Unwritten Poetry. Two lectures
Author : William LINWOOD (Dissenting Minister.)
Publisher :
Page : 24 pages
File Size : 19,98 MB
Release : 1849
Category :
ISBN :
Author : William LINWOOD (Dissenting Minister.)
Publisher :
Page : 24 pages
File Size : 19,98 MB
Release : 1849
Category :
ISBN :
Author : James Hogg
Publisher :
Page : 452 pages
File Size : 45,93 MB
Release : 1850
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Author :
Publisher :
Page : 446 pages
File Size : 45,46 MB
Release : 1850
Category :
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Author : W. S. Di Piero
Publisher : University of Chicago Press
Page : 90 pages
File Size : 39,65 MB
Release : 1992-06
Category : Literary Criticism
ISBN : 9780226153476
A collection of poems one wants to call religious, so intense is each poem's evocation of holiness in life's moments. --Dave Smith.
Author : British Museum. Department of Printed Books
Publisher :
Page : 706 pages
File Size : 27,75 MB
Release : 1891
Category : English literature
ISBN :
Author : Scott A. Trudell
Publisher : Oxford University Press
Page : 408 pages
File Size : 49,82 MB
Release : 2019-03-07
Category : Literary Criticism
ISBN : 0192571702
Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which--and by whom--its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.
Author : George Steiner
Publisher : New Directions Publishing
Page : 224 pages
File Size : 25,10 MB
Release : 2008
Category : Language Arts & Disciplines
ISBN : 9780811217033
One of the worlds foremost literary critics meditates upon seven books he long had in mind to write but never did. Massively erudite, the essays are also brave, unflinching, and wholly personal.
Author :
Publisher :
Page : 788 pages
File Size : 33,48 MB
Release : 1891
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Author : Marcus Amaker
Publisher :
Page : 106 pages
File Size : 40,31 MB
Release : 2020-06-02
Category : Poetry
ISBN : 9781734673708
"Masculinity doesn't have to be toxic, but some men choose to put poison on their tongue ..." The Birth Of All Things is an eclectic mix of poems from Marcus Amaker, the first Poet Laureate of Charleston, SC.This personal collection delivers poems about a wide range of topics: life as a new dad, racism in America, Bjork, anxiety, Star Wars, masculinity, pandemics, black music, history, and more. Amaker is an award-winning graphic designer, musician, and performance poet. The Birth Of All Things is the sum of all of his talents.The book features an original illustration from Florida artist Nick Davis.
Author : A. C. Bradley
Publisher : Good Press
Page : 232 pages
File Size : 27,86 MB
Release : 2020-01-09
Category : Poetry
ISBN :
Oxford Lectures on Poetry is a series of lectures by A. C. Bradley. Bradley was an English literary scholar. Excerpt: "The words 'Poetry for poetry's sake' recall the famous phrase 'Art for Art.' It is far from my purpose to examine the possible meanings of that phrase, or all the questions it involves. I propose to state briefly what I understand by 'Poetry for poetry's sake,' and then, after guarding against one or two misapprehensions of the formula, to consider more fully a single problem connected with it. And I must premise, without attempting to justify them, certain explanations. We are to consider poetry in its essence, and apart from the flaws which in most poems accompany their poetry. We are to include in the idea of poetry the metrical form, and not to regard this as a mere accident or a mere vehicle. And, finally, poetry being poems, we are to think of a poem as it actually exists; and, without aiming here at accuracy, we may say that an actual poem is the succession of experiences—sounds, images, thoughts, emotions—through which we pass when we are reading as poetically as we can.2 Of course this imaginative experience—if I may use the phrase for brevity—differs with every reader and every time of reading: a poem exists in innumerable degrees. But that insurmountable fact lies in the nature of things and does not concern us now."