Unending Design


Book Description

Drawing on the work of contemporary American poets from Ashbery to Zukofsky, Joseph M. Conte elaborates an innovative typology of postmodern poetic forms. In Conte's view, looking at recent poetry in terms of the complementary methods of seriality and proceduralism offers a rewarding alternative to the familiar analytic dichotomy of "open" and "closed" forms.




Frames of Referents


Book Description

"This book examines the work of Guillermo Carnero, one of Spain's most important contemporary poets, in the context of the critical theories developed in the West after World War II that inform all of Carnero's writing." "Previous critical studies have tried to link Carnero's poetry to that of other novisimo poets within the narrow confines of Spanish poetics and literary history. This study seeks to move beyond the limiting perspective of the Spanish generational paradigm."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Designing Successful e-Learning


Book Description

This is the second volume of six in Michael Allen’s e-Learning Library—a comprehensive collection of proven techniques for creating e-learning applications that achieve targeted behavioral outcomes through meaningful, memorable, and motivational learning experiences. This book examines common instructional design practices with a critical eye and recommends substituting success rather than tradition as a guide. Drawing from theory, research, and experience in learning and behavioral change, the author provides a framework for addressing a broader range of learner needs and achieving superior performance outcomes.




Epistrophies


Book Description

In 1941 Thelonious Monk and Kenny Clarke copyrighted “Epistrophy,” one of the best-known compositions of the bebop era. The song’s title refers to a literary device—the repetition of a word or phrase at the end of successive clauses—that is echoed in the construction of the melody. Written two decades later, Amiri Baraka’s poem “Epistrophe” alludes slyly to Monk’s tune. Whether it is composers finding formal inspiration in verse or a poet invoking the sound of music, hearing across media is the source of innovation in black art. Epistrophies explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves. From James Weldon Johnson’s vernacular transcriptions to Sun Ra’s liner note poems, from Henry Threadgill’s arresting song titles to Nathaniel Mackey’s “Song of the Andoumboulou,” there is an unending back-and-forth between music that hovers at the edge of language and writing that strives for the propulsive energy and melodic contours of music. At times this results in art that gravitates into multiple media. In Duke Ellington’s “social significance” suites, or in the striking parallels between Louis Armstrong’s inventiveness as a singer and trumpeter on the one hand and his idiosyncratic creativity as a letter writer and collagist on the other, one encounters an aesthetic that takes up both literature and music as components of a unique—and uniquely African American—sphere of art-making and performance.




Poetry as Re-Reading


Book Description

Grounded in a detailed and compelling account of the philosophy guiding such a project, Ma's book traces a continuity of thought and practice through the very different poetic work of objectivists Louis Zukofsky, George Oppen, Carl Rakosi, and John Cage and language poets Susan Howe, Lyn Hejinian, Bruce Andrews, and Charles Bernstein. His deft individual readings provide an opening into this notoriously difficult work, even as his larger critique reveals a new and clarifying perspective on American modernist and post-modernist avant-garde poetics. Ma shows how we cannot understand these poets according to the usual way of reading but must see how they deliberately use redundancy, unpredictability, and irrationality to undermine the meaning-oriented foundations of American modernism--and to force a new and different kind of reading."--Pub. desc.




Gloucesterbook


Book Description

This complex and intellectually extensive novel is an anthropological discovery of the various personal and social dimensions that define an imaginative place on the East Coast, to which the West Coast protagonist adapts and subordinates his new life even as he assists several of their inhabitants in their polyphonic story. The benign helpfulness of this book's language - its precision and humor, its sheer competence and intelligent ambition - creates a unique landmark in fiction. This novel is part of Bayliss's series GLOUCESTERMAN. Each of the four novels may be enjoyed independently.




