Until Stones Become Lighter Than Water


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A novel about the horrors of war and its aftermath from one of Europe's most brilliant authors Award-winning author António Lobo Antunes returns to the subject of the Portuguese colonial war in Angola with a vigorous account of atrocity and vengeance. Drawing on his own bitter experience as a soldier stationed for twenty-seven months in Angola, Lobo Antunes tells the story of a young African boy who is brought to Portugal by one of the soldiers who destroyed the child's village, and of the boy's subsequent brutal murder of this adoptive father figure at a ritual pig killing. Deftly framing the events through an assembly of interwoven narratives and perspectives, this is one of Lobo Antunes's most captivating and experimental books. It is also a timely consideration of the lingering wounds that remain from the conflict between European expansionism and its colonized victims who were forced to accept the norms of a supposedly superior culture.













Scientific American


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Warning to the Crocodiles


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Set in the aftermath of the “Carnation Revolution” of April 25, 1974, Antonio Lobo Antunes’s Warning to the Crocodiles is a fragmented narrative of the violent tensions resulting from major political changes in Portugal. Told through the memories of four women who spend their days fashioning homemade explosives and participating in the kidnap and torture of communists, the novel details the clandestine activities of an extreme right-wing Salazarist faction resisting the country’s new embrace of democracy. Warning to the Crocodiles (Exortação aos Crocodilos) has won: - Best Novel by the Portuguese Writers Association (Grande Prémio de Romance e Novela da Associação Portuguesa de Escritores) (1999) - The D. Dinis Prize of the Casa de Mateus Foundation (Prémio D. Dinis da Fundação Casa de Mateus) (1999) - The Austrian State Literature Prize (Prémio de Literatura Europeia do Estado Austríaco) (2000)




That Hair


Book Description

Finalist for the 2021 PEN Translation Prize A Best Translation of the Year at World Literature Today That Hair is a family album of sorts that touches upon the universal subjects of racism, feminism, colonialism, immigration, identity and memory. “The story of my curly hair,” says Mila, the narrator of Djaimilia Pereira de Almeida’s autobiographically inspired tragicomedy, “intersects with the story of at least two countries and, by extension, the underlying story of the relations among several continents: a geopolitics.” Mila is the Luanda-born daughter of a black Angolan mother and a white Portuguese father. She arrives in Lisbon at the tender age of three, and feels like an outsider from the jump. Through the lens of young Mila’s indomitably curly hair, her story interweaves memories of childhood and adolescence, family lore spanning four generations, and present-day reflections on the internal and external tensions of a European and African identity. In layered and luscious prose, That Hair enriches and deepens a global conversation, challenging in necessary ways our understanding of racism, feminism, and the double inheritance of colonialism, not yet fifty years removed from Angola’s independence. It’s the story of coming of age as a black woman in a nation at the edge of Europe that is also rapidly changing, of being considered an outsider in one’s own country, and the impossibility of “returning” to a homeland one doesn’t in fact know.




The Revolutionaries Try Again


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Extravagant, absurd, and self-aware, The Revolutionaries Try Again plays out against the lost decade of Ecuador's austerity and the stymied idealism of three childhood friends—an expat, a bureaucrat, and a playwright—who are as sure about the evils of dictatorship as they are unsure of everything else, including each other. Everyone thinks they're the chosen ones, Masha wrote on Antonio's manuscript. See About Schmidt with Jack Nicholson. Then she quoted from Hope Against Hope by Nadezhda Mandelstam, because she was sure Antonio hadn't read her yet: Can a man really be held accountable for his own actions? His behavior, even his character, is always in the merciless grip of the age, which squeezes out of him the drop of good or evil that it needs from him. In San Francisco, besides the accumulation of wealth, what does the age ask of your so called protagonist? No wonder he never returns to Ecuador. Mauro Javier Cardenas grew up in Guayaquil, Ecuador, and graduated with a degree in Economics from Stanford University. Excerpts from his first novel, The Revolutionaries Try Again, have appeared in Conjunctions, the Antioch Review, Guernica, Witness, and BOMB. His interviews and essays on/with László Krasznahorkai, Javier Marias, Horacio Castellanos Moya, Juan Villoro, and Antonio Lobo Antunes have appeared in Music & Literature, San Francisco Chronicle, BOMB, and the Quarterly Conversation.




Gems and Gem Minerals


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Sacred Realism


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In this thoughtful and compelling book, leading Spanish literature scholar Noël Valis re-examines the role of Catholicism in the modern Spanish novel. While other studies of fiction and faith have focused largely on religious themes, Sacred Realism views the religious impulse as a crisis of modernity: a fundamental catalyst in the creative and moral development of Spanish narrative.