Vampyre 2000


Book Description

In the third book of the Vampyre 2000 Series, Vampyre 2000: No Rest for the Wicked, Rita and Cornelius appeared to be living their afterlife happily ever after. Months after becoming vampyre, Rita had become well-adjusted to her new nocturnal lifestyle. They were both enjoying the relative peace and quiet of an undead life together when a violent and brutal murder, which had been captured by a security camera, was broadcast on national television. The news media quickly dubbed the vicious murderer 'The Vampire Killer'. However, no one would have ever imagined that she was anything more than just a psychotic and deranged killer. But Cornelius knew exactly what she was. She really was a vampire. As much as he would have liked to forget, Cornelius once had a history with this woman and they had been romantically involved. But there would be no joyful reunion; memories of her brought only pain and suffering to his troubled mind. Her reappearance symbolized the darkest period in his long life of two hundred years. Because of her the life that he once knew had come to an abrupt end. With the aid of a Police Officer (Detective Simpson), Rita and Cornelius leave The Old Victorian behind and embark on an exhausting journey that would take them from one side of the country to the other. With some unfinished business and an old score to settle, Cornelius was going home for the first time in over two centuries. Vengeance has a name and it knows no boundaries.




Vampyre 2000: Life to the Lifeless


Book Description

Cornelius was able to roam freely among the streets of the city undetected for one simple reason. If that man next to you on the train or that woman at the theatre told you that he or she was a vampire, would you believe them? After being turned into a vampire during transport to America to become a slave, he was thrown overboard and drifted ashore on the New England coastline in 1804. Now, hardened from a lifetime of death and solitude, he sensed a void within that left him feeling so very alone. In search of something or someone to give his life some meaning, Cornelius had walked the earth for centuries. Finally, he found what he had been endlessly waiting for, her name was Rita. But Cornelius had many secrets, most importantly, a frightening reminder of his past that had plagued him for over one hundred years. Inescapably, that past could no longer be ignored and would prove to be an obstacle that would prevent Cornelius and Rita from ever being together. If neglected further, it also threatened to end both of their lives, a life Cornelius saw as a new beginning. Even if he chose to confront his demons to find some closure and stop running, was he powerful enough to accomplish it? Staring deeply into the face of such an overwhelming situation, were they foolish to believe that they could be together?




Vampyre 2000: Ill of the Dead


Book Description

One of the main ideas behind writing Vampyre 2000: Life to the Lifeless was to show that if vampires actually existed, how one might live his life today. Cornelius, the main character, is a two hundred year old vampire who conducts business in the downtown of a major American metropolis. I set out to write a realistic story about his past and how he interacted and survived in the twenty first century. We saw him fall in love with a human female. We also saw how, because of his involvement with her, he was forced to protect her and ultimately save her life. Now, in Vampyre 2000: Ill of the Dead, Rita has become vampyre. Again, seeking a realistic treatment of the story, the reader will learn that the transition, for her, is not an easy one. The dark lifestyle and harsh reality of being a vampire soon fills Rita with regret and she rejects the way that she is forced to live her new life. In this story we will see Rita question the choices that she has made and decide on how she intends to embrace her future of being undead. Sometimes, the afterlife isnt always happily ever after. In the end, her transformation from a frightened and timid vampire to a powerful and confident creature of the night is sure to excite and intrigue you.




Vampires and Zombies


Book Description

The undead are very much alive in contemporary entertainment and lore. Indeed, vampires and zombies have garnered attention in print media, cinema, and on television. The vampire, with roots in medieval European folklore, and the zombie, with origins in Afro-Caribbean mythology, have both undergone significant transformations in global culture, proliferating as deviant representatives of the zeitgeist. As this volume demonstrates, distribution of vampires and zombies across time and space has revealed these undead figures to carry multiple meanings. Of all monsters, vampires and zombies seem to be the trendiest--the most regularly incarnate of the undead and the monsters most frequently represented in the media and pop culture. Moreover, both figures have experienced radical reinterpretations. If in the past vampires were evil, blood-sucking exploiters and zombies were brainless victims, they now have metamorphosed into kinder and gentler blood-sucking vampires and crueler, more relentless, flesh-eating zombies. Although the portrayals of both vampires and zombies can be traced back to specific regions and predate mass media, the introduction of mass distribution through film and game technologies has significantly modified their depiction over time and in new environments. Among other topics, contributors discuss zombies in Thai films, vampire novels of Mexico, and undead avatars in horror videogames. This volume--with scholars from different national and cultural backgrounds--explores the transformations that the vampire and zombie figures undergo when they travel globally and through various media and cultures.