Designing Brand Identity


Book Description

A revised new edition of the bestselling toolkit for creating, building, and maintaining a strong brand From research and analysis through brand strategy, design development through application design, and identity standards through launch and governance, Designing Brand Identity, Fourth Edition offers brand managers, marketers, and designers a proven, universal five-phase process for creating and implementing effective brand identity. Enriched by new case studies showcasing successful world-class brands, this Fourth Edition brings readers up to date with a detailed look at the latest trends in branding, including social networks, mobile devices, global markets, apps, video, and virtual brands. Features more than 30 all-new case studies showing best practices and world-class Updated to include more than 35 percent new material Offers a proven, universal five-phase process and methodology for creating and implementing effective brand identity




Both Sides of the Blade


Book Description

The birth of prince Qualthalas Aeth’Akir was supposed to have been an auspicious occasion for the moon dwelling Sillistrael’li elves of Antiqua, an ancient world orbiting the giant blue sun of a binary star system. But, since his heralded arrival, the sole heir to the Moon Elven Dynasty has lived a far from princely life, developing, instead, a keen knack for trouble as he struggles to find purpose. In his sojourn through the kingdoms of the Mithrainian continent, Qual stumbles into a diabolic plot involving the malevolent Darklord, Zhiniel Al-Nistir Szord’Ryn – an Indigo Elven necromancer covertly amassing a legion of the damned within his underworld citadel. Trapped in a twisted labyrinth with his half-orykan lover, Kaira, the mischievous elflord soon comes face-to-face with his murderous, exiled cousin, Cazares: now an agent of the Darklord. Employing a mysterious shadowy power, the dangerous and bitter pariah abducts Qual’s companion and goads the meddling prince into following him through a network of portals leading into the heart of Zhiniel’s domain. As Qualthalas traverses the underworld kingdom of Bazrin-Dal’ateir, alone and severely underprepared, help arrives in the strange form of a savage, viny terror, woven from the primordial essence of the predatory jungle it once inhabited. Forging a bizarre bond, the two work together to seek the source of the insidious miasma seeping into Antiqua’s kingdoms from its core. Unbeknownst to Qualthalas, he has been carefully manipulated by the hand of the Darklord himself: his involvement an orchestration, his very existence instrumental to Zhiniel’s designs for world domination. As the desperate rogue delves deeper into the underworld, so the Soul Harvester’s insidious grip tightens, threatening to snuff the light of Qual’s last vestiges of sanity...




Nothing Permanent


Book Description

A critical look at the competing motivations behind one of modern architecture’s most widely known and misunderstood movements Although “mid-century modern” has evolved into a highly popular and ubiquitous architectural style, this term obscures the varied perspectives and approaches of its original practitioners. In Nothing Permanent, Todd Cronan displaces generalizations with a nuanced intellectual history of architectural innovation in California between 1920 and 1970, uncovering the conflicting intentions that would go on to reshape the future of American domestic life. Focusing on four primary figures—R. M. Schindler, Richard Neutra, and Charles and Ray Eames—Nothing Permanent demonstrates how this prolific era of modern architecture in California, rather than constituting a homogenous movement, was propelled by disparate approaches and aims. Exemplified by the twin pillars of Schindler and Neutra and their respective ideological factions, these two groups of architects represent opposing poles of architectural intentionality, embodying divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures. Looking past California modernism’s surface-level idealization in present-day style guides, home decor publications, films, and television shows, Nothing Permanent details the intellectual, aesthetic, and practical debates that lie at the roots of this complex architectural moment. Extracting this period from its diffusion into visual culture, Cronan argues that mid-century architecture in California raised questions about the meaning of architecture and design that remain urgent today.




Pop Poetics


Book Description

Adopting artist-poet Joe Brainard as its principal focus, this project presents "Pop poetics" not as a minor, coterie movement meriting a sympathetic footnote in accounts of the postwar era's literary history, but as a missing link that confounds and potentially unites any number of supposedly rigid critical distinctions (authenticity versus formalism, the "personal" versus the mechanical). Pop poetics matter, argues Andrew Fitch, not just to the occasional aficionado of Brainard's I Remember, but to anybody concerned with reconstructing the dynamic aesthetic exchange between postwar art and poetry.