Various Items and Complaints


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This catalogue is conceived as part monograph and part artist book that brings together visual material consisting of installation images of Durham's works together with key essays approaching his practice from various dimensions.Various Items and Complaints is a major survey show at the Serpentine Gallery which highlights Durham's multi-dimensional practice, including sculpture, drawing and film. Alongside new sculptures and key installations, the exhibition also features a group of early works that have never been exhibited in the UK.Durham's work explores the relationship between forms and concepts. He combines words within his sculptures and drawings to conjure images and uses images to convey ideas. His sculptural constructions are often combined with disparate elements, such as written messages, photographs, words, drawings and objects.The core of Durham's work is his ability to explore the intrinsic qualities of the materials he uses, at times fused with the agility of wordplay and, above all, irony.His work addresses the political and cultural forces, e.g. the forces of colonialism that constructs our contemporary discourses and challenges our understanding of authenticity in art.Since Durham moved to Europe in the early 1990s, his works often, but not exclusively, challenge the idea of architecture, monumental works and narration of national identities by deconstructing those stereotypes and prejudices on which the Western culture is based.Published on the occasion of the exhibition Jimmie Durham: Various Items and Complaints at Serpentine Gallery, London, 1 October - 8 November 2015.




Electrical Review


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The Law Times Reports


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Complaint!


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In Complaint! Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.







NIST Handbook


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Report ...


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