Valeria, the Martyr of the Catacombs: A Tale of Early Christian Life in Rome


Book Description

This book reads like a fictional novel, as it begins by describing the journey of a Roman centurion and his Greek secretary on horseback, along the Appian Way. The author, however, has previously written a detailed study of the catacombs and wishes in this book to make the understanding of these places more accessible to everyday readers, while not straying from fact.




Valeria, the Martyr of the Catacombs


Book Description




Valeria, the Martyr of the Catacombs. a Tale of Early Christian Life in Rome.


Book Description

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.




Valeria, the Martyr of the Catacombs


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.







Valeria, the Martyr of the Catacombs


Book Description

Excerpt from Valeria, the Martyr of the Catacombs: A Tale of Early Christian Life in Rome The writer having made the Early Christian Catacombs a special study for several years, and his larger volume on that subject having been received with great favour in Great Britain, the United States, and Canada, has endeavoured in this story to give as popular an account as he could of early Christian life and character as illustrated by these interesting memorials of the primitive Church. He has been especially careful to maintain historical accuracy in all his statements of fact, and in the filling up of details he has endeavoured to preserve the historical "keeping" of the picture. Persons wishing to pursue the study of the Catacombs still further are referred to the Author's special work on that subject. See note at the end of this volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Valeria: The Martyr of the Catacombs: A Tale of Early Christian Life in Rome. --


Book Description

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Valeria


Book Description

The writer having made the early Christian Catacombs a special study for several years, and his larger volume on that subject having been received with great favour in Great Britain, the United States, and Canada, has endeavoured in this story to give as popular an account as he could of early Christian life and character as illustrated by these interesting memorials of the primitive Church.







Valeria: The Martyr of the Catacombs


Book Description

On a bright spring morning in the year of our Lord 303Ñit was in the "Ides of March," about the middle of the month, but the air was balmy as that of June in our northern climeÑtwo note-worthy-looking men were riding along the famous Appian Way, near the city of Rome The elder of the two, a man of large size and of mighty thews and sinews, was mounted on a strong and richly-caparisoned horse. He wore the armour of a Roman centurionÑa lorica or cuirass, made of plates of bronze, fastened to a flexible body of leather; and cothurni, or a sort of laced boots, leaching to mid-leg. On his back hung his round embossed shield; by his side, in its sheath, his short, straight sword, and on his head was a burnished helmet, with a sweeping horsehair crest. His face was bronzed with the sun of many climes. But when, for a moment, he removed his helmet to cool his brow, one saw that his forehead was high and white. His hair curled close to his head, except where it was worn bare at his temples by the chafing of his helmet, and was already streaked with grey, although he looked not more than five-and forty years of age. Yet the eagle glance of his eye was undimmed, and his firm-set muscles, the haughty expression of his countenance, and the high courage of his bearing, gave evidence that his natural strength was not abated. His companion contrasted strongly in every respect. He had a slender, graceful figure, a mobile and expressive face, a mouth of almost feminine softness and beauty, dark and languishing eyes, and long, flowing hair. He wore a snowy toga, with a brilliant scarlet border of what is still known as "Greek fret;" and over this, fastened by a brooch at his throat, a flowing cloak. On his head sat jauntily a soft felt hat, not unlike those still worn by the Italian peasantry, and on his feet were low-laced shoes or sandals. Instead of a sword, he wore at his side a metal case for his reed-pen and for a scroll of papyrus. He was in the bloom and beauty of youth, apparently not more than twenty years of age.