughts for success is a consolidation of common sense, that will help you help yourself each day with your choices and decisions.




The Small Home


Book Description




David Is an Ugly Word


Book Description

Don’t judge a name by its colors. MacKenzie Hamilton has the unique ability to see letters and numbers in colors. Her synesthesia seemed almost useless until she decided to start categorizing people based on their names’ color combinations. For instance, her parents’ names are pretty, so they’re destined to reconcile. And David Shaw, the boy next door, has an ugly name, so of course, she had to push him away. For three years, she’s lived with a false sense of security until senior year, when her color theory is put to the test in the worst way possible. David Shaw doesn’t understand why MacKenzie ghosted him. One minute, they were BFFs, and the next, it was like he never existed. But with money being tight, he has bigger problems to worry about. College may not be in the cards, especially music school. When David is paired with MacKenzie for a class mock-marriage project, he hopes she’ll finally tell him what went wrong. He would love to be friends again… maybe even more. The more they work together, the closer they become, causing MacKenzie to question her rationale for ditching David in the first place. Perhaps David’s name isn’t so ugly after all. As long as he never discovers why she shunned him, everything will work out. Famous last words.




Same Family, Different Colors


Book Description

Weaving together personal stories, history, and analysis, Same Family, Different Colors explores the myriad ways skin-color politics affect family dynamics in the United States. Colorism and color bias—the preference for or presumed superiority of people based on the color of their skin—is a pervasive and damaging but rarely openly discussed phenomenon. In this unprecedented book, Lori L. Tharps explores the issue in African American, Latino, Asian American, and mixed-race families and communities by weaving together personal stories, history, and analysis. The result is a compelling portrait of the myriad ways skin-color politics affect family dynamics in the United States. Tharps, the mother of three mixed-race children with three distinct skin colors, uses her own family as a starting point to investigate how skin-color difference is dealt with. Her journey takes her across the country and into the lives of dozens of diverse individuals, all of whom have grappled with skin-color politics and speak candidly about experiences that sometimes scarred them. From a Latina woman who was told she couldn’t be in her best friend’s wedding photos because her dark skin would “spoil” the pictures, to a light-skinned African American man who spent his entire childhood “trying to be Black,” Tharps illuminates the complex and multifaceted ways that colorism affects our self-esteem and shapes our lives and relationships. Along with intimate and revealing stories, Tharps adds a historical overview and a contemporary cultural critique to contextualize how various communities and individuals navigate skin-color politics. Groundbreaking and urgent, Same Family, Different Colors is a solution-seeking journey to the heart of identity politics, so that this more subtle “cousin to racism,” in the author’s words, will be exposed and confronted.




The Brilliant History of Color in Art


Book Description

The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.