The Burlington Magazine for Connoisseurs
Author :
Publisher :
Page : 424 pages
File Size : 44,18 MB
Release : 1936
Category : Art
ISBN :
Author :
Publisher :
Page : 424 pages
File Size : 44,18 MB
Release : 1936
Category : Art
ISBN :
Author :
Publisher :
Page : 446 pages
File Size : 11,78 MB
Release : 1936
Category : Art
ISBN :
Includes section "Book reviews."
Author : Lyman Horace Weeks
Publisher :
Page : 64 pages
File Size : 50,67 MB
Release : 1898
Category : New York (N.Y.)
ISBN :
Author : James Silk Buckingham
Publisher :
Page : 900 pages
File Size : 12,44 MB
Release : 1880
Category :
ISBN :
Author :
Publisher :
Page : 864 pages
File Size : 32,44 MB
Release : 1885
Category : Arts
ISBN :
Author :
Publisher :
Page : 752 pages
File Size : 20,64 MB
Release : 1912
Category :
ISBN :
Author :
Publisher :
Page : 444 pages
File Size : 46,8 MB
Release : 1865
Category : United States
ISBN :
Author : Willa Cather
Publisher : E-Kitap Projesi & Cheapest Books
Page : 122 pages
File Size : 47,92 MB
Release : 2023-11-15
Category : Family & Relationships
ISBN : 6057566092
A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.
Author : Corcoran Gallery of Art
Publisher : Lucia Marquand
Page : 0 pages
File Size : 30,24 MB
Release : 2011
Category : Painting
ISBN : 9781555953614
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Author : Marina Belozerskaya
Publisher : Getty Publications
Page : 292 pages
File Size : 33,58 MB
Release : 2005-10-01
Category : Art
ISBN : 0892367857
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.