Ugo Foscolo's Tragic Vision in Italy and England


Book Description

One of the most celebrated Italian writers of the early Romantic period, Ugo Foscolo (1778–1827) was known primarily as a novelist, a poet, and a nationalist. Following the Napoleonic Wars, he lived in self-exile in England during the last decade of his life. There he wrote numerous critical essays and collaborated with Lord Byron and other well-known members of English literary circles. Ugo Foscolo’s Tragic Vision in Italy and England examines an underexplored aspect of Foscolo’s literary career: his tragic plays and critical essays on that genre. Rachel A. Walsh argues that for Foscolo tragedy was more than another genre in which to exercise his literary ambitions. It was the medium for an elaborate life-long process of self-examination and engagement with political and literary conflict. By analysing Foscolo’s tragic struggles on and off the stage, Walsh sheds new light on his career and how it reflects on the important literary and political trends of the time.




Sepulchres and Other Poems


Book Description

Expressing the author's political, civic and sentimental concerns, these poems will surprise the English reader with their immediacy and intimacy. "e;On Sepulchres"e;, Foscolo's masterpiece, as well as being one of the pinnacles of European neoclassical literature, is still one of the most widely studied poems in Italy. Foscolo's poetry reveals the inner recesses of a passionate, restless and surprisingly modern mind.




Ugo Foscolo's Tragic Vision in Italy and England


Book Description

Ugo Foscolo's Tragic Vision in Italy and England examines an underexplored aspect of Foscolo's literary career: his tragic plays and critical essays on that genre.













Essays on Petrarch


Book Description




... Catalogue of Printed Books


Book Description







Gender, Mediation, and Popular Education in Venice, 1760–1830


Book Description

Gender, Mediation, and Popular Education in Venice, 1760–1830 examines how women with enough cultural capital could turn their identity as representatives of "the public" – those on the receiving end of education – to their advantage, producing knowledge under the guise of relaying it. Author Susan Dalton looks at the question of how elite women turned their reputation for ignorance into an opportunity to establish themselves as authors at the dawn of the nineteenth century in Venice. Many literary figures saw women as a group in need of education. By deploying essentialist understandings of femininity, whereby women possessed superior moral virtue but deficient rationality, these women entered the world of print as cultural mediators, identified by contemporaries as key players in the social projects of public education and moral edification central to the European Enlightenment. Focussing on Isabella Teotochi Albrizzi and Giustina Renier Michiel, both renowned Venetian authors, Dalton introduces two well-known Italian women of letters to English-speaking scholars, re-evaluates the impact of their writing in Italy and raises questions about female authorship across Europe, broadens our conceptions of gender norms, and enriches our knowledge of a little-known period of women’s writing in Italy. This volume is an essential resource for students and scholars alike interested in women’s and gender history, early modern history and social and cultural history.