In Deepest Consequences


Book Description

Calvin Samuels is a public defender with a passion for sticking by the underdog. His clients are desperate men and women with desperate cases. Like John Rogers. Although Samuels saved him from a life behind bars, he couldn’t save his life. Within months of his acquittal, Rogers’ body is fished from the Ohio River, two bullet holes in the back of his head. Police speculate his death was the result of a drug deal gone bad. Believing he failed a friend who depended on him, Samuels seeks redemption in the representation of Mark Alexander, accused of the brutal murder of two drug dealers. Needing to believe in his client’s innocence, however, Samuels is blind to clues that Alexander is not what, or who, he seems. Until he meets Allison Morris, Alexander’s former lover and the prosecution’s most damning witness. Could Alexander actually be Rogers’ murderer? But when the trial finally reaches its stunning conclusion, Samuels’ descent into the maelstrom has only just begun.




How to Sound Clever


Book Description

A fun and informative guide to some of the more obscure, curious and tricky words in the English language.




Finding Our Way Home


Book Description

After ballet dancer Sasha Davis suffers a severe injury and returns home to Minnesota to recover and deal with her mother's death, she forms an unexpected bond with her live-in aide, Evelyn, who helps Sasha face life with a renewed purpose.




Fordham College Monthly


Book Description




Rape-Revenge Films


Book Description

Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demographic. This second edition, ten years after the first, continues the assessment of these films and the discourse they provoke. Included is a new chapter about women-directed rape-revenge films, a phenomenon that--revitalized since #MeToo exploded in late 2017--is a filmmaking tradition with a history that transcends a contemporary context. Featuring both famous and unknown movies, controversial and widely celebrated filmmakers, as well as rape-revenge cinema from around the world, this revised edition demonstrates that diverse and often contradictory treatments of sexual violence exist simultaneously.




The Amateur Stage


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To Be an Actress


Book Description

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theater, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinized due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In this critical study of Wong's cross-media and transnational career, Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labor of performance. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labor as the bedrock of the entertainment industries.




To Catch a Prince


Book Description

To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.




Ministry of Illusion


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Overview of Nazi cinema




Merry Murderers


Book Description

This book explores the different trends and the various changes in the representational history of femmes fatales within twentieth century American culture. While providing precedents, discussing the Western cultural history of this iconic female figure, as well as presenting the cultural and theoretical debates surrounding ‘her,’ the major focus lies in Maurine Dallas Watkins’s story entitled Chicago and how its diachronic and transmedial revivals contributed to this debate and what kind of an interpretation it provided of the lethal woman. Through a cultural, historical, literary and cinematic excavation this book argues that the story of Chicago produces a unique kind of deathly woman figure: the farcical femme fatale by combining the traditionally tragic aspects with comic modes of discourse and (re)presentation. In addition to the theorization of the femme fatale within Western culture, the discussion of the comic as well as various comic genres and comic strategies of representation, Mikhail Bakhtin’s theory of the carnival and the carnivalesque is discussed in great detail – with an emphasis on scapegoating – as well as Judith Butler’s concept of gender performativity and Joan Riviere’s womanly masquerade in order to understand how the farcical femmes fatales of Chicago manage to get away with their sins and crimes. Additionally, the Vice of sixteenth century drama as well as the figure of the homme fatale are also taken under scrutiny since it is argued that, in the various versions of Chicago, we encounter farcical femmes fatales who are the minions of a modern(ized) Vice figure, and all their comic-grotesque performances and masquerades take place in the heterotopic space of the carnival. While also examining their historical and cultural contexts, the different versions of Chicago are investigated one by one starting from the original Chicago Tribune articles and ending in the 2002 film adaptation. This book reveals what strategies can be employed to justify the modification of the traditionally tragic scenario of the femme fatale. It is a scholarly work that is informative, thorough as well as entertaining.