Catalogues of Sales


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Los Angeles Magazine


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Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.




Luxury Arts of the Renaissance


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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.




Catalogue of Valuable Printed Books, Illuminated and Other Manuscripts and Autograph Letters. The Books Comprise Publications of the Doves Press, Many Printed on Vellum, the Property of the Late T. J. Cobden-Sanderson, Esq.; Productions of the Kelmscott Press, the Property of the Late Howard H. Thomson, Esq., F.R.I.B.A.; Books in Fine Old Bindings, the Property of the Late Earl of Haddington, K.T.; Robert Burns, Poems, Kilmarnock Edition, 1786, the Property of W. Sheepshanks, Esq.; R. L. Stevenson, The Charity Bazar, 1868, the Property of Miss M. Moyes Black; Drawings by W. M. Thackeray, the Property of Mrs. Charles H. E. Brookfield; Books with Coloured Plates, the Property of a Gentleman; Shakespeare, Works, First Folio Edition, 1623, the Property of F. F. Urquhart, Esq.; and One of the Excessively Rare Harmonies of Little Gidding, the Property of the Late Mrs. Selina Gaussen; Also English Literature; Sporting Books; Americana; a Collection of Miniatures Cut from Illuminated Manuscripts; Incunabula; French XVIII Century Illustrated Books; a Portrait in Oils of Robert Burns by Nasmith; Decorated Horæ; Italian Antiphonaries, Etc. The Autograph Letters, Etc., Comprise the Bowes Family Papers, the Property of the Earl of Strathmore; Letters from Charlotte Brontë to Amelia Ringrose, and from J. A. M. Whistler to Mr. Marcus B. Huish; an Autograph Poem by Oscar Wilde; Letters and Manuscripts of Famous Musicians; a Document Signed by Edward Alleyn, 1626; Etc


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English Book Collectors


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Early Woodcut Initials


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First published in 1908, Jennings collates an extensive compendium of thirteen hundred reproductions of ornamental letters dating from the fifteenth and sixteenth centuries.




A Lost Lady


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A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.