Vampires in the New World


Book Description

This book provides an engaging historical survey of the vampire in American popular culture over 100 years, ranging from Bram Stoker's classic novel Dracula to HBO's television series True Blood. Vampires in the New World surveys vampire films and literature from both national and historical perspectives since the publication of Bram Stoker's Dracula, providing an overview of the changing figure of the vampire in America. It focuses on such essential popular culture topics as pulp fiction, classic horror films, film noir, science fiction, horror fiction, blaxploitation, and the recent Twilight and True Blood series in order to demonstrate how cultural, scientific, and ideological trends are reflected and refracted through the figure of the vampire. The book will fascinate anyone with an interest in vampires as they are found in literature, film, television, and popular culture, as well as readers who appreciate horror and supernatural fiction, crime fiction, science fiction, and the gothic. It will also appeal to those who are interested in the interplay between society and film, television, and popular culture, and to readers who want to understand why the figure of the vampire has remained compelling to us across different eras and generations.




The Girl's Guide to Vampires


Book Description

The good news is: He’s tall, dark, and handsome. The bad news is: He’s a bloodsucking creature of the night. Not to mention arrogant, predatory, and immortal. What’s a girl to do? No worries—in this guide, girls learn everything they need to know about these romantic rogues, including how to: Know when they’ve met a vampire Avoid falling prey to a nightstalker’s charms Resist even the most aggressive advances Protect themselves against the undead Destroy a vampire—using everything from holy water to decapitation Complete with a review of vampire books, TV shows, and films as well as accounts of real-life encounters with vampires, this book is all girls need to surrender to the night—and still make sure they’re around to see another day! Barb Karg (Pacific Northwest) is a veteran journalist, author, screenwriter and lifelong vampire aficionado currently at work on a vampire novel. She’s authored or coauthored twenty-two books.




Celluloid Vampires


Book Description

In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.




Free Trade in the Bermuda Triangle-- and Other Tales of Counterglobalization


Book Description

An alternative approach to mapping the world offers a new way to contest capitalism and globalization. Shangri-La, the Bermuda Triangle, Transylvania, the Golden Triangle--far-flung in popular conception, these anomalous places nonetheless occupy the same mysterious zone, a mythography of unruly cartographic practices. And because this mythography becomes associated with a particular area of the earth's surface, it may well suggest an alternative means of mapping the world, dissociated from the dominant geographical paradigms of nation-state, economic region, and the global/local marketing nexus. Large-scale nonnational geographical spaces that find their genesis in popular feeling, mystery, and belief, these four sites provide Brett Neilson with the basis not only for rethinking the current global reorganization of space and time but also for questioning the dominant narrative by which globalization marks the victory of capitalism. Free Trade in the Bermuda Triangle moves between analysis of popular fantasies and engagement with on-the-ground realities, weaving together topics as diverse as airplane disasters off the U.S. Atlantic coast, the global drug trade, vampire culture in postsocialist Europe, and the search for utopia in Chinese-occupied Tibet. The study of globalization is largely a solemn affair, occupied with increasing economic polarities, environmental degradation, and global insecurity. Free Trade in the Bermuda Triangle maintains a critical focus on these sobering issues but at the same time asks how popular pleasure and enjoyment can create viable alternatives to the current global order. Neilson takes seriously the proposition that capitalism must be contested at itsown level of generality, finding provisional grounds for resistance in nonlocal transnational spaces that embody quotidian hopes, desires, and anxieties. By studying the real and imagined dimensions of these popular geographies, his book seeks resources for social betterment in the fallen mythologies of the contemporary postutopian world.




The Everything Vampire Book


Book Description

• An affordable, accessible companion to vampire literature, films, and TV • Several vampire movies are due out in 2008 and 2009: Twilight, Underworld: Rise of the Lycans, and The Historian • Vampire communities are flourishing on the Internet—a simple “vampire societies” search on Google yields over 580,000 results • Everything reference books have sold more than 575,000 copies! Bram Stoker’s Dracula Anne Rice’s Lestat Stephenie Meyer’s Edward Who can resist these erotic, exotic creatures of the night? And who wants to? In The Everything® Vampire Book, readers unearth all the secrets of this beautiful, terrible underworld, including: • How vampires live, hunt, and endure • Why they refuse to die • How to destroy a vampire—from holy water to decapitation • The best—and worst—vampire books, TV shows, and films • What constitutes the “vampire lifestyle” and blood fetish practices • All the incarnations of vampires—from the Greek Lamia to the Indian Churel • Real-life encounters with vampires Vampire aficionados will enjoy sinking their teeth into the notorious history and bewitching tales in The Everything® Vampire Book!




Growing Up with Vampires


Book Description

Vampire narratives are generally thought of as adult or young adult fare, yet there is a long history of their appearance in books, film and other media meant for children. They emerge as expressions of anxiety about change and growing up but sometimes turn out to be new best friends who highlight the beauty of difference and individuality. This collection of new essays examines the history of vampires in 20th and 21st century Western popular media marketed to preteens and explores their significance and symbolism